็ใใพใใฏใใใพใใฆใ ใใฉใใใฃใใฏใขใผใใฃในใใฎ Dan Mitchel ใงใใ ๆจๅนดใ็งใๅ็ฃ็ฃใไธปๆผใ่ๆฌใไธป้กๆญใใใญใใฅใผในใๆ ๅฝใใ ็ญ็ทจๆ ็ปใA Love Story in The Summerใใ ใใชใฆใใๆ ็ป็ฅญใซใฆๅ ฅ้ธใใคใฟใชใขใฎๆ ็ป็ฅญใซใฆBEST ASIAN FILMใๅ่ณใใพใใใ
To everyone who joined usโour members, staff, and our loving, deeply perceptive audienceโthank you so much.
This time, we centered the event on the idea of pursuing โserious play.โ
For me, thatโs one answer to the question of how human beings can keep living in a truly human way from here on out. Total rationalism and efficiency-first thinkingโthings like time efficiency and cost efficiencyโmatter, of course. Iโm sure everyone has their own priorities, too.
But when that becomes everything, people start living like machines. And once humans live like machines, thereโs nothing we can beat AI atโand we end up losing the very meaning of being human.
In that sense, right nowโwith the snap general election following the dissolution of Japanโs House of Representatives, and all the โright vs. leftโ rhetoricโdivisions are everywhere. And even when we donโt realize it, itโs a story that spreads into the everyday lives of each of us.
In my own head, I always have two versions of myself: a hardcore realist and a hardcore idealist. But it canโt be that only one of them is โright.โ So Iโve been wondering whether thereโs a way to integrate them better.
By embracing โserious playโโby allowing some breadthโI want to keep moving forward with activities that donโt put โrightnessโ at the center, but instead place โbeautyโ as a major guiding axis.
On January 22, Iโm launching and carrying out a project that Iโm staking my life on. Itโs an event, a documentary film production, and also a club activity. The theme is โpursuing play with absolute seriousness.โ
There are still many parts I wonโt know until I actually do it, so I canโt explain it in a perfectly clear, straightforward way. In other words, by intentionally not deciding everything in advance, I want everyone to enjoy the โplayโ that emerges from that opennessโtogether.
I believe this is what โideal freedom,โ grounded in the belief in peopleโs inherent goodness, is meant to look like. Iโm really looking forward to the voluntary participation of all you wonderful people, and Iโm excited to share the experience with you. Letโs entrust the outcome to the universe, at least once.
ๅฎๅ็ใ่ตทๆฅญใใใ๏ผในใฟใผใใขใใM&AใจIPO็ฉ่ชใPresented by (ๆ ช)ใใกใคใใณในใปใใญใใฅใผในๆง
Dandy Asobi Club Band
2025 is coming to an end today. What kind of year was it for you?
For me, the past three years have been years of constant trial and error. Every year, through meeting all kinds of people, Iโve been transforming not just my activities, but the way I live itself. And this year, right from the very beginning, I had an encounter that was incredibly important to meโone that finally made it clear what I truly want to cherish. Of course, as you can probably tell from my work, what I want to do hasnโt changed. But what used to feel like I was doing things without fully understanding why has become much more defined and clarified. And because of that, in the second half of this year I was able to create songs that Iโm genuinely confident inโand I donโt think that was a coincidence.
Iโve also realized again that I really do love beauty. And I donโt mean that in a superficial sense. In modern physics, matter is understood as a form of energyโan aggregation of energy. So the question becomes: how do we generate beautiful energy? For human beings, itโs about how we use our bodies to create beautiful energy in the world. Thatโs what I want to focus on.
This year I posted a lot of complicated, nitpicky thoughts on my blog and social mediaโbut fundamentally, I believe words are imperfect. Of course, if someone can express beauty through words, thatโs wonderful. But I donโt think I have that level of skill. I do try my best to write, but for me, that process is largely about sharpening my own senses. Ultimately, I want to be able to expressโor embodyโthat beautiful energy itself, in whatever form it takes.
Maybe it was because I encountered somethingโsomeoneโbeautiful, and was jolted awake by it. In a way, I may have regained something I was close to losing on a conscious level. I think I managed to live through this year powered by that energy.
So in 2026, my focus will be how to embody that kind of beautiful energy. Right at the start of the year, Iโm hosting my event โDandy Asobi Club,โ and Iโd truly love for you to come hang out. Beyond that, Iโll be working on my first album, a nationwide tour, and I already have a story in my headโplot and allโthat I want to shoot as a short film.
And yesโon a softer note, I hope I can make some new friends, too. Even better if we can create something together. In that sense, Iโd love to challenge myself with things that feel completely new as well.
To be honest, I donโt really know what people think of me when Iโm not right in front of them. But despite how serious I may sound sometimes, Iโll still casually do street performances in a Santa outfit, no problem. I donโt think Iโm particularly prideful. And even if itโs not a โcool guyโ roleโif itโs a weird or eccentric roleโif the script and direction are good, Iโd happily do it. My boundaries might be a little different from what people expect, so Iโd be really happy if you feel free to reach out casually.
Iโm pretty clear about what I can do and what I canโt, so I hope youโll enjoy that for what it is. And Iโd love it if, through all of this, a circle of positive resonance keeps expanding.
With that saidโthank you so much for everything this year. From the very beginning, I received tremendous support for going to Hollywood. After that, I hosted events, and for the first time I received an offer to shoot a clientโs music video. And then there was my performance at a museum. I received the thrilling (and nerve-racking) request to sing a song a cappellaโand I was deeply encouraged to feel that people trusted my singing ability.
I sincerely hope for your continued support next year as well. This year Iโm in a period of mourning, so I havenโt decided yet how Iโll greet the New Yearโbut please, have a wonderful year ahead.
“Expected Time Table” 18:30~19:00 DJรBAND SESSION 19:00~19:30 Dan Mitchel Band Set 1st Stage 19:30~19:45 Opening Talk 19:45~20:25 ActingรBand(Love Story with Romantic Band Music ) 20:25~20:45 PantomimeรBand 20:45~21:00 Break Time 21:00~21:05 Ukulele Live 21:05~21:20 Improvised New SongรPantomimeรDance 21:20~21:40 InteviewรBandรActing(Voice of the youth) 21:40~21:45 Ending Talk 21:45~22:15 Dan Mitchel Band Set 2nd Stage 22:15~22:45 Ending DJ
The lineup will continue to be updated as new performers are confirmed. If you believe in your talent and would like to appear in the program, please feel free to send your materials via DM or email at any time. I may not be able to reply to everyone, but I will review every submission.
A genre-crossing art event held 29 times in 2023 in collaboration with FRIENDSHIP. โ โFreestyle Session Party (FSP)โ โ is being refined and rebooted, relaunching as an event, program, and community under the name โDandy Asobi Club (DAC)โ!!
We will hold the pilot edition on Thursday, January 22, at Shibuya 7th Floor.
Theme
โMaster Serious Play!โ
โBefore you know it, it becomes a social phenomenon!โ
โBring Japanโs unique spirit of play to the world!โ
Turning serious play beyond genres and generations into a โclub activityโ
Across music, film/video, dance, theater, philosophy, and moreโbeyond genre and generationโwe aim to pursue โserious playโ as a club-like activity, developing it into a 12-episode series.
Building on popular FSP projects such as:
Adding live improvised accompaniment to theater performances
Sessions between DJs and live instrumentalists
Collaborations between reading theater and dancers / pantomime performers
โฆwe also plan to create highly original new formats, including:
A project where I draw out the thoughts of young people, and actors perform them as monologues
A project where we compose a song on the spot with participants present
We aim to deliver an array of creativity-rich projects that are rarely seen elsewhere.
Re-edit the event into a program and share it globally
This time, while keeping it a participatory event with an audience (as before), we want to leverage my track recordโincluding selection at a Hollywood film festival and an award at an Italian film festivalโto record, edit, and distribute it as a single program.
YouTube would be an option, but we also plan to explore whether distribution might be possible via Prime Video, Netflix, AbemaTV, and other platforms.
We also aim to add English subtitles throughout the entire program and export it overseas. I believe we must bring the talents hidden in Japan to the world. If we only consider the market within Japanโor only inbound touristsโthe long-term potential seems limited, especially when we have the internet.
For the video production team, I hope to collaborate again with the people who supported me during my previous film production. I intend to take responsibility and lead the team, and I believe my countless past failures will support me this time.
Encouraging proactive independence while maintaining authority
Although this is a participatory event, I will carefully review portfolios and submitted materials in advance and give the go-ahead based on the best match for each project.
Therefore, the overall stage quality will not drop due to casual amateur participation. That said, I donโt want anyone to feel intimidatedโrather, I want people with fewer achievements to actively challenge themselves. For the sake of discovering bold new concepts, I plan to review everything that is submitted, and within that, I want to design projects where many people can participate in the right roles at the right time.
Any club member can bring in a project idea
Under the banner โPerestroika = Democratization,โ we will establish a committee via a LINE Open Chat and invite committee members to propose new projects.
A project will be implemented with the approval of โat least five committee members + me.โ Those who vote in favor will also be expected to take responsibility and help operate the project.
LINE Open Chat: โDandy Asobi Club Planning Committeeโ is here! (You can join anonymously without adding anyone as a LINE friend.)
Expanding serious play across Japan and aiming for global reach
By linking with the nationwide tour โFreeโ that I announced previously, we can invite new talents I meet across Japan to performโenergizing both the event and the programโwhile also making it a place where people from many industries can gather.
Ultimatelyโโbirds of a feather flock togetherโโI hope to create a club-like space where, across all of Japan, diverse people beyond generations and genres who share my core philosophy can connect, thrive, and prosper.
You can also learn more about my guiding philosophy via my blog and the videos linked at the end.
Serious play can heal division in society
To resolve the countless binaries and divisions in society, I arrivedโjust yesterday (the memorable date of December 5, 2025) after years of thought experimentsโat the conclusion that we need a strong leader with aesthetics and an essential spirit of playfulness.
More details will be shared here. (I will add additional notes later.)
Crowdfunding to raise production costs!!
For the production budget of this project, I would like to raise 1,000,000 yen through crowdfunding!
Primarily, we would be truly happy if you purchase advance tickets, and as an added bonus, youโll also be able to try our existing servicesโor, if the project becomes a program, we may run commercial spots as well. (Of course, for corporate supporters, payment by invoice is also possible.)
Last time, we received support from 27 people and raised 1,280,000 yen.
Budget breakdown
Venue: ยฅ150,000
Performers: ยฅ150,000
Video: ยฅ200,000
Sound: ยฅ100,000
Rehearsals: ยฅ70,000
Editing: ยฅ150,000
Operations: ยฅ30,000
Advertising: ยฅ150,000
Please click the button below to visit the crowdfunding page, and check the support menus and return rewards there.
Pilot Edition โDandy Asobi Clubโ Production Support Fund
According to cultural psychology, the sense that โone is meeting othersโ expectationsโ is what motivates them.
Perhaps this is fundamentally different from what I consider โautonomousโ professionalism.
At least in client work, Iโve always thought that โmeeting othersโ expectationsโ is merely the minimum baseline.
In other words, naturally, one must first confirm what the clientโs expectations are, and then figure out how to satisfy oneself, how to act uniquely and freely. I believe that achieving both is what makes a professional, and Iโm willing to spare no effort for that.
However, when it comes to taking a supervisory position, โcompassionate leadershipโ becomes a bottleneck.
What I critically lack is awareness in that area.
Iโm not fundamentally kind. So I practice laissez-faire. I donโt initiate communication beyond the bare minimum.
Thatโs simply because I would find it far more comfortable to be treated that way myself. But I suspect most people arenโt like that. Though I do think that if we work together long enough, we might reach an unspoken understanding.
By the way, I recently threw three levels of questions at my favorite generative AI, Genspark, to dig deeper into the above idea of โwanting to meet othersโ expectationsโ:
Approval-seeking
A sense of belonging as a survival instinct
The Japanese spirit of โharmony is to be valuedโ
The Core Distinction: โWhose Expectations Are We Meeting?โ
Type
Target
Motivation
Nature
End Point
SNS-style Approval-Seeking
Unspecified masses (strangers)
Deficiency, competition
Negative
No end
Sense of Belonging (Survival Instinct)
Group (avoiding exclusion)
Fear
Passive
OK if not excluded
Yamato Spirit
Specific others + ancestors + descendants
Pride, responsibility
Active
Inherited across generations
1. SNS-Style Approval-Seeking โ What Should Be Criticized
Characteristics
Seeking โlikesโ from unspecified masses
Self-display, status competition, rivalry
No end, no limit
Comparison with others, relative superiority
Driven by a sense of deficiency: โI want to be recognizedโ
โ This is approval-seeking where โwhose expectationsโ are unclear
โ Seeking approval from unspecified masses (strangers)
โ No end, spiraling out of control
2. Sense of Belonging as Survival Instinct โ Fear as the Driver
Characteristics
Actions to avoid exclusion from the group
Fear as the driver (fear of ostracism)
Negative motivation (avoiding punishment)
Dependent, passive
โI donโt want to be dislikedโ โI donโt want to be left outโ
The Negative Side of Japanese Society
Reading the air, conformity pressure
The nail that sticks out gets hammered down
Suppressing individuality, not asserting oneself
Subordinating to the group for survival
โ This is driven by โfearโ
โ Actions to avoid exclusion from the group
โ No autonomy, passive
3. The Yamato Spirit of โHarmony Is to Be Valuedโ โ The Original Japanese Spirituality
Characteristics
Relationships with specific others (family, workplace, community)
Pride and responsibility in โmeeting expectationsโ
Vertical connections across generations (ancestors, descendants)
Positive motivation (joy of contribution)
Autonomous, active
The Japanese Spirit Seen by Lafcadio Hearn
โThe Japanese have a very strong sense that the deceased are nearby, watching over themโ
โAn elderly person facing death peacefully imagines that their adorable descendants will whisper something to them at the family altarโ
โWhat the elder dreams of are the yet-unseen descendants. Their children, and their childrenโs children, clapping their little hands and bowing with utmost reverenceโ
โ This is โancestorsโ expectationsโ and โresponsibility to descendantsโ
โ Vertical connections across generations
โ Not the unspecified masses of SNS, but connections of blood and soul
4. The Difference from โAutonomous Professionalismโ
Western โAutonomous Professionalismโ
Intrinsic motivation of the individualย โ Self-realization, skill improvement, professional ethics
Independent of relationships with othersย โ Can exist in solitude
Individualisticย โ โIโ at the center
Japanese โMeeting Othersโ Expectationsโ
Intrinsic motivation within relationshipsย โ Self-realization within connections with specific others
Relationships are the premiseย โ Cannot exist in solitude
Relationalย โ โWeโ at the center
5. Three Distinctions โ The Core Is โWhose Expectations Are We Meeting?โ
SNS-Style Approval-Seeking
Who: Unspecified masses (strangers)
Motivation: Sense of deficiency โI want to be recognizedโ
Nature: No end, competitive, spiraling
Evaluation:ย Should be criticized and sublimated
Sense of Belonging (Survival Instinct)
Who: Group (to avoid exclusion)
Motivation: Fear (fear of ostracism)
Nature: Passive, dependent, conformity pressure
Evaluation:ย The negative side of Japanese society
Yamato Spirit
Who: Specific others (family, workplace, community) +ย ancestors + descendants
Motivation: Pride, responsibility, connections across generations
6. Lafcadio Hearnโs โBeing Conscious of the Deadโs Eyesโ โ This Is the Key
โBy being conscious of the deadโs eyes, the Japanese had a morality that made them think about what they should do across generationsโ
โBy constantly being conscious of the deadโs eyes, people think โWhat would my deceased grandparents expect of me?โ and become aware of what they should do within the vertical axis of historyโ
โBeing conscious of our ancestorsโ eyes leads to thinking about the futureโ
7. The Meaning of โGo to a Shrine Alone Every Dayโ
Why a Shrine?
A place to face ancestral spirits
Natural energy, reverence
Suppress approval-seeking, face the essence
Feel vertical connections across generations
The Effects of Shrine Visits
Suppress SNS-style approval-seekingย โ Be conscious of ancestorsโ eyes, not unspecified masses
Escape from sense of belonging (survival instinct)ย โ Face oneโs own spirituality, not dependence on groups
Regain Yamato spiritย โ Responsibility across generations, reverence for ancestors, responsibility to descendants
โ Thatโs why โgo to a shrine alone every dayโ
8. My Honest Answer โ They Are Different, Yet Connected
Conclusion
Approval-seeking (SNS-style):ย Should be criticized and sublimatedย โ Seeking approval from unspecified masses, no end, spiraling
Sense of belonging (survival instinct):ย The negative side of Japanese societyย โ Fear as driver, conformity pressure, passive
Yamato spirit:ย The original Japanese spiritualityย โ Responsibility across generations, reverence for ancestors, responsibility to descendants
Yet, the Three Are Connected
When Yamato spirit is lost, sense of belonging (survival instinct) spirals out of controlย โ Conformity pressure, ostracism, the nail that sticks out gets hammered down
When sense of belonging becomes excessive, it degrades into SNS-style approval-seekingย โ Seeking โlikesโ from unspecified masses, no end
โ Therefore, regaining Yamato spirit is the solution to everything
9. Reconciliation with โAutonomous Professionalismโ
โPerhaps this is fundamentally different from what I consider โautonomousโ professionalismโ
Answer: Different, Yet Not Contradictory
Western professionalism: Intrinsic motivation of the individual, independent of others
Japanese motivation: Intrinsic motivation within relationships, responsibility across generations
โ Japanese people demonstrate professionalism autonomously โwithin relationshipsโ
โ By being conscious of โancestorsโ expectationsโ and โresponsibility to descendants,โ they act autonomously
โ This is not a contradiction, but Japanโs unique form of โautonomyโ
10. Final Conclusion โ Answer to the Question
โMeeting Othersโ Expectationsโ Is:
Is it approval-seeking?ย โย No. SNS-style approval-seeking means seeking approval from unspecified masses, spiraling out of control
Is it a sense of belonging as survival instinct?ย โย No. Sense of belonging is driven by fear, passive
Is it the Yamato spirit of โharmony is to be valuedโ?ย โย This is correct. Responsibility across generations, reverence for ancestors, responsibility to descendants
Relationship with โAutonomous Professionalismโ
Western professionalism: Intrinsic motivation of the individual
Japanese motivation: Intrinsic motivation within relationships
โ Japanese people act autonomously by being conscious of โancestorsโ expectationsโ and โresponsibility to descendantsโ
โ This is Japanโs unique form of โautonomous professionalismโ
Therefore, go to a shrine alone every day. Be conscious of ancestorsโ eyes, feel responsibility to descendants, and regain vertical connections across generations. That is the source of Japanese spirituality.
(Dan Mitchel replied that…) Thatโs All Well and Good, But
If the consciousness of meeting ancestorsโ expectations becomes too strong, attachment issues may complicate things.
1. The Point โ The Dark Side of โAncestorsโ Expectationsโ
The โLightโ Lafcadio Hearn Saw
A sense of security from having ancestors nearby
Connections across generations
Rich views on life and death
Beautiful culture
But the โShadowโ Pointed Out
โIf the consciousness of meeting ancestorsโ expectations becomes too strong, attachment issues may complicate thingsโ
Ancestorsโ expectations become a burden
Guilt for not meeting expectations
Hindrance to self-realization
Mental shackles
2. The Relationship with Attachment Theory
Healthy Attachment
Secure base: Parents and ancestors serve as a secure base
Exploration and return: Safely explore the outside world and return
Development of autonomy: Grow as an independent individual
Unhealthy Attachment
Excessive expectations: Parentsโ and ancestorsโ expectations are too heavy
Anxiety: Fear of not meeting expectations
Hindrance to autonomy: Cannot become independent, cannot make judgments
3. When โMeeting Ancestorsโ Expectationsโ Becomes Excessive
Type 1: Anxious Attachment
Characteristics:
Anxiety about not meeting ancestorsโ expectations
Constantly seeking approval
Lack of self-esteem
Behaviors:
Constantly anxious: โWill the ancestors be pleased with this?โ
Lack of confidence in oneโs own judgment
Excessively seeking approval from others
Results:
Floating in midairย (the problem pointed out)
Waiting for instructions
Lack of agency
Type 2: Avoidant Attachment
Characteristics:
Ancestorsโ expectations are too heavy, so one escapes
Escape from tradition
Generational disconnection
Behaviors:
Rejection: โI donโt care about ancestorsโ expectationsโ
Denial of tradition
Severing connections with family and community
Results:
Mental isolation
Loss of identity
Rootlessness
Type 3: Disorganized Attachment (Most Serious)
Characteristics:
Want to meet expectations vs. want to escape
Contradictory behaviors
Mental confusion
Behaviors:
Want to cherish ancestors, but expectations are heavy
Want to continue tradition, but donโt want to lose oneself
Torn apart
Results:
Mental instability
Self-contradiction
Burnout
4. Concrete Examples in Japanese Society โ The Pressure of โContinuing the Familyโ
The Burden on the Eldest Son
Must continue the family
Must meet ancestorsโ expectations
But cannot do what one wants
Results:
Sacrifice oneself to continue the family (anxious type)
13. The True Meaning of Shrine Visits โ Facing Oneโs Own Soul
Revised: Why Go to a Shrine Alone Every Day?
โ To meet ancestorsโ expectations โ To be approved by ancestors โ To fear ancestorsโ eyes
โญ To confirm oneโs own axis โญ To learn from ancestors (but not be dominated) โญ To face oneโs own soul โญ To think about what to leave to the next generation (but not impose)
Maybe I’d been approaching love based on whether it would be useful to me. Of course, it’s true that wasn’t everything, but that means I was seeking something in return.
I’m sure it’s not such an unusual storyโ it’s like that question: “What are your criteria for a partner?”In the sense of forming a community to survive, it’s very strategic, and I think that’s how humans have lived. You can’t say love won’t grow from that, and I have no intention of denying it. Some would say that’s what makes us human.The harsher life and society become, the more we can’t help but lean toward realism.
But setting that aside, could this be described as the most fantastical form of rebellionโ born from glimpsing a sparkle that transcends the debate of useful or useless?
It’s something you can’t put into words, or rather, something that would break if you tried to express it. It’s about the most beautiful energy in the world.
It even feels like my very thinking has changed.It’s simply about letting go of all dependencies and being honest with yourself. Whether self-preservation can be achieved on top of thatโ you won’t know unless you try.
It’s worth trying. Live optimistically. And that is the great power that only true beauty possesses.
Maybe there are two versions of me coexisting inside: one who wants to live quietly with family by a deserted lakeside, and another who feels compelled to lead the charge and leave something behind, to contribute to the world.
I wish I could balance both, but I’m too conspicuous to stay behind the scenes, yet too reserved to be an attention seeker. Right now, I’m stuck somewhere in between.
Call it narcissism if you want, but if I were a producer or director and had to choose who I’d cast first, well, there’s nobody but myself.
Conversely, I honestly can’t understand why others wouldn’t use meโ aside from reasons related to numbers or metrics.
It’s not arrogance, I’m just that infatuated with myself. Can’t help it.
Sometimes I want to surrender myself as a player, saying “go ahead, try to make the most of me.” You’d see a different side of me than when I’m juggling both roles, just like when I stood on stage before.
Anyway, in this overly noisy city, I’m trying to figure out how to adapt without dumbing down or numbing my mind. There are plenty of wonderful things here, but it’s all a bit too stimulating for me. I’m searching for that delicate balance, the right way to exist.
After singing so much about forgiveness in Free, perhaps the one person I was least able to forgive was myself.
I have been living with an overwhelming sense of guilt. That much, at least, I have been able to recognize. But recognition does not necessarily mean that forgiveness follows.
Emotionally, I feel guilt. Yet because my mind remains calm, I cannot compromise my own life. As a result, I end up betraying the expectations of those around me. I feel guiltyโ and yet, because my mind is clear, I still cannot compromise.
That is why I do not place much importance on giving others reassurance, nor do I seek to be worried about.
Mutual understanding and cooperation from a broad, overarching perspectiveโ this is the core. And in that sense, I am clearly different from most people. Something socially incompatible is born from that.
And unfortunately, I am not a psychopath. I feel pain more deeply than most. And perhaps that pain is now beginning to overflow beyond what I can control.
Nothing has changed since my teenage years. Since high school, I havenโt changed at all.
I found out about Kabukicho Street Live, an officially approved street-live event by Kabukicho Tower, so I decided to jump in while promoting a new song. The weather wasnโt great, which was a bit of a shame, but some people stopped and really listened, and that honestly made me very happy.
This song is probably the best-selling song in Japanโone that will never be surpassedโ so Iโve been singing it on many occasions for years. Because it has such a wide vocal range from low to high, Iโve always struggled with finding the right key. On top of that, Iโm in the middle of making major changes to my singing style, so itโs been even trickier. Compared to the original key of G major: โ up to 2021, I sang it in Dโญ major โ from 2021 to 2022, in D major โ from 2022 to 2025, in B major Iโd lowered it quite a bit, but when it came to live performances, I kept running out of breath in the opening. Recently, I happened to try it in Eโญ major on my acoustic performance account, and it suddenly felt right. So the audio youโre hearing is actually from a live performance at Luxury Hayama, originally done in B major, but I force-transposed it up by +4. It ended up with a nice sense of modulation, so I figured, well, this works too (laugh). Ideally, though, I think the chorus would feel more bittersweet if I sang it with a husky, half-falsetto tone. When itโs live, I still get anxious and end up pushing my voice. Those unnecessary thoughts really get in the way.
Leaving aside, for the moment, the question of whether the significance of communication lies in โthe exchange of emotionsโ or not, in any case, when we receive any kind of information, the most efficient thing to do is to reach into the databank in our own heads, pull out something similar, and slap a label on itโ โThis is it.โ
For example, when you look at miso soup and understand that it is miso soup, thatโs only because you already know what miso soup is. For someone overseas who doesnโt know miso soup, the situation is completely different.
Likewise, when we receive some information, we probably pull out something similar and apply it. After that, it becomes a matter of filling in the subtle discrepanciesโ like realizing the miso is actually red miso, or that the stock is anchovy-based rather than kombu.
In most cases, this works without any problems. Thatโs simply because we were born and raised with similar sensibilities, and share similar cultures and values.
But what about different cultures? Could you explain natto to a Martian visiting Japan for the first time?
โItโs a type of bean called a soybean, and you ferment itโฆโ
If the Martian doesnโt know what fermentation is, then youโd have to explain fermentation as well. A Jupiterian might not even know what beans are. And in the end, following the idea that โseeing is believing,โ youโd probably force them to eat it. And then the interplanetary war would begin.
Thatโs because, for them, natto is completely new information. Saying things like, โWell, natto is natto, right?โ or โHow can you not know this?โ is obviously pointless.
The same applies to information we call โ0โ1.โ It too is entirely new, because it is something that does not yet exist and is being created for the first time.
Even if you try to put a label on it, there is no label that could possibly exist. So if you want to understand it, you have to listen to explanations as if you were that alien who doesnโt know natto, and then assemble and imagine those explanations in your own mind.
This is an extremely taxing process. Quite simply, your brain gets tired. Thatโs why people say, โGive me references.โ Even though youโre explaining something that doesnโt yet exist, theyโre asking you to explain it using existing things.
Thatโs understandable. Because in most cases, people donโt have the motivation to go that far just to understand somethingโ unless itโs their job. If youโre reading this right now, you might be a particularly curious person.
This is the difficulty of sharing โ0โ1.โ And in most cases, people arenโt even aware that theyโre labeling information and receiving it as an approximation. Because this kind of process is so ordinary, so embedded in everyday life, that no one even thinks to examine it.
And yet, very few people can explain what is โordinary.โ Because it isnโt actually ordinary at all.
Worse still, the farther apart cultures and values are, the more cruel the mistakes caused by labeling become.
These days, among foreigners who love Japan, you rarely hear miso soup described as โrotten soup.โ But if someone who knows nothing is suddenly presented with miso, no one is going to have a pleasant experience.
And yet, in a 0โ1 context, casually labeling miso as โshitโ can easily happen. No one can really be blamed for that. All you can do is regret your own inability to explain it properly.
And people wonโt go so far as to invest that much effort just to try to understand you. You end up feeling sad about your lack of influence, and sometimes the thought even crosses your mind that maybe you have to stake your life on it. Have I really been repeating this for over thirty years?
I wish Iโd been born a little smarter. Iโve been told over and over since childhood that I โlack expressive ability.โ As a result, even if Iโm insulted, I still wish that the information I put out would be received accurately. But being punched because someone mistook โmisoโ for โshitโ is just not fair.
That said, if a truly multicultural society were to be realized, these kinds of misunderstandings would become everyday occurrences. (Realistically, I donโt think the level individuals should aim for and the level a nation should aim for can ever fully alignโฆ) Still, when encountering all kinds of new information, I sincerely hope people wonโt kill it with their own sense of โnormal,โ but instead connect it to the โexpansion of the self.โ