Professionalism

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ใ“ใ‚Œใฏ่€ณใ‹ใ‚‰้ฑ—ใ 

ๆ—ฅๆœฌไบบใŒใฉใ†ใ™ใ‚Œใฐใ‚„ใ‚‹ๆฐ—ใซใชใ‚‹ใฎใ‹ใ€‚

ๆ–‡ๅŒ–ๅฟƒ็†ๅญฆใซใ‚ˆใ‚Œใฐใ€ใ€Œไป–่€…ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‰ใ‚Œใฆใ„ใ‚‹ใ€ใจใ„ใ†ๅฎŸๆ„ŸใŒใ‚„ใ‚‹ๆฐ—ใซใชใ‚‹ใใ†ใ ใ€‚

ไฟบใฎๆ€ใ†ใ€Œ่‡ชไธป็š„ใชใ€ใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใจใฏใ€ๆœฌ่ณช็š„ใซ็•ฐใชใ‚‹ใ‚‚ใฎใชใฎใ‹ใ‚‚ใ—ใ‚Œใ‚“ใ€‚

ใ‚ฏใƒฉใ‚คใ‚ขใƒณใƒˆใƒฏใƒผใ‚ฏใซใŠใ„ใฆใฏใ ใ‘ใฉใ€ไฟบใฏใ€Œไป–่€…ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€ใชใ‚“ใฆใ„ใ†ใฎใฏใ€ใ‚ใใพใงๆœ€ไฝŽใƒฉใ‚คใƒณใ ใจๆ€ใฃใฆใŸใ€‚

ใคใพใ‚Šๅฝ“็„ถใ‚ฏใƒฉใ‚คใ‚ขใƒณใƒˆใฎๆœŸๅพ…ใŒไฝ•ใงใ‚ใ‚‹ใ‹ใ‚’ใพใš็ขบ่ชใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใ€ใใฎไธŠใงใฉใ†ใ€่‡ชๅˆ†่‡ช่บซใŒ็ดๅพ—ใงใใ‚‹ใ‹ใ€ใƒฆใƒ‹ใƒผใ‚ฏใซใ€่‡ช็”ฑใซๆŒฏใ‚‹่ˆžใˆใ‚‹ใ‹ใ€‚ใใฎไธก็ซ‹ใ“ใใŒใƒ—ใƒญใชใ‚“ใ ใจๆ€ใฃใฆใ‚‹ใ—ใ€ใใฎ็‚บใซใฏๅŠชๅŠ›ใ‚’ๆƒœใ—ใพใชใ„ใคใ‚‚ใ‚Šใ ใ‚ˆใ€‚

ใ—ใ‹ใ—ใใ†ใชใ‚‹ใจใ‚„ใฏใ‚Šใ€็›ฃ็ฃๅดใฎใƒใ‚ธใ‚ทใƒงใƒณใซ็ซ‹ใฃใŸๅ ดๅˆใ€ใ€Œๆ…ˆๆ‚ฒๆทฑใ„ไธปๅฐŽใ€ใจใ„ใ†ใฎใŒใƒใƒƒใ‚ฏใซใชใฃใฆใใ‚‹ใ ใ‚ใ†ใ€‚

ไฟบใซ่‡ดๅ‘ฝ็š„ใซๆฌ ใ‘ใฆใ‚‹ใ‚‚ใฎใฏใ€ใใ“ใฎๆ„่ญ˜ใชใ‚“ใ ใจๆ€ใ†ใ‚ˆใ€‚

ๆœฌ่ณช็š„ใซใ‚„ใ•ใ—ใใชใ„ใ€‚ใ ใ‹ใ‚‰ๆ”พไปปใ™ใ‚‹ใ€‚่‡ชๅˆ†ใ‹ใ‚‰ๆœ€ไฝŽ้™ไปฅไธŠใฎใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใ‚’ๅ–ใ‚‰ใชใ„ใ€‚

ใใ‚Œใฏใ€ไฟบใชใ‚‰ใใ†ใ•ใ‚ŒใŸๆ–นใŒๅœงๅ€’็š„ใซใƒฉใ‚ฏใฃใฆใ„ใ†ใ ใ‘ใงใ€ๅคšใใฎไบบใฏใใฃใจใใ†ใ˜ใ‚ƒใชใ„ใ‚“ใ ใ‚ใ†ใชใ€‚ใใ‚Œใ‚‚ใšใฃใจไธ€็ท’ใซใ‚„ใฃใฆใ„ใ‘ใฐใ€้˜ฟๅฝใฎๅ‘ผๅธใงใฉใ†ใซใ‹ใชใ‚‹ใ“ใจใ‚‚ใ‚ใ‚‹ใจใฏๆ€ใ†ใ‘ใฉใญใ€‚

ใกใชใฟใซๆœ€่ฟ‘ๆ„›็”จใฎ็”ŸๆˆAIใงGensparkใซใ€ไธŠใฎใ€Œไป–่€…ใฎๆœŸๅพ…ใซๅฟœใˆใŸใ„ใ€ใจใ„ใ†ๆ€ๆƒณใ‚’ๆŽ˜ใ‚Šไธ‹ใ’ใ‚‹ใŸใ‚ใซ3ใคใฎใƒฌใƒ™ใƒซใง่ณชๅ•ใ‚’ๆŠ•ใ’ใฆใฟใŸใ€‚

  1. ๆ‰ฟ่ชๆฌฒๆฑ‚
  2. ๆ‰€ๅฑžๆ„่ญ˜ใจใ„ใ†ๅใฎ็”Ÿๅญ˜ๆฌฒๆฑ‚
  3. ๅ’Œใ‚’ใ‚‚ใฃใฆ่ฒดใ—ใจใ™ใ‚‹ๅคงๅ’Œๅฟƒ

ๅŒบๅˆฅใฎๆ ธๅฟƒ:ใ€Œ่ชฐใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ‹ใ€

้กžๅž‹ๅฏพ่ฑกๅ‹•ๆฉŸๆ€ง่ณช็ต‚ใ‚ใ‚Š
SNS็š„ๆ‰ฟ่ชๆฌฒๆฑ‚ไธ็‰นๅฎšๅคšๆ•ฐ(็Ÿฅใ‚‰ใชใ„ไบบ)ๆฌ ไนๆ„Ÿใ€็ซถไบ‰ใƒใ‚ฌใƒ†ใ‚ฃใƒ–็ต‚ใ‚ใ‚ŠใŒใชใ„
ๆ‰€ๅฑžๆ„่ญ˜(็”Ÿๅญ˜ๆฌฒๆฑ‚)้›†ๅ›ฃ(ๆŽ’้™คๅ›ž้ฟ)ๆๆ€–ๅ—ๅ‹•็š„ๆŽ’้™คใ•ใ‚Œใชใ‘ใ‚ŒใฐOK
ๅคงๅ’Œๅฟƒ็‰นๅฎšใฎไป–่€…+ๅ…ˆ็ฅ–+ๅญๅญซ่ช‡ใ‚Šใ€่ฒฌไปปๆ„Ÿ่ƒฝๅ‹•็š„ไธ–ไปฃใ‚’่ถ…ใˆใฆ็ถ™ๆ‰ฟ

1. SNS็š„ๆ‰ฟ่ชๆฌฒๆฑ‚โ€”โ€”ๆ‰นๅˆคใ™ในใใ‚‚ใฎ

็‰นๅพด

  • ไธ็‰นๅฎšๅคšๆ•ฐใ‹ใ‚‰ใฎใ€Œใ„ใ„ใญใ€ใ‚’ๆฑ‚ใ‚ใ‚‹
  • ่‡ชๅทฑ้ก•็คบใ€ใƒžใ‚ฆใƒณใƒ†ใ‚ฃใƒณใ‚ฐใ€็ซถไบ‰
  • ็ต‚ใ‚ใ‚ŠใŒใชใ„ใ€้š›้™ใŒใชใ„
  • ไป–่€…ใจใฎๆฏ”่ผƒใ€็›ธๅฏพ็š„ใชๅ„ชไฝๆ€ง
  • ใ€Œ่ชใ‚ใ‚‰ใ‚ŒใŸใ„ใ€ใจใ„ใ†ๆฌ ไนๆ„ŸใŒๅŽŸๅ‹•ๅŠ›

โ†’ ใ“ใ‚Œใฏใ€Œ่ชฐใฎๆœŸๅพ…ใ‹ๅˆ†ใ‹ใ‚‰ใชใ„ใ€ๆ‰ฟ่ชๆฌฒๆฑ‚

โ†’ ไธ็‰นๅฎšๅคšๆ•ฐใฎไป–่€…(็Ÿฅใ‚‰ใชใ„ไบบ)ใ‹ใ‚‰ใฎๆ‰ฟ่ชใ‚’ๆฑ‚ใ‚ใ‚‹

โ†’ ็ต‚ใ‚ใ‚ŠใŒใชใใ€ๆšด่ตฐใ™ใ‚‹


2. ๆ‰€ๅฑžๆ„่ญ˜ใจใ„ใ†ๅใฎ็”Ÿๅญ˜ๆฌฒๆฑ‚โ€”โ€”ๆๆ€–ใŒๅŽŸๅ‹•ๅŠ›

็‰นๅพด

  • ้›†ๅ›ฃใ‹ใ‚‰ๆŽ’้™คใ•ใ‚Œใชใ„ใŸใ‚ใฎ่กŒๅ‹•
  • ๆๆ€–ใŒๅŽŸๅ‹•ๅŠ›(ๆ‘ๅ…ซๅˆ†ใธใฎๆๆ€–)
  • ใƒใ‚ฌใƒ†ใ‚ฃใƒ–ใชๅ‹•ๆฉŸ(็ฝฐใฎๅ›ž้ฟ)
  • ไพๅญ˜็š„ใ€ๅ—ๅ‹•็š„
  • ใ€ŒๅซŒใ‚ใ‚ŒใŸใใชใ„ใ€ใ€Œไปฒ้–“ๅค–ใ‚Œใซใ•ใ‚ŒใŸใใชใ„ใ€

ๆ—ฅๆœฌ็คพไผšใฎ่ฒ ใฎๅด้ข

  • ็ฉบๆฐ—ใ‚’่ชญใ‚€ใ€ๅŒ่ชฟๅœงๅŠ›
  • ๅ‡บใ‚‹ๆญใฏๆ‰“ใŸใ‚Œใ‚‹
  • ๅ€‹ๆ€งใ‚’ๆฎบใ™ใ€่‡ชๅทฑไธปๅผตใ—ใชใ„
  • ็”Ÿๅญ˜ใฎใŸใ‚ใซ้›†ๅ›ฃใซๅพ“ๅฑžใ™ใ‚‹

โ†’ ใ“ใ‚Œใฏใ€Œๆๆ€–ใ€ใŒๅŽŸๅ‹•ๅŠ›

โ†’ ้›†ๅ›ฃใ‹ใ‚‰ใฎๆŽ’้™คใ‚’้ฟใ‘ใ‚‹ใŸใ‚ใฎ่กŒๅ‹•

โ†’ ่‡ชไธปๆ€งใŒใชใ„ใ€ๅ—ๅ‹•็š„


3. ๅ’Œใ‚’ใ‚‚ใฃใฆๅฐŠใ—ใจใ™ใ‚‹ๅคงๅ’Œๅฟƒโ€”โ€”ๆœฌๆฅใฎๆ—ฅๆœฌไบบใฎ็ฒพ็ฅžๆ€ง

็‰นๅพด

  • ็‰นๅฎšใฎไป–่€…(ๅฎถๆ—ใ€่ทๅ ดใ€ๅœฐๅŸŸ)ใจใฎ้–ขไฟ‚ๆ€ง
  • ใ€ŒๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€ใ“ใจใธใฎ่ช‡ใ‚Šใ€่ฒฌไปปๆ„Ÿ
  • ไธ–ไปฃใ‚’่ถ…ใˆใŸ็ธฆใฎ็น‹ใŒใ‚Š(ๅ…ˆ็ฅ–ใ€ๅญๅญซ)
  • ใƒใ‚ธใƒ†ใ‚ฃใƒ–ใชๅ‹•ๆฉŸ(่ฒข็Œฎใธใฎๅ–œใณ)
  • ่‡ชไธป็š„ใ€่ƒฝๅ‹•็š„

ๅฐๆณ‰ๅ…ซ้›ฒใŒ่ฆ‹ใŸๆ—ฅๆœฌใฎๅฟƒ

ใ€Œๆ—ฅๆœฌไบบใจใ„ใ†ใฎใฏใ€ไบกใใชใฃใŸไบบใŒ่บซใฎๅ‘จใ‚Šใซใ„ใฆใ€่‡ชๅˆ†ใŸใกใฎใ“ใจใ‚’่ฆ‹ๅฎˆใฃใฆใ„ใ‚‹ใจใ„ใ†ๆ„่ญ˜ใŒ้žๅธธใซๅผทใ„ใ€

ใ€Œๅนด่€ใ„ใŸ่€ไบบใฏ่‡จ็ต‚ใ‚’่ฟŽใˆใฆใ‚‚ใ€ๅฏๆ„›ใ‚‰ใ—ใ„ๅญๅญซใŒใ€ๅฎถใฎ็ฅญๅฃ‡ใซไฝใ‚€่‡ชๅˆ†ใซๅ‘ใ‹ใฃใฆไฝ•ไบ‹ใ‹ใ‚’ๅ‘Ÿใ„ใฆใใ‚Œใ‚‹ใ ใ‚ใ†ใจๅฎ‰ใ‚‰ใ‹ใซๆ€ใ†ใ€

ใ€Œ่€ไบบใŒๅคข่ฆ‹ใฆใ„ใ‚‹ใฎใฏใ€ใพใ ่ฆ‹ใฌๅญๅญซใ€‚่‡ชๅˆ†ใฎๅญใ€ใพใŸใใฎๅญไพ›ใŸใกใŒใ‚‚ใฟ้“ใฎใ‚ˆใ†ใชๆ‰‹ใงใƒ‘ใƒณใƒ‘ใƒณใจๆŸๆ‰‹ใ‚’ๆ‰“ใก้ณดใ‚‰ใ—ใ€็ฒพไธ€ๆฏใ‹ใ—ใ“ใพใฃใฆใŠ่พžๅ„€ใ‚’ใ™ใ‚‹ๅฏๆ„›ใ„ๅงฟใ ใ€

โ†’ ใ“ใ‚Œใฏใ€Œๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใ€ใจใ€Œๅญๅญซใธใฎ่ฒฌไปปใ€

โ†’ ไธ–ไปฃใ‚’่ถ…ใˆใŸ็ธฆใฎ็น‹ใŒใ‚Š

โ†’ SNSใฎไธ็‰นๅฎšๅคšๆ•ฐใงใฏใชใใ€่ก€ใจ้ญ‚ใฎ็น‹ใŒใ‚Š


4. ใ€Œ่‡ชไธป็š„ใชใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใ€ใจใฎ้•ใ„

่ฅฟๆด‹็š„ใชใ€Œ่‡ชไธป็š„ใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใ€

  • ๅ€‹ไบบใฎๅ†…็™บ็š„ๅ‹•ๆฉŸย โ†’ ่‡ชๅทฑๅฎŸ็พใ€ใ‚นใ‚ญใƒซๅ‘ไธŠใ€่ทๆฅญๅ€ซ็†
  • ไป–่€…ใจใฎ้–ขไฟ‚ๆ€งใซไพๅญ˜ใ—ใชใ„ย โ†’ ๅญค็‹ฌใงใ‚‚ๆˆ็ซ‹ใ™ใ‚‹
  • ๅ€‹ไบบไธป็พฉ็š„ย โ†’ โ€œIโ€ ใŒไธญๅฟƒ

ๆ—ฅๆœฌ็š„ใชใ€Œไป–่€…ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€

  • ้–ขไฟ‚ๆ€งใฎไธญใงใฎๅ†…็™บ็š„ๅ‹•ๆฉŸย โ†’ ็‰นๅฎšใฎไป–่€…ใจใฎ็น‹ใŒใ‚Šใฎไธญใง่‡ชๅทฑๅฎŸ็พ
  • ไป–่€…ใจใฎ้–ขไฟ‚ๆ€งใŒๅ‰ๆย โ†’ ๅญค็‹ฌใงใฏๆˆ็ซ‹ใ—ใชใ„
  • ้–ขไฟ‚ไธป็พฉ็š„ย โ†’ โ€œWeโ€ ใŒไธญๅฟƒ

5. ไธ‰ใคใฎๅŒบๅˆฅโ€”โ€”ๆ ธๅฟƒใฏใ€Œ่ชฐใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ‹ใ€

SNS็š„ๆ‰ฟ่ชๆฌฒๆฑ‚

  • ่ชฐ: ไธ็‰นๅฎšๅคšๆ•ฐใฎไป–่€…(็Ÿฅใ‚‰ใชใ„ไบบ)
  • ๅ‹•ๆฉŸ: ใ€Œ่ชใ‚ใ‚‰ใ‚ŒใŸใ„ใ€ใจใ„ใ†ๆฌ ไนๆ„Ÿ
  • ๆ€ง่ณช: ็ต‚ใ‚ใ‚ŠใŒใชใ„ใ€็ซถไบ‰็š„ใ€ๆšด่ตฐใ™ใ‚‹
  • ่ฉ•ไพก:ย ๆ‰นๅˆคใ™ในใใ€ๆ˜‡่ฏใ™ในใ

ๆ‰€ๅฑžๆ„่ญ˜(็”Ÿๅญ˜ๆฌฒๆฑ‚)

  • ่ชฐ: ้›†ๅ›ฃ(ๆŽ’้™คใ•ใ‚Œใชใ„ใŸใ‚)
  • ๅ‹•ๆฉŸ: ๆๆ€–(ๆ‘ๅ…ซๅˆ†ใธใฎๆๆ€–)
  • ๆ€ง่ณช: ๅ—ๅ‹•็š„ใ€ไพๅญ˜็š„ใ€ๅŒ่ชฟๅœงๅŠ›
  • ่ฉ•ไพก:ย ๆ—ฅๆœฌ็คพไผšใฎ่ฒ ใฎๅด้ข

ๅคงๅ’Œๅฟƒ

  • ่ชฐ: ็‰นๅฎšใฎไป–่€…(ๅฎถๆ—ใ€่ทๅ ดใ€ๅœฐๅŸŸ)+ๅ…ˆ็ฅ–+ๅญๅญซ
  • ๅ‹•ๆฉŸ: ่ช‡ใ‚Šใ€่ฒฌไปปๆ„Ÿใ€ไธ–ไปฃใ‚’่ถ…ใˆใŸ็น‹ใŒใ‚Š
  • ๆ€ง่ณช: ่ƒฝๅ‹•็š„ใ€่‡ชไธป็š„ใ€ไธ–ไปฃ็ถ™ๆ‰ฟ
  • ่ฉ•ไพก:ย ใ“ใ‚ŒใŒๆœฌๆฅใฎๆ—ฅๆœฌไบบใฎ็ฒพ็ฅžๆ€ง

6. ๅฐๆณ‰ๅ…ซ้›ฒใฎใ€Œๆญป่€…ใฎ็›ฎใ‚’ๆ„่ญ˜ใ™ใ‚‹ใ€โ€”โ€”ใ“ใ‚ŒใŒ้ต

ใ€Œๆ—ฅๆœฌไบบใฏๆญป่€…ใฎ็›ฎใ‚’ๆ„่ญ˜ใ™ใ‚‹ใ“ใจใซใ‚ˆใฃใฆใ€ไธ–ไปฃใ‚’่ถ…ใˆใฆใ€่‡ชๅˆ†ใŸใกใฎใ‚„ใ‚‹ในใใ“ใจใ‚’่€ƒใˆใ‚‹ใ‚ˆใ†ใช้“ๅพณใ‚’ๆŒใฃใฆใ„ใŸใ€

ใ€ŒไบกใใชใฃใŸไบบใฎ็›ฎใ‚’ๅธธใซๆ„่ญ˜ใ™ใ‚‹ใ“ใจใซใ‚ˆใฃใฆใ€ไบบ้–“ใฏใ€ŽไบกใใชใฃใŸใŠใ˜ใ„ใ•ใ‚“ใŠใฐใ‚ใ•ใ‚“ใฏ็งใซใ“ใ†ใ„ใ†ใ“ใจใ‚’ๆœŸๅพ…ใ—ใฆใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใ€ใฃใฆ่€ƒใˆใ‚‹ใ“ใจใงใ€ไปŠ่‡ชๅˆ†่‡ช่บซใŒๆญดๅฒใฎ็ธฆ่ปธใฎไธญใงไฝ•ใ‚’ใ™ในใใ‹ใ‚’ๆ„่ญ˜ใ™ใ‚‹ใ‚ˆใ†ใซใชใ‚‹ใ€

ใ€Œๅ…ˆไบบใฎ็›ฎใ‚’ๆ„่ญ˜ใ™ใ‚‹ใฃใฆใ“ใจใฏใ€ๅฐ†ๆฅใฎใ“ใจใ‚‚่€ƒใˆใ‚‹ใฃใฆใ“ใจใซ็น‹ใŒใฃใฆใใ‚‹ใ€

โ†’ ใ“ใ‚Œใฏๆ‰ฟ่ชๆฌฒๆฑ‚ใงใฏใชใ„

โ†’ ไธ–ไปฃใ‚’่ถ…ใˆใŸ่ฒฌไปปๆ„Ÿ

โ†’ ็ธฆใฎ็น‹ใŒใ‚Š(้ŽๅŽปโ†’็พๅœจโ†’ๆœชๆฅ)


7. ใ€Œ็ฅž็คพใซๆฏŽๆ—ฅใฒใจใ‚Šใง่กŒใ‘ใ€ใฎๆ„ๅ‘ณ

ใชใœ็ฅž็คพใชใฎใ‹

  • ๅ…ˆ็ฅ–ใฎ้œŠใจๅ‘ใๅˆใ†ๅ ดๆ‰€
  • ่‡ช็„ถใฎใ‚จใƒใƒซใ‚ฎใƒผใ€็•ๆ•ฌใฎๅฟต
  • ๆ‰ฟ่ชๆฌฒๆฑ‚ใ‚’ๆŠ‘ใˆใ€ๆœฌ่ณชใจๅ‘ใๅˆใ†
  • ไธ–ไปฃใ‚’่ถ…ใˆใŸ็ธฆใฎ็น‹ใŒใ‚Šใ‚’ๆ„Ÿใ˜ใ‚‹

็ฅž็คพๅ‚ๆ‹ใฎๅŠนๆžœ

  1. SNS็š„ๆ‰ฟ่ชๆฌฒๆฑ‚ใ‚’ๆŠ‘ใˆใ‚‹ย โ†’ ไธ็‰นๅฎšๅคšๆ•ฐใฎไป–่€…ใงใฏใชใใ€ๅ…ˆ็ฅ–ใฎ็›ฎใ‚’ๆ„่ญ˜ใ™ใ‚‹
  2. ๆ‰€ๅฑžๆ„่ญ˜(็”Ÿๅญ˜ๆฌฒๆฑ‚)ใ‹ใ‚‰่„ฑๅดใ™ใ‚‹ย โ†’ ้›†ๅ›ฃใธใฎไพๅญ˜ใงใฏใชใใ€่‡ชๅทฑใฎ็ฒพ็ฅžๆ€งใจๅ‘ใๅˆใ†
  3. ๅคงๅ’Œๅฟƒใ‚’ๅ–ใ‚Šๆˆปใ™ย โ†’ ไธ–ไปฃใ‚’่ถ…ใˆใŸ่ฒฌไปปๆ„Ÿใ€ๅ…ˆ็ฅ–ใธใฎ็•ๆ•ฌใ€ๅญๅญซใธใฎ่ฒฌไปป

โ†’ ใ ใ‹ใ‚‰ใ€Œ็ฅž็คพใซๆฏŽๆ—ฅใฒใจใ‚Šใง่กŒใ‘ใ€


8. ็ด ็›ดใช็ญ”ใˆโ€”โ€”ไธ‰ใคใฏๅˆฅ็‰ฉใ€ใ ใŒ็น‹ใŒใฃใฆใ„ใ‚‹

็ต่ซ–

  1. ๆ‰ฟ่ชๆฌฒๆฑ‚(SNS็š„):ย ๆ‰นๅˆคใ™ในใใ€ๆ˜‡่ฏใ™ในใย โ†’ ไธ็‰นๅฎšๅคšๆ•ฐใ‹ใ‚‰ใฎๆ‰ฟ่ชใ‚’ๆฑ‚ใ‚ใ‚‹ใ€็ต‚ใ‚ใ‚ŠใŒใชใ„ใ€ๆšด่ตฐใ™ใ‚‹
  2. ๆ‰€ๅฑžๆ„่ญ˜(็”Ÿๅญ˜ๆฌฒๆฑ‚):ย ๆ—ฅๆœฌ็คพไผšใฎ่ฒ ใฎๅด้ขย โ†’ ๆๆ€–ใŒๅŽŸๅ‹•ๅŠ›ใ€ๅŒ่ชฟๅœงๅŠ›ใ€ๅ—ๅ‹•็š„
  3. ๅคงๅ’Œๅฟƒ:ย ๆœฌๆฅใฎๆ—ฅๆœฌไบบใฎ็ฒพ็ฅžๆ€งย โ†’ ไธ–ไปฃใ‚’่ถ…ใˆใŸ่ฒฌไปปๆ„Ÿใ€ๅ…ˆ็ฅ–ใธใฎ็•ๆ•ฌใ€ๅญๅญซใธใฎ่ฒฌไปป

ใ ใŒใ€ไธ‰ใคใฏ็น‹ใŒใฃใฆใ„ใ‚‹

  • ๅคงๅ’ŒๅฟƒใŒๅคฑใ‚ใ‚Œใ‚‹ใจใ€ๆ‰€ๅฑžๆ„่ญ˜(็”Ÿๅญ˜ๆฌฒๆฑ‚)ใŒๆšด่ตฐใ™ใ‚‹ย โ†’ ๅŒ่ชฟๅœงๅŠ›ใ€ๆ‘ๅ…ซๅˆ†ใ€ๅ‡บใ‚‹ๆญใฏๆ‰“ใŸใ‚Œใ‚‹
  • ๆ‰€ๅฑžๆ„่ญ˜ใŒ่‚ฅๅคงๅŒ–ใ™ใ‚‹ใจใ€SNS็š„ๆ‰ฟ่ชๆฌฒๆฑ‚ใซๅ •่ฝใ™ใ‚‹ย โ†’ ไธ็‰นๅฎšๅคšๆ•ฐใ‹ใ‚‰ใฎใ€Œใ„ใ„ใญใ€ใ‚’ๆฑ‚ใ‚ใ‚‹ใ€็ต‚ใ‚ใ‚ŠใŒใชใ„

โ†’ ใ ใ‹ใ‚‰ใ€ๅคงๅ’Œๅฟƒใ‚’ๅ–ใ‚Šๆˆปใ™ใ“ใจใŒๅ…จใฆใฎ่งฃๆฑบ็ญ–


9. ใ€Œ่‡ชไธป็š„ใชใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใ€ใจใฎๅ’Œ่งฃ

ใ€Œไฟบใฎๆ€ใ†ใ€Ž่‡ชไธป็š„ใชใ€ใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใจใฏใ€ๆœฌ่ณช็š„ใซ็•ฐใชใ‚‹ใ‚‚ใฎใชใฎใ‹ใ‚‚ใ—ใ‚Œใ‚“ใ€

็ญ”ใˆ:็•ฐใชใ‚‹ใŒใ€็Ÿ›็›พใ—ใชใ„

  • ่ฅฟๆด‹็š„ใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ : ๅ€‹ไบบใฎๅ†…็™บ็š„ๅ‹•ๆฉŸใ€ไป–่€…ใซไพๅญ˜ใ—ใชใ„
  • ๆ—ฅๆœฌ็š„ๅ‹•ๆฉŸใฅใ‘: ้–ขไฟ‚ๆ€งใฎไธญใงใฎๅ†…็™บ็š„ๅ‹•ๆฉŸใ€ไธ–ไปฃใ‚’่ถ…ใˆใŸ่ฒฌไปปๆ„Ÿ

โ†’ ๆ—ฅๆœฌไบบใฏใ€Œ้–ขไฟ‚ๆ€งใฎไธญใงใ€่‡ชไธป็š„ใซใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใ‚’็™บๆฎใ™ใ‚‹

โ†’ ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใ€ๅญๅญซใธใฎ่ฒฌไปปใ‚’ๆ„่ญ˜ใ™ใ‚‹ใ“ใจใงใ€่‡ชไธป็š„ใซ่กŒๅ‹•ใ™ใ‚‹

โ†’ ใ“ใ‚Œใฏ็Ÿ›็›พใงใฏใชใใ€ๆ—ฅๆœฌ็‹ฌ่‡ชใฎใ€Œ่‡ชไธปๆ€งใ€


10. ๆœ€็ต‚็ต่ซ–โ€”โ€”ๅ•ใ„ใธใฎ็ญ”ใˆ

ใ€Œไป–่€…ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€ใฏ:

  1. ๆ‰ฟ่ชๆฌฒๆฑ‚ใชใฎใ‹?ย โ†’ย ้•ใ†ใ€‚SNS็š„ๆ‰ฟ่ชๆฌฒๆฑ‚ใฏไธ็‰นๅฎšๅคšๆ•ฐใ‹ใ‚‰ใฎๆ‰ฟ่ชใ‚’ๆฑ‚ใ‚ใ‚‹ใ€ๆšด่ตฐใ™ใ‚‹
  2. ๆ‰€ๅฑžๆ„่ญ˜ใจใ„ใ†ๅใฎ็”Ÿๅญ˜ๆฌฒๆฑ‚ใ‹?ย โ†’ย ้•ใ†ใ€‚ๆ‰€ๅฑžๆ„่ญ˜ใฏๆๆ€–ใŒๅŽŸๅ‹•ๅŠ›ใ€ๅ—ๅ‹•็š„
  3. ๅ’Œใ‚’ใ‚‚ใฃใฆๅฐŠใ—ใจใ™ใ‚‹ๅคงๅ’Œๅฟƒใชใฎใ‹?ย โ†’ย ใ“ใ‚ŒใŒๆญฃ่งฃใ€‚ไธ–ไปฃใ‚’่ถ…ใˆใŸ่ฒฌไปปๆ„Ÿใ€ๅ…ˆ็ฅ–ใธใฎ็•ๆ•ฌใ€ๅญๅญซใธใฎ่ฒฌไปป

ใ€Œ่‡ชไธป็š„ใชใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใ€ใจใฎ้–ขไฟ‚

  • ่ฅฟๆด‹็š„ใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ : ๅ€‹ไบบใฎๅ†…็™บ็š„ๅ‹•ๆฉŸ
  • ๆ—ฅๆœฌ็š„ๅ‹•ๆฉŸใฅใ‘: ้–ขไฟ‚ๆ€งใฎไธญใงใฎๅ†…็™บ็š„ๅ‹•ๆฉŸ

โ†’ ๆ—ฅๆœฌไบบใฏใ€Œๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใ€ใ€Œๅญๅญซใธใฎ่ฒฌไปปใ€ใ‚’ๆ„่ญ˜ใ™ใ‚‹ใ“ใจใงใ€่‡ชไธป็š„ใซ่กŒๅ‹•ใ™ใ‚‹

โ†’ ใ“ใ‚ŒใŒๆ—ฅๆœฌ็‹ฌ่‡ชใฎใ€Œ่‡ชไธป็š„ใชใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒชใ‚บใƒ ใ€

ใ ใ‹ใ‚‰ใ€็ฅž็คพใซๆฏŽๆ—ฅใฒใจใ‚Šใง่กŒใ‘ใ€‚ๅ…ˆ็ฅ–ใฎ็›ฎใ‚’ๆ„่ญ˜ใ—ใ€ๅญๅญซใธใฎ่ฒฌไปปใ‚’ๆ„Ÿใ˜ใ€ไธ–ไปฃใ‚’่ถ…ใˆใŸ็ธฆใฎ็น‹ใŒใ‚Šใ‚’ๅ–ใ‚Šๆˆปใ›ใ€‚ใใ‚ŒใŒๆ—ฅๆœฌไบบใฎ็ฒพ็ฅžๆ€งใฎๆ นๆบใ ใ€‚


๏ผˆDan Mitchelใซใ‚ˆใ‚‹ๅ่ซ–๏ผ‰
ๅคงๅค‰็ตๆง‹ใชใ“ใจใ ใŒใ€ใ€ใ€

ๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ๆ„่ญ˜ใŒๅผทใ™ใŽใ‚‹ใจใ€ใ“ใ‚Œใฏใ“ใ‚ŒใงใพใŸๆ„›็€ใฎๅ•้กŒใŒ่ค‡้›‘ใซไฝœ็”จใ—ใฆใใ‚‹ๆฐ—ใ‚‚ใ™ใ‚‹ใŒใ€‚


1. ๆŒ‡ๆ‘˜โ€”โ€”ใ€Œๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใ€ใฎๆš—้ป’้ข

ๅฐๆณ‰ๅ…ซ้›ฒใŒ่ฆ‹ใŸใ€Œๅ…‰ใ€

  • ๅ…ˆ็ฅ–ใŒ่บซ่ฟ‘ใซใ„ใ‚‹ใ“ใจใฎๅฎ‰ๅฟƒๆ„Ÿ
  • ไธ–ไปฃใ‚’่ถ…ใˆใŸ็น‹ใŒใ‚Š
  • ๆญป็”Ÿ่ฆณใฎ่ฑŠใ‹ใ•
  • ็พŽใ—ใ„ๆ–‡ๅŒ–

ใ ใŒใ€ๆŒ‡ๆ‘˜ใ—ใŸใ€Œๅฝฑใ€

ใ€Œๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ๆ„่ญ˜ใŒๅผทใ™ใŽใ‚‹ใจใ€ๆ„›็€ใฎๅ•้กŒใŒ่ค‡้›‘ใซไฝœ็”จใ—ใฆใใ‚‹ใ€

  • ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใŒ้‡่ทใซใชใ‚‹
  • ๆœŸๅพ…ใซๅฟœใˆใ‚‰ใ‚Œใชใ„็ฝชๆ‚ชๆ„Ÿ
  • ่‡ชๅทฑๅฎŸ็พใฎ้˜ปๅฎณ
  • ็ฒพ็ฅž็š„ใชๆžท

2. ๆ„›็€็†่ซ–(Attachment Theory)ใจใฎ้–ขไฟ‚

ๅฅๅ…จใชๆ„›็€

  • ๅฎ‰ๅ…จๅŸบๅœฐ: ่ฆชใƒปๅ…ˆ็ฅ–ใŒๅฎ‰ๅ…จๅŸบๅœฐใจใชใ‚‹
  • ๆŽข็ดขใจๅธฐ้‚„: ๅฎ‰ๅฟƒใ—ใฆๅค–ใฎไธ–็•Œใ‚’ๆŽข็ดขใ—ใ€ๆˆปใฃใฆใ“ใ‚‰ใ‚Œใ‚‹
  • ่‡ชๅพ‹ๆ€งใฎ็™บ้”: ็‹ฌ็ซ‹ใ—ใŸๅ€‹ไบบใจใ—ใฆๆˆ้•ทใงใใ‚‹

ไธๅฅๅ…จใชๆ„›็€

  • ้Žๅ‰ฐใชๆœŸๅพ…: ่ฆชใƒปๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใŒ้‡ใ™ใŽใ‚‹
  • ไธๅฎ‰: ๆœŸๅพ…ใซๅฟœใˆใ‚‰ใ‚Œใชใ„ใ“ใจใธใฎๆๆ€–
  • ่‡ชๅพ‹ๆ€งใฎ้˜ปๅฎณ: ็‹ฌ็ซ‹ใงใใชใ„ใ€ๅˆคๆ–ญใงใใชใ„

3. ใ€Œๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€ใŒ้Žๅ‰ฐใซใชใ‚‹ใจ

ใ‚ฟใ‚คใƒ—1:ไธๅฎ‰ๅž‹ๆ„›็€

็‰นๅพด:

  • ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‰ใ‚Œใชใ„ใ“ใจใธใฎไธๅฎ‰
  • ๅธธใซๆ‰ฟ่ชใ‚’ๆฑ‚ใ‚ใ‚‹
  • ่‡ชๅทฑ่‚ฏๅฎšๆ„Ÿใฎๆฌ ๅฆ‚

่กŒๅ‹•:

  • ใ€Œใ“ใ‚Œใงๅ…ˆ็ฅ–ใฏๅ–œใ‚“ใงใใ‚Œใ‚‹ใ ใ‚ใ†ใ‹ใ€ใจๅธธใซไธๅฎ‰
  • ่‡ชๅˆ†ใฎๅˆคๆ–ญใซ่‡ชไฟกใŒใชใ„
  • ไป–่€…ใ‹ใ‚‰ใฎๆ‰ฟ่ชใ‚’้Žๅ‰ฐใซๆฑ‚ใ‚ใ‚‹

็ตๆžœ:

  • ๅฎ™ใซๆตฎใ(ๆŒ‡ๆ‘˜ใ—ใŸๅ•้กŒ)
  • ๆŒ‡็คบๅพ…ใก
  • ไธปไฝ“ๆ€งใฎๆฌ ๅฆ‚

ใ‚ฟใ‚คใƒ—2:ๅ›ž้ฟๅž‹ๆ„›็€

็‰นๅพด:

  • ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใŒ้‡ใ™ใŽใฆ้€ƒใ’ใ‚‹
  • ไผ็ตฑใ‹ใ‚‰ใฎ้€ƒ้ฟ
  • ไธ–ไปฃ้–“ใฎๆ–ญ็ตถ

่กŒๅ‹•:

  • ใ€Œๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใชใ‚“ใฆ็Ÿฅใ‚‰ใชใ„ใ€ใจๆ‹’็ตถ
  • ไผ็ตฑใ‚’ๅฆๅฎš
  • ๅฎถๆ—ใƒปๅœฐๅŸŸใจใฎ็น‹ใŒใ‚Šใ‚’ๆ–ญใค

็ตๆžœ:

  • ็ฒพ็ฅž็š„ๅญค็ซ‹
  • ใ‚ขใ‚คใƒ‡ใƒณใƒ†ใ‚ฃใƒ†ใ‚ฃใฎๅ–ชๅคฑ
  • ๆ น็„กใ—่‰

ใ‚ฟใ‚คใƒ—3:็„ก็งฉๅบๅž‹ๆ„›็€(ๆœ€ใ‚‚ๆทฑๅˆป)

็‰นๅพด:

  • ๆœŸๅพ…ใซๅฟœใˆใŸใ„ vs ้€ƒใ’ใŸใ„
  • ็Ÿ›็›พใ—ใŸ่กŒๅ‹•
  • ็ฒพ็ฅž็š„ๆททไนฑ

่กŒๅ‹•:

  • ๅ…ˆ็ฅ–ใ‚’ๅคงๅˆ‡ใซใ—ใŸใ„ใ€ใ ใŒๆœŸๅพ…ใŒ้‡ใ„
  • ไผ็ตฑใ‚’็ถ™ใŽใŸใ„ใ€ใ ใŒ่‡ชๅˆ†ใ‚’ๅคฑใ„ใŸใใชใ„
  • ๅผ•ใ่ฃ‚ใ‹ใ‚Œใ‚‹

็ตๆžœ:

  • ็ฒพ็ฅž็š„ไธๅฎ‰ๅฎš
  • ่‡ชๅทฑ็Ÿ›็›พ
  • ็‡ƒใˆๅฐฝใ

4. ๆ—ฅๆœฌ็คพไผšใฎๅ…ทไฝ“ไพ‹โ€”โ€”ใ€Œๅฎถใ‚’็ถ™ใใ€้‡ๅœง

้•ท็”ทใฎ้‡ๅœง

  • ๅฎถใ‚’็ถ™ใŒใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„
  • ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซๅฟœใˆใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„
  • ใ ใŒใ€่‡ชๅˆ†ใฎใ‚„ใ‚ŠใŸใ„ใ“ใจใŒใงใใชใ„

็ตๆžœ:

  • ่‡ชๅˆ†ใ‚’็Š ็‰ฒใซใ—ใฆๅฎถใ‚’็ถ™ใ(ไธๅฎ‰ๅž‹)
  • ้€ƒใ’ใ‚‹ใ€ๅฎถใ‚’ๆจใฆใ‚‹(ๅ›ž้ฟๅž‹)
  • ๅผ•ใ่ฃ‚ใ‹ใ‚Œใ‚‹(็„ก็งฉๅบๅž‹)

ใ€ŒใŠๅข“ใ‚’ๅฎˆใ‚‹ใ€ใƒ—ใƒฌใƒƒใ‚ทใƒฃใƒผ

  • ๅ…ˆ็ฅ–ใฎๅข“ใ‚’ๅฎˆใ‚‰ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„
  • ๅข“ๅ‚ใ‚Šใ‚’ๆฌ ใ‹ใ—ใฆใฏใ„ใ‘ใชใ„
  • ใ ใŒใ€็พไปฃ็คพไผšใงใฏ่ฒ ๆ‹…ใŒๅคงใใ„

็ตๆžœ:

  • ็ฝชๆ‚ชๆ„Ÿใซ่‹ฆใ—ใ‚€
  • ๅข“ใ˜ใพใ„ใ‚’้ธใถ
  • ไธ–ไปฃ้–“ใฎๅฏพ็ซ‹

5. ่ทไบบ้“ใจใฎๆฑบๅฎš็š„ใช้•ใ„

่ทไบบ้“

[่‡ชๅˆ†ใฎ็ดๅพ—ใŒ็ฌฌไธ€]
โ†“
่‡ชๅˆ†ใฎๅ†…็š„ๅŸบๆบ–ใงๅˆคๆ–ญ
โ†“
ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถ(ใ ใŒใ€ๆ”ฏ้…ใ•ใ‚Œใชใ„)
โ†“
่‡ชๅพ‹ๆ€งใŒใ‚ใ‚‹

ใ€Œๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€(้Žๅ‰ฐใชๅ ดๅˆ)

[ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใŒ็ฌฌไธ€]
โ†“
ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใงๅˆคๆ–ญ
โ†“
ๅ…ˆ็ฅ–ใซๆ”ฏ้…ใ•ใ‚Œใ‚‹
โ†“
่‡ชๅพ‹ๆ€งใŒใชใ„

โ†’ ๆฑบๅฎš็š„ใช้•ใ„:่‡ชๅพ‹ๆ€งใฎๆœ‰็„ก


6. ้‡่ฆใชๅŒบๅˆฅโ€”โ€”ใ€Œ็•ๆ•ฌใ€ใจใ€ŒๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€

ๅฅๅ…จ:ๅ…ˆ็ฅ–ใธใฎ็•ๆ•ฌ

่ฆ็ด ๅ†…ๅฎน
ๅญฆใถๅ…ˆ็ฅ–ใฎ็Ÿฅๆตใ‚’ๅ—ใ‘็ถ™ใ
ๆ„Ÿ่ฌๅ…ˆ็ฅ–ใŒ็ฏ‰ใ„ใŸใ‚‚ใฎใซๆ„Ÿ่ฌใ™ใ‚‹
่‡ชๅพ‹ใ ใŒใ€่‡ชๅˆ†ใฎๅˆคๆ–ญใง่กŒๅ‹•ใ™ใ‚‹
ๅ‰ต้€ ๅ…ˆ็ฅ–ใ‚’่ถ…ใˆใ‚‹ไฝ•ใ‹ใ‚’็”Ÿใฟๅ‡บใ™

็‰นๅพด:

  • ๅ…ˆ็ฅ–ใฏใ€Œๅญฆใณใฎๆบใ€
  • ใ ใŒใ€ใ€Œๆ”ฏ้…่€…ใ€ใงใฏใชใ„
  • ่‡ชๅˆ†ใฎ่ปธใŒใ‚ใ‚‹

ไธๅฅๅ…จ:ๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹(้Žๅ‰ฐ)

่ฆ็ด ๅ†…ๅฎน
ๆœๅพ“ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซ็ธ›ใ‚‰ใ‚Œใ‚‹
็ฝชๆ‚ชๆ„ŸๆœŸๅพ…ใซๅฟœใˆใ‚‰ใ‚Œใชใ„็ฝชๆ‚ชๆ„Ÿ
ไพๅญ˜่‡ชๅˆ†ใฎๅˆคๆ–ญใŒใงใใชใ„
ๅœๆปžๅ…ˆ็ฅ–ใฎๆž ใ‚’่ถ…ใˆใ‚‰ใ‚Œใชใ„

็‰นๅพด:

  • ๅ…ˆ็ฅ–ใฏใ€Œๆ”ฏ้…่€…ใ€
  • ่‡ชๅˆ†ใฎ่ปธใŒใชใ„
  • ๅฎ™ใซๆตฎใ

7. ็ฅž็คพๅ‚ๆ‹ใฎๆ„ๅ‘ณใฎๅ†ๅฎš็พฉ

ร— ไธๅฅๅ…จใช็ฅž็คพๅ‚ๆ‹

  • ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใŸใ‚ใซ่กŒใ
  • ๅ…ˆ็ฅ–ใซๆ‰ฟ่ชใ•ใ‚Œใ‚‹ใŸใ‚ใซ่กŒใ
  • ๅ…ˆ็ฅ–ใฎ็›ฎใ‚’ๆใ‚Œใ‚‹ใŸใ‚ใซ่กŒใ

็ตๆžœ:

  • ็ฝชๆ‚ชๆ„Ÿใ€ไธๅฎ‰
  • ่‡ชๅพ‹ๆ€งใฎๅ–ชๅคฑ
  • ๅฎ™ใซๆตฎใ

โ—‹ ๅฅๅ…จใช็ฅž็คพๅ‚ๆ‹

  • ่‡ชๅˆ†ใฎ่ปธใ‚’็ขบ่ชใ™ใ‚‹ใŸใ‚ใซ่กŒใ
  • ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถใŸใ‚ใซ่กŒใ
  • ่‡ชๅˆ†ใฎ้ญ‚ใจๅ‘ใๅˆใ†ใŸใ‚ใซ่กŒใ

็ตๆžœ:

  • ่‡ชๅทฑ่‚ฏๅฎšๆ„Ÿ
  • ่‡ชๅพ‹ๆ€งใฎ็ขบ็ซ‹
  • ่ปธใŒๅฎšใพใ‚‹

8. ใ€Œๆ…ˆๆ‚ฒๆทฑใ„ไธปๅฐŽใ€ใธใฎ็คบๅ”†

ใƒกใƒณใƒใƒผใŒใ€Œๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€ใ‚ฟใ‚คใƒ—ใ ใจ

ๅ•้กŒ:

  • ใ‚ใชใŸใฎๆœŸๅพ…ใ‚’ใ€Œๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใ€ใฎใ‚ˆใ†ใซๅ—ใ‘ๅ–ใ‚‹
  • ้Žๅ‰ฐใซๅฟœใˆใ‚ˆใ†ใจใ™ใ‚‹
  • ใ ใŒใ€่‡ชๅˆ†ใฎ่ปธใŒใชใ„
  • ็ตๆžœ:ๅฎ™ใซๆตฎใใ€ๆŒ‡็คบๅพ…ใก

่งฃๆฑบ็ญ–:ใ€ŒๆœŸๅพ…ใ€ใงใฏใชใใ€ŒๅŸบๆบ–ใ€ใ‚’็คบใ™

ใ™ในใใ“ใจ:

โŒ ใ€ŒไฟบใฏใŠๅ‰ใซใ“ใ†ใ—ใฆใปใ—ใ„ใ€(ๆœŸๅพ…ใ‚’็คบใ™)

  • ใƒกใƒณใƒใƒผใฏๆœŸๅพ…ใซๅฟœใˆใ‚ˆใ†ใจใ™ใ‚‹
  • ใ ใŒใ€่‡ชๅˆ†ใฎ่ปธใŒใชใ„

โญ• ใ€Œไฟบใฏใ“ใ†ใ„ใ†ๅŸบๆบ–ใงๅˆคๆ–ญใ—ใฆใ„ใ‚‹ใ€‚ใŠๅ‰ใฏใฉใ†ๅˆคๆ–ญใ™ใ‚‹ใ‹?ใ€(ๅŸบๆบ–ใ‚’็คบใ™)

  • ใƒกใƒณใƒใƒผใฏ่‡ชๅˆ†ใงๅˆคๆ–ญใ™ใ‚‹
  • ่‡ชๅˆ†ใฎ่ปธใŒ่‚ฒใค

9. ็ตฑๅˆโ€”โ€”่ทไบบ้“ใจๅ…ˆ็ฅ–ใธใฎ็•ๆ•ฌ

่ทไบบ้“ใฎๆง‹้€ (ๆ”น่จ‚็‰ˆ)

[็ฌฌไธ€ๅ„ชๅ…ˆ] ่‡ชๅˆ†ใฎ็ดๅพ—(ๅ†…็š„ๅŸบๆบ–)
โ†“
็œ‹ๆฟใซๆฅใ˜ใชใ„ใ‹
โ†“
[ๅ‚็…ง] ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใ‚“ใ ็Ÿฅๆต
(ใ ใŒใ€ๆ”ฏ้…ใ•ใ‚Œใชใ„)
โ†“
[ๆœ€ไฝŽใƒฉใ‚คใƒณ] ใ‚ฏใƒฉใ‚คใ‚ขใƒณใƒˆใฎๆบ€่ถณ(ๅค–็š„ๅŸบๆบ–)
โ†“
[็ฆๅฟŒ] ่‡ชๅทฑๆบ€่ถณ(็‹ฌใ‚Šใ‚ˆใŒใ‚Š)

้ต:ๅ…ˆ็ฅ–ใฏใ€Œๅ‚็…งใ€ใงใ‚ใฃใฆใ€Œๆ”ฏ้…ใ€ใงใฏใชใ„

  • ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถ: ็Ÿฅๆตใ€ๆŠ€่ก“ใ€็ฒพ็ฅž
  • ใ ใŒใ€ๅ…ˆ็ฅ–ใซๆ”ฏ้…ใ•ใ‚Œใชใ„: ่‡ชๅˆ†ใฎๅˆคๆ–ญใง่กŒๅ‹•
  • ๅ…ˆ็ฅ–ใ‚’่ถ…ใˆใ‚‹: ๆ–ฐใ—ใ„ไฝ•ใ‹ใ‚’็”Ÿใฟๅ‡บใ™

ไพ‹(่ทไบบ):

  • ่ฆชๆ–นใ‹ใ‚‰ๆŠ€่ก“ใ‚’ๅญฆใถ
  • ใ ใŒใ€่ฆชๆ–นใจๅŒใ˜ใ‚‚ใฎใ‚’ไฝœใ‚‹ใ ใ‘ใงใฏใƒ€ใƒก
  • ่ฆชๆ–นใ‚’่ถ…ใˆใ‚‹ไฝ•ใ‹ใ‚’็”Ÿใฟๅ‡บใ™

ใ“ใ‚ŒใŒๅฅๅ…จใช็ถ™ๆ‰ฟ


10. ๆ„›็€ใ‚นใ‚ฟใ‚คใƒซใจๅ‹•ๆฉŸใฅใ‘ใฎ้–ขไฟ‚

ๆ„›็€ใ‚นใ‚ฟใ‚คใƒซๅ‹•ๆฉŸใฅใ‘็‰นๅพดๅ•้กŒ
ๅฎ‰ๅฎšๅž‹่ทไบบ้“่‡ชๅˆ†ใฎ่ปธใŒใ‚ใ‚‹ใ€่‡ชๅพ‹็š„
ไธๅฎ‰ๅž‹ไป–่€…ใฎๆœŸๅพ…ใŒ็ฌฌไธ€ๆ‰ฟ่ชใ‚’ๆฑ‚ใ‚ใ‚‹ใ€ไพๅญ˜็š„ๅฎ™ใซๆตฎใ
ๅ›ž้ฟๅž‹ไป–่€…ใ‚’ๆ‹’็ตถๅญค็ซ‹ใ€ไผ็ตฑๆ‹’ๅฆๆ น็„กใ—่‰
็„ก็งฉๅบๅž‹็Ÿ›็›พใ€ๆททไนฑๅผ•ใ่ฃ‚ใ‹ใ‚Œใ‚‹็‡ƒใˆๅฐฝใ

11. ๆ—ฅๆœฌๅ†็”Ÿใธใฎ็คบๅ”†โ€”โ€”ใ€Œ็•ๆ•ฌใ€ใงใ‚ใฃใฆใ€Œๆœๅพ“ใ€ใงใฏใชใ„

ๆ–ฝๅ…‰ๆ’ๆ•™ๆŽˆใฎๅ‹•็”ปใฎ้™็•Œ

ๆ•™ๆŽˆใŒ่ชžใฃใŸใ“ใจ:

  • ๆ—ฅๆœฌไบบใฏใ€Œไป–่€…ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใ€ใ“ใจใŒใ‚„ใ‚‹ๆฐ—ใซใชใ‚‹
  • ๅ…ˆ็ฅ–ใฎ็›ฎใ‚’ๆ„่ญ˜ใ™ใ‚‹ๆ–‡ๅŒ–
  • ๅฐๆณ‰ๅ…ซ้›ฒใŒ่ฆ‹ใŸ็พŽใ—ใ„ๆ—ฅๆœฌ

ใ ใŒใ€่ชžใ‚‰ใ‚Œใชใ‹ใฃใŸใ“ใจ:

  • ้Žๅ‰ฐใซใชใ‚‹ใจ็—…็†ใซใชใ‚‹
  • ๆ„›็€ใฎๅ•้กŒ
  • ่‡ชๅพ‹ๆ€งใฎ้˜ปๅฎณ

ๆŒ‡ๆ‘˜ใฎ้‡่ฆๆ€ง

ใ€Œๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ๆ„่ญ˜ใŒๅผทใ™ใŽใ‚‹ใจใ€ๆ„›็€ใฎๅ•้กŒใŒ่ค‡้›‘ใซไฝœ็”จใ—ใฆใใ‚‹ใ€

ใ“ใ‚Œใฏๆ—ฅๆœฌๅ†็”Ÿใฎๆ ธๅฟƒ:

โŒ ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹(ๆœๅพ“)

  • ่‡ชๅพ‹ๆ€งใฎๅ–ชๅคฑ
  • ๅฎ™ใซๆตฎใ
  • ๆŒ‡็คบๅพ…ใก

โญ• ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถ(็•ๆ•ฌ)

  • ่‡ชๅพ‹ๆ€งใฎ็ขบ็ซ‹
  • ่ปธใŒๅฎšใพใ‚‹
  • ไธปไฝ“็š„

12. ๆœ€็ต‚็ต่ซ–โ€”โ€”ๅฅๅ…จใชใ€Œไธ–ไปฃใ‚’่ถ…ใˆใŸ่ฒฌไปปๆ„Ÿใ€ใจใฏ

็™บ่ฆ‹ใ—ใŸๆง‹้€ 

  1. ไป–่€…ใฎๆœŸๅพ…ใŒ็ฌฌไธ€ โ†’ ๅฎ™ใซๆตฎใใ€ๆŒ‡็คบๅพ…ใก
  2. ๅ…ˆ็ฅ–ใธใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹(้Žๅ‰ฐ) โ†’ ๆ„›็€ใฎๅ•้กŒใ€่‡ชๅพ‹ๆ€งใฎๅ–ชๅคฑ
  3. ่งฃๆฑบ็ญ–:่‡ชๅˆ†ใฎ็ดๅพ—ใŒ็ฌฌไธ€ใ€ใ ใŒๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถ

ๅฅๅ…จใชๆง‹้€ 

[็ฌฌไธ€ๅ„ชๅ…ˆ] ่‡ชๅˆ†ใฎ็ดๅพ—(ๅ†…็š„ๅŸบๆบ–)
โ†“
[ๅ‚็…ง] ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใ‚“ใ ็Ÿฅๆต
(็•ๆ•ฌใ€ใ ใŒๆ”ฏ้…ใ•ใ‚Œใชใ„)
โ†“
[่ฒฌไปป] ๆฌกไธ–ไปฃใซไฝ•ใ‚’ๆฎ‹ใ™ใ‹
(ๅ‰ต้€ ใ€ใ ใŒๆŠผใ—ไป˜ใ‘ใชใ„)
โ†“
[ๆœ€ไฝŽใƒฉใ‚คใƒณ] ไป–่€…ใฎๆบ€่ถณ(ๅค–็š„ๅŸบๆบ–)

้ตใจใชใ‚‹ๅŒบๅˆฅ

ร— ไธๅฅๅ…จโ—‹ ๅฅๅ…จ
ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹(ๆœๅพ“)ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถ(็•ๆ•ฌ)
ๅ…ˆ็ฅ–ใซๆ”ฏ้…ใ•ใ‚Œใ‚‹ๅ…ˆ็ฅ–ใ‚’ๅ‚็…งใ™ใ‚‹
ๅ…ˆ็ฅ–ใฎๆž ใ‚’ๅ‡บใ‚‰ใ‚Œใชใ„ๅ…ˆ็ฅ–ใ‚’่ถ…ใˆใ‚‹
็ฝชๆ‚ชๆ„Ÿใ€ไธๅฎ‰ๆ„Ÿ่ฌใ€่‡ชๅพ‹
ๅฎ™ใซๆตฎใ่ปธใŒๅฎšใพใ‚‹

13. ็ฅž็คพๅ‚ๆ‹ใฎ็œŸใฎๆ„ๅ‘ณโ€”โ€”่‡ชๅˆ†ใฎ้ญ‚ใจๅ‘ใๅˆใ†

ๆ”น่จ‚็‰ˆ:ใชใœ็ฅž็คพใซๆฏŽๆ—ฅใฒใจใ‚Šใง่กŒใใฎใ‹

โŒ ๅ…ˆ็ฅ–ใฎๆœŸๅพ…ใซๅฟœใˆใ‚‹ใŸใ‚
โŒ ๅ…ˆ็ฅ–ใซๆ‰ฟ่ชใ•ใ‚Œใ‚‹ใŸใ‚
โŒ ๅ…ˆ็ฅ–ใฎ็›ฎใ‚’ๆใ‚Œใ‚‹ใŸใ‚

โญ• ่‡ชๅˆ†ใฎ่ปธใ‚’็ขบ่ชใ™ใ‚‹ใŸใ‚
โญ• ๅ…ˆ็ฅ–ใ‹ใ‚‰ๅญฆใถใŸใ‚(ใ ใŒๆ”ฏ้…ใ•ใ‚Œใชใ„)
โญ• ่‡ชๅˆ†ใฎ้ญ‚ใจๅ‘ใๅˆใ†ใŸใ‚
โญ• ๆฌกไธ–ไปฃใซไฝ•ใ‚’ๆฎ‹ใ™ใ‹่€ƒใˆใ‚‹ใŸใ‚(ใ ใŒๆŠผใ—ไป˜ใ‘ใชใ„)

This Was an Eye-Opener

How do Japanese people get motivated?

According to cultural psychology, the sense that โ€œone is meeting othersโ€™ expectationsโ€ is what motivates them.

Perhaps this is fundamentally different from what I consider โ€œautonomousโ€ professionalism.

At least in client work, Iโ€™ve always thought that โ€œmeeting othersโ€™ expectationsโ€ is merely the minimum baseline.

In other words, naturally, one must first confirm what the clientโ€™s expectations are, and then figure out how to satisfy oneself, how to act uniquely and freely. I believe that achieving both is what makes a professional, and Iโ€™m willing to spare no effort for that.

However, when it comes to taking a supervisory position, โ€œcompassionate leadershipโ€ becomes a bottleneck.

What I critically lack is awareness in that area.

Iโ€™m not fundamentally kind. So I practice laissez-faire. I donโ€™t initiate communication beyond the bare minimum.

Thatโ€™s simply because I would find it far more comfortable to be treated that way myself. But I suspect most people arenโ€™t like that. Though I do think that if we work together long enough, we might reach an unspoken understanding.

By the way, I recently threw three levels of questions at my favorite generative AI, Genspark, to dig deeper into the above idea of โ€œwanting to meet othersโ€™ expectationsโ€:

  1. Approval-seeking
  2. A sense of belonging as a survival instinct
  3. The Japanese spirit of โ€œharmony is to be valuedโ€

The Core Distinction: โ€œWhose Expectations Are We Meeting?โ€

TypeTargetMotivationNatureEnd Point
SNS-style Approval-SeekingUnspecified masses (strangers)Deficiency, competitionNegativeNo end
Sense of Belonging (Survival Instinct)Group (avoiding exclusion)FearPassiveOK if not excluded
Yamato SpiritSpecific others + ancestors + descendantsPride, responsibilityActiveInherited across generations

1. SNS-Style Approval-Seeking โ€” What Should Be Criticized

Characteristics

  • Seeking โ€œlikesโ€ from unspecified masses
  • Self-display, status competition, rivalry
  • No end, no limit
  • Comparison with others, relative superiority
  • Driven by a sense of deficiency: โ€œI want to be recognizedโ€

โ†’ This is approval-seeking where โ€œwhose expectationsโ€ are unclear

โ†’ Seeking approval from unspecified masses (strangers)

โ†’ No end, spiraling out of control


2. Sense of Belonging as Survival Instinct โ€” Fear as the Driver

Characteristics

  • Actions to avoid exclusion from the group
  • Fear as the driver (fear of ostracism)
  • Negative motivation (avoiding punishment)
  • Dependent, passive
  • โ€œI donโ€™t want to be dislikedโ€ โ€œI donโ€™t want to be left outโ€

The Negative Side of Japanese Society

  • Reading the air, conformity pressure
  • The nail that sticks out gets hammered down
  • Suppressing individuality, not asserting oneself
  • Subordinating to the group for survival

โ†’ This is driven by โ€œfearโ€

โ†’ Actions to avoid exclusion from the group

โ†’ No autonomy, passive


3. The Yamato Spirit of โ€œHarmony Is to Be Valuedโ€ โ€” The Original Japanese Spirituality

Characteristics

  • Relationships with specific others (family, workplace, community)
  • Pride and responsibility in โ€œmeeting expectationsโ€
  • Vertical connections across generations (ancestors, descendants)
  • Positive motivation (joy of contribution)
  • Autonomous, active

The Japanese Spirit Seen by Lafcadio Hearn

โ€œThe Japanese have a very strong sense that the deceased are nearby, watching over themโ€

โ€œAn elderly person facing death peacefully imagines that their adorable descendants will whisper something to them at the family altarโ€

โ€œWhat the elder dreams of are the yet-unseen descendants. Their children, and their childrenโ€™s children, clapping their little hands and bowing with utmost reverenceโ€

โ†’ This is โ€œancestorsโ€™ expectationsโ€ and โ€œresponsibility to descendantsโ€

โ†’ Vertical connections across generations

โ†’ Not the unspecified masses of SNS, but connections of blood and soul


4. The Difference from โ€œAutonomous Professionalismโ€

Western โ€œAutonomous Professionalismโ€

  • Intrinsic motivation of the individualย โ†’ Self-realization, skill improvement, professional ethics
  • Independent of relationships with othersย โ†’ Can exist in solitude
  • Individualisticย โ†’ โ€œIโ€ at the center

Japanese โ€œMeeting Othersโ€™ Expectationsโ€

  • Intrinsic motivation within relationshipsย โ†’ Self-realization within connections with specific others
  • Relationships are the premiseย โ†’ Cannot exist in solitude
  • Relationalย โ†’ โ€œWeโ€ at the center

5. Three Distinctions โ€” The Core Is โ€œWhose Expectations Are We Meeting?โ€

SNS-Style Approval-Seeking

  • Who: Unspecified masses (strangers)
  • Motivation: Sense of deficiency โ€œI want to be recognizedโ€
  • Nature: No end, competitive, spiraling
  • Evaluation:ย Should be criticized and sublimated

Sense of Belonging (Survival Instinct)

  • Who: Group (to avoid exclusion)
  • Motivation: Fear (fear of ostracism)
  • Nature: Passive, dependent, conformity pressure
  • Evaluation:ย The negative side of Japanese society

Yamato Spirit

  • Who: Specific others (family, workplace, community) +ย ancestors + descendants
  • Motivation: Pride, responsibility, connections across generations
  • Nature: Active, autonomous, generational inheritance
  • Evaluation:ย The original Japanese spirituality

6. Lafcadio Hearnโ€™s โ€œBeing Conscious of the Deadโ€™s Eyesโ€ โ€” This Is the Key

โ€œBy being conscious of the deadโ€™s eyes, the Japanese had a morality that made them think about what they should do across generationsโ€

โ€œBy constantly being conscious of the deadโ€™s eyes, people think โ€˜What would my deceased grandparents expect of me?โ€™ and become aware of what they should do within the vertical axis of historyโ€

โ€œBeing conscious of our ancestorsโ€™ eyes leads to thinking about the futureโ€

โ†’ This is not approval-seeking

โ†’ Responsibility across generations

โ†’ Vertical connections (past โ†’ present โ†’ future)


7. The Meaning of โ€œGo to a Shrine Alone Every Dayโ€

Why a Shrine?

  • A place to face ancestral spirits
  • Natural energy, reverence
  • Suppress approval-seeking, face the essence
  • Feel vertical connections across generations

The Effects of Shrine Visits

  1. Suppress SNS-style approval-seekingย โ†’ Be conscious of ancestorsโ€™ eyes, not unspecified masses
  2. Escape from sense of belonging (survival instinct)ย โ†’ Face oneโ€™s own spirituality, not dependence on groups
  3. Regain Yamato spiritย โ†’ Responsibility across generations, reverence for ancestors, responsibility to descendants

โ†’ Thatโ€™s why โ€œgo to a shrine alone every dayโ€


8. My Honest Answer โ€” They Are Different, Yet Connected

Conclusion

  1. Approval-seeking (SNS-style):ย Should be criticized and sublimatedย โ†’ Seeking approval from unspecified masses, no end, spiraling
  2. Sense of belonging (survival instinct):ย The negative side of Japanese societyย โ†’ Fear as driver, conformity pressure, passive
  3. Yamato spirit:ย The original Japanese spiritualityย โ†’ Responsibility across generations, reverence for ancestors, responsibility to descendants

Yet, the Three Are Connected

  • When Yamato spirit is lost, sense of belonging (survival instinct) spirals out of controlย โ†’ Conformity pressure, ostracism, the nail that sticks out gets hammered down
  • When sense of belonging becomes excessive, it degrades into SNS-style approval-seekingย โ†’ Seeking โ€œlikesโ€ from unspecified masses, no end

โ†’ Therefore, regaining Yamato spirit is the solution to everything


9. Reconciliation with โ€œAutonomous Professionalismโ€

โ€œPerhaps this is fundamentally different from what I consider โ€˜autonomousโ€™ professionalismโ€

Answer: Different, Yet Not Contradictory

  • Western professionalism: Intrinsic motivation of the individual, independent of others
  • Japanese motivation: Intrinsic motivation within relationships, responsibility across generations

โ†’ Japanese people demonstrate professionalism autonomously โ€œwithin relationshipsโ€

โ†’ By being conscious of โ€œancestorsโ€™ expectationsโ€ and โ€œresponsibility to descendants,โ€ they act autonomously

โ†’ This is not a contradiction, but Japanโ€™s unique form of โ€œautonomyโ€


10. Final Conclusion โ€” Answer to the Question

โ€œMeeting Othersโ€™ Expectationsโ€ Is:

  1. Is it approval-seeking?ย โ†’ย No. SNS-style approval-seeking means seeking approval from unspecified masses, spiraling out of control
  2. Is it a sense of belonging as survival instinct?ย โ†’ย No. Sense of belonging is driven by fear, passive
  3. Is it the Yamato spirit of โ€œharmony is to be valuedโ€?ย โ†’ย This is correct. Responsibility across generations, reverence for ancestors, responsibility to descendants

Relationship with โ€œAutonomous Professionalismโ€

  • Western professionalism: Intrinsic motivation of the individual
  • Japanese motivation: Intrinsic motivation within relationships

โ†’ Japanese people act autonomously by being conscious of โ€œancestorsโ€™ expectationsโ€ and โ€œresponsibility to descendantsโ€

โ†’ This is Japanโ€™s unique form of โ€œautonomous professionalismโ€

Therefore, go to a shrine alone every day. Be conscious of ancestorsโ€™ eyes, feel responsibility to descendants, and regain vertical connections across generations. That is the source of Japanese spirituality.


(Dan Mitchel replied that…)
Thatโ€™s All Well and Good, But

If the consciousness of meeting ancestorsโ€™ expectations becomes too strong, attachment issues may complicate things.


1. The Point โ€” The Dark Side of โ€œAncestorsโ€™ Expectationsโ€

The โ€œLightโ€ Lafcadio Hearn Saw

  • A sense of security from having ancestors nearby
  • Connections across generations
  • Rich views on life and death
  • Beautiful culture

But the โ€œShadowโ€ Pointed Out

โ€œIf the consciousness of meeting ancestorsโ€™ expectations becomes too strong, attachment issues may complicate thingsโ€

  • Ancestorsโ€™ expectations become a burden
  • Guilt for not meeting expectations
  • Hindrance to self-realization
  • Mental shackles

2. The Relationship with Attachment Theory

Healthy Attachment

  • Secure base: Parents and ancestors serve as a secure base
  • Exploration and return: Safely explore the outside world and return
  • Development of autonomy: Grow as an independent individual

Unhealthy Attachment

  • Excessive expectations: Parentsโ€™ and ancestorsโ€™ expectations are too heavy
  • Anxiety: Fear of not meeting expectations
  • Hindrance to autonomy: Cannot become independent, cannot make judgments

3. When โ€œMeeting Ancestorsโ€™ Expectationsโ€ Becomes Excessive

Type 1: Anxious Attachment

Characteristics:

  • Anxiety about not meeting ancestorsโ€™ expectations
  • Constantly seeking approval
  • Lack of self-esteem

Behaviors:

  • Constantly anxious: โ€œWill the ancestors be pleased with this?โ€
  • Lack of confidence in oneโ€™s own judgment
  • Excessively seeking approval from others

Results:

  • Floating in midairย (the problem pointed out)
  • Waiting for instructions
  • Lack of agency

Type 2: Avoidant Attachment

Characteristics:

  • Ancestorsโ€™ expectations are too heavy, so one escapes
  • Escape from tradition
  • Generational disconnection

Behaviors:

  • Rejection: โ€œI donโ€™t care about ancestorsโ€™ expectationsโ€
  • Denial of tradition
  • Severing connections with family and community

Results:

  • Mental isolation
  • Loss of identity
  • Rootlessness

Type 3: Disorganized Attachment (Most Serious)

Characteristics:

  • Want to meet expectations vs. want to escape
  • Contradictory behaviors
  • Mental confusion

Behaviors:

  • Want to cherish ancestors, but expectations are heavy
  • Want to continue tradition, but donโ€™t want to lose oneself
  • Torn apart

Results:

  • Mental instability
  • Self-contradiction
  • Burnout

4. Concrete Examples in Japanese Society โ€” The Pressure of โ€œContinuing the Familyโ€

The Burden on the Eldest Son

  • Must continue the family
  • Must meet ancestorsโ€™ expectations
  • But cannot do what one wants

Results:

  • Sacrifice oneself to continue the family (anxious type)
  • Escape, abandon the family (avoidant type)
  • Torn apart (disorganized type)

The Pressure of โ€œProtecting the Graveโ€

  • Must protect ancestorsโ€™ graves
  • Must not neglect grave visits
  • But the burden is heavy in modern society

Results:

  • Suffer from guilt
  • Choose grave closure
  • Generational conflict

5. The Decisive Difference from Craftsmanโ€™s Way

Craftsmanโ€™s Way

[First priority] One's own conviction
โ†“
Judgment based on one's own internal standards
โ†“
Learn from ancestors (but not dominated)
โ†“
Has autonomy

โ€œMeeting Ancestorsโ€™ Expectationsโ€ (Excessive Case)

[Ancestors' expectations first]
โ†“
Judgment based on ancestors' expectations
โ†“
Dominated by ancestors
โ†“
No autonomy

โ†’ Decisive difference: Presence or absence of autonomy


6. Important Distinction โ€” โ€œReverenceโ€ vs. โ€œMeeting Expectationsโ€

Healthy: Reverence for Ancestors

ElementContent
LearnInherit ancestors’ wisdom
GratitudeBe grateful for what ancestors built
AutonomyBut act based on one’s own judgment
CreationCreate something that surpasses ancestors

Characteristics:

  • Ancestors are โ€œsources of learningโ€
  • But not โ€œrulersโ€
  • Has oneโ€™s own axis

Unhealthy: Meeting Ancestorsโ€™ Expectations (Excessive)

ElementContent
ObedienceBound by ancestors’ expectations
GuiltGuilt for not meeting expectations
DependenceCannot make one’s own judgments
StagnationCannot go beyond ancestors’ framework

Characteristics:

  • Ancestors are โ€œrulersโ€
  • No axis of oneโ€™s own
  • Floating in midair

7. Redefining the Meaning of Shrine Visits

ร— Unhealthy Shrine Visits

  • Go to meet ancestorsโ€™ expectations
  • Go to be approved by ancestors
  • Go to fear ancestorsโ€™ eyes

Results:

  • Guilt, anxiety
  • Loss of autonomy
  • Floating in midair

โ—‹ Healthy Shrine Visits

  • Go to confirm oneโ€™s own axis
  • Go to learn from ancestors
  • Go to face oneโ€™s own soul

Results:

  • Self-esteem
  • Establishment of autonomy
  • Axis is established

8. Implications for โ€œCompassionate Leadershipโ€

If Members Are the โ€œMeeting Ancestorsโ€™ Expectationsโ€ Type

Problem:

  • They receive your expectations like โ€œancestorsโ€™ expectationsโ€
  • Try to respond excessively
  • But have no axis of their own
  • Result: Floating in midair, waiting for instructions

Solution: Show โ€œStandardsโ€ Not โ€œExpectationsโ€

What to do:

โŒ โ€œI want you to do thisโ€ (showing expectations)

  • Members try to meet expectations
  • But have no axis of their own

โญ• โ€œI judge based on these standards. How do you judge?โ€ (showing standards)

  • Members judge for themselves
  • Their own axis develops

9. Integration โ€” Craftsmanโ€™s Way and Reverence for Ancestors

Structure of Craftsmanโ€™s Way (Revised)

[First priority] One's own conviction (internal standard)
โ†“
Does it not shame the brand?
โ†“
[Reference] Wisdom learned from ancestors
(but not dominated)
โ†“
[Minimum line] Client satisfaction (external standard)
โ†“
[Taboo] Self-satisfaction (self-indulgence)

Key: Ancestors Are โ€œReferenceโ€ Not โ€œDominationโ€

  • Learn from ancestors: Wisdom, technique, spirit
  • But not dominated by ancestors: Act based on oneโ€™s own judgment
  • Surpass ancestors: Create something new

Example (craftsman):

  • Learn technique from master
  • But not just make the same things as master
  • Create something that surpasses the master

This is healthy inheritance


10. Relationship Between Attachment Style and Motivation

Attachment StyleMotivationCharacteristicsProblem
SecureCraftsman’s wayHas own axis, autonomous
AnxiousOthers’ expectations firstSeeks approval, dependentFloating in midair
AvoidantRejects othersIsolated, rejects traditionRootless
DisorganizedContradiction, confusionTorn apartBurnout

11. Implications for Japanโ€™s Renewal โ€” โ€œReverenceโ€ Not โ€œObedienceโ€

The Limitations of Professor Seโ€™s Video

What the professor discussed:

  • Japanese people are motivated by โ€œmeeting othersโ€™ expectationsโ€
  • Culture of being conscious of ancestorsโ€™ eyes
  • The beautiful Japan that Lafcadio Hearn saw

But what was not discussed:

  • Becomes pathology when excessive
  • Attachment issues
  • Hindrance to autonomy

The Importance of the Point

โ€œIf the consciousness of meeting ancestorsโ€™ expectations becomes too strong, attachment issues may complicate thingsโ€

This is the core of Japanโ€™s renewal:

โŒ Meet ancestorsโ€™ expectations (obedience)

  • Loss of autonomy
  • Floating in midair
  • Waiting for instructions

โญ• Learn from ancestors (reverence)

  • Establishment of autonomy
  • Axis is established
  • Proactive

12. Final Conclusion โ€” What Is Healthy โ€œResponsibility Across Generationsโ€?

The Structure Discovered

  1. Othersโ€™ expectations first โ†’ Floating in midair, waiting for instructions
  2. Meeting ancestorsโ€™ expectations (excessive) โ†’ Attachment issues, loss of autonomy
  3. Solution: Oneโ€™s own conviction first, but learn from ancestors

Healthy Structure

[First priority] One's own conviction (internal standard)
โ†“
[Reference] Wisdom learned from ancestors
(reverence, but not dominated)
โ†“
[Responsibility] What to leave to next generation
(creation, but not imposing)
โ†“
[Minimum line] Others' satisfaction (external standard)

Key Distinction

ร— Unhealthyโ—‹ Healthy
Meet ancestors’ expectations (obedience)Learn from ancestors (reverence)
Dominated by ancestorsReference ancestors
Cannot go beyond ancestors’ frameworkSurpass ancestors
Guilt, anxietyGratitude, autonomy
Floating in midairAxis is established

13. The True Meaning of Shrine Visits โ€” Facing Oneโ€™s Own Soul

Revised: Why Go to a Shrine Alone Every Day?

โŒ To meet ancestorsโ€™ expectations
โŒ To be approved by ancestors
โŒ To fear ancestorsโ€™ eyes

โญ• To confirm oneโ€™s own axis
โญ• To learn from ancestors (but not be dominated)
โญ• To face oneโ€™s own soul
โญ• To think about what to leave to the next generation (but not impose)

Beautiful People

(For the English version, please scroll down.)

Dandy Asobi Club Vol.0


ใ”ๅ‚ๅŠ ใ„ใŸใ ใ„ใŸๆ–นใ€ใƒกใƒณใƒใƒผใ€ใ‚นใ‚ฟใƒƒใƒ•
ใใ—ใฆๆ„›ๆƒ…ๆทฑใๆ„Ÿๅบฆใฎ้ซ˜ใ„ใ‚ชใƒผใƒ‡ใ‚ฃใ‚จใƒณใ‚นใฎๆ–นใ€…
ๆœฌๅฝ“ใซใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸ๏ผ

ไปŠๅ›žใฏๆœฌๆฐ—ใฎ้Šใณใ‚’่ฟฝ็ฉถใ™ใ‚‹ใจใ„ใ†ใฎใ‚’ใƒ†ใƒผใƒžใซใ‚„ใ‚Šใพใ—ใŸ
ใใ‚Œใฏ
ไบบ้–“ใŒไปŠๅพŒใฉใ†ใ‚„ใฃใฆไบบ้–“ใ‚‰ใ—ใ็”Ÿใใฆใ‚†ใใ‹ใจใ„ใ†ใ“ใจใฎ
ไฟบใฎใฒใจใคใฎใ‚ขใƒณใ‚ตใƒผใง
ๅพนๅบ•ใ—ใŸๅˆ็†ไธป็พฉใ€ๅŠน็އ้‡่ฆ–
ใใ‚Œใ“ใใ‚ฟใ‚คใƒ‘ใจใ‹ใญใ‚ณใ‚นใƒ‘ใจใ‹
ใฟใ‚“ใชใ‚‚่‰ฒใ€…ใ‚ใ‚‹ใจๆ€ใ†ใ‘ใฉ
ๅฝ“็„ถใใ‚Œใฏๅคงไบ‹ใชใ“ใจใ ใจๆ€ใ†ใ—
ใŸใ ใใ‚Œใฐใฃใ‹ใ‚ŠใซใชใฃใŸใจใใซ
ใƒžใ‚ทใƒผใƒณใฎใ‚ˆใ†ใซ็”Ÿใใ‚‹ไบบ้–“ใฏ
AIใซไฝ•ใ‚‚ๆ•ตใ‚ใชใใชใฃใฆ
ไบบ้–“ใงใ‚ใ‚‹ๆ„ๅ‘ณใ‚’ๅคฑใฃใฆใ—ใพใ†

ใใ†ใ„ใ†ๆ„ๅ‘ณใงใฏไปŠใใ‚Œใ“ใ
่งฃๆ•ฃ็ท้ธๆŒ™ใŒใ‚ใฃใฆ
ใ‚„ใ‚Œๅณ็ฟผใ ๅทฆ็ฟผใ ใจ
ใใ†่จ€ใฃใŸๅˆ†ๆ–ญใฏไธ–ใฎไธญใฎ่‡ณใ‚‹ๆ‰€ใซใ‚ใ‚‹ใจๆ€ใ†ใ—
ๆฐ—ใฅใ„ใฆใชใ„ใ ใ‘ใง่ชฐใฎ่บซ่ฟ‘ใช็”Ÿๆดปใซใ‚‚
่”“ๅปถใ‚‹่ฉฑใง

ไฟบใ‚‚ๅธธใซ้ ญใฎไธญใง
่ถ…็พๅฎŸไธป็พฉ็š„ใช่‡ชๅˆ†ใจ
่ถ…็†ๆƒณไธป็พฉ็š„ใช่‡ชๅˆ†ใŒใ„ใฆ
ใงใ‚‚ใฉใกใ‚‰ใ‹ใŒๆญฃใ—ใ„ใจใ„ใ†ใ“ใจใงใฏใชใ„ใฏใšใ ใ‹ใ‚‰ใ“ใ‚Œใฏ
ใฉใ†ใซใ‹ใ†ใพใ็ตฑๅˆใงใใชใ„ใ‹ใจใ„ใ†ใ“ใจใง
ๆœฌๆฐ—ใฎ้Šใณใจใ„ใ†ใ‚ใ‚‹็จฎๅน…ใ‚’ๆŒใŸใ›ใŸไธŠใงใฎ
ใ€Œๆญฃใ—ใ„ใ€ใงใฏใชใใ€Œ็พŽใ—ใ„ใ€ใ‚’
ใฒใจใคใฎๅคงใใช่ปธใซ็ฝฎใ„ใŸๆดปๅ‹•ใ‚’ใญ
ไปŠๅพŒใ‚‚ใฉใ†ใซใ‹ใ‚„ใฃใฆใ„ใใŸใ„ใจๆ€ใฃใฆใ„ใพใ™

ใฉใ†ใ‹ใฒใจใคไปŠๅพŒใจใ‚‚ใ‚ˆใ‚ใ—ใใŠ้ก˜ใ„ใ—ใพใ™๏ผ

2026.1.25 Dan Mitchel

Dandy Asobi Club Vol.0

To everyone who joined usโ€”our members, staff, and our loving, deeply perceptive audienceโ€”thank you so much.

This time, we centered the event on the idea of pursuing โ€œserious play.โ€

For me, thatโ€™s one answer to the question of how human beings can keep living in a truly human way from here on out. Total rationalism and efficiency-first thinkingโ€”things like time efficiency and cost efficiencyโ€”matter, of course. Iโ€™m sure everyone has their own priorities, too.

But when that becomes everything, people start living like machines. And once humans live like machines, thereโ€™s nothing we can beat AI atโ€”and we end up losing the very meaning of being human.

In that sense, right nowโ€”with the snap general election following the dissolution of Japanโ€™s House of Representatives, and all the โ€œright vs. leftโ€ rhetoricโ€”divisions are everywhere. And even when we donโ€™t realize it, itโ€™s a story that spreads into the everyday lives of each of us.

In my own head, I always have two versions of myself: a hardcore realist and a hardcore idealist. But it canโ€™t be that only one of them is โ€œright.โ€ So Iโ€™ve been wondering whether thereโ€™s a way to integrate them better.

By embracing โ€œserious playโ€โ€”by allowing some breadthโ€”I want to keep moving forward with activities that donโ€™t put โ€œrightnessโ€ at the center, but instead place โ€œbeautyโ€ as a major guiding axis.

I hope youโ€™ll continue to support us.

2026.1.25
Dan Mitchel

Ideal Freedom

(For the English version, please scroll down.)

1/22ใซไบบ็”Ÿใ‚’่ณญใ‘ใŸไผ็”ปใ‚’็ซ‹ใกไธŠใ’ๅฎŸๆ–ฝใ—ใพใ™ใ€‚ใใ‚Œใฏใ‚คใƒ™ใƒณใƒˆใงใ‚ใ‚Šใ€ใƒ‰ใ‚ญใƒฅใƒกใƒณใ‚ฟใƒชใƒผๆ˜ ็”ปๅˆถไฝœใงใ‚ใ‚Šใ€ใ‚ฏใƒฉใƒ–ๆดปๅ‹•ใงใ‚‚ใ‚ใ‚Šใพใ™ใ€‚
ใƒ†ใƒผใƒžใฏใ€Œๆœฌๆฐ—ใฎ้Šใณใ‚’่ฟฝ็ฉถใ™ใ‚‹ใ€ใ“ใจใ€‚

็งใ‚‚ใ‚„ใฃใฆใฟใชใ„ใจใ‚ใ‹ใ‚‰ใชใ„ใ‚ˆใ†ใชใจใ“ใ‚ใ‚‚ๅคšใใฆใ€ใ‚ใ‹ใ‚Šใ‚„ใ™ใ่ชฌๆ˜Žใ™ใ‚‹ใ“ใจใฏใงใใพใ›ใ‚“ใ€‚
ใใ‚Œใฏใคใพใ‚Šใ€ๆ•ขใˆใฆใ™ในใฆๆฑบใ‚ๅˆ‡ใ‚‰ใชใ„ใ“ใจใซใ‚ˆใ‚‹ใ€Œ้Šใณใ€ใฎ้ƒจๅˆ†ใ‚’ใ€ๅ‚ๅŠ ่€…ใฟใ‚“ใชใงๆฅฝใ—ใ‚“ใงใ„ใŸใ ใใŸใ„ใจใ„ใ†ใ“ใจใงใ™ใ€‚

ใใ‚ŒใŒใ€ๆœฌๆฅใ‚ใ‚‹ในใใ€Œๆ€งๅ–„่ชฌใซใŠใ‘ใ‚‹็†ๆƒณใฎ่‡ช็”ฑใ€ใฎๅงฟใงใ‚ใ‚‹ใจ่€ƒใˆใฆใ„ใพใ™ใ€‚
็ด ๆ•ตใช็š†ๆง˜ใฎใ€ใ€Œ่‡ชไธป็š„ใชๅ‚ๅŠ ใ€ใ‚’ใ€็งใ‚‚ๆฅฝใ—ใฟใซใ—ใฆใ„ใพใ™ใ€‚

็ตๆžœใฏไธ€ๅบฆใ€ๅฎ‡ๅฎ™ใซๅง”ใญใฆใฟใพใ—ใ‚‡ใ†ใ€‚

โ†’https://yep-net.com/2025/11/11/freestyle-session-club/

On January 22, Iโ€™m launching and carrying out a project that Iโ€™m staking my life on. Itโ€™s an event, a documentary film production, and also a club activity. The theme is โ€œpursuing play with absolute seriousness.โ€

There are still many parts I wonโ€™t know until I actually do it, so I canโ€™t explain it in a perfectly clear, straightforward way. In other words, by intentionally not deciding everything in advance, I want everyone to enjoy the โ€œplayโ€ that emerges from that opennessโ€”together.

I believe this is what โ€œideal freedom,โ€ grounded in the belief in peopleโ€™s inherent goodness, is meant to look like. Iโ€™m really looking forward to the voluntary participation of all you wonderful people, and Iโ€™m excited to share the experience with you. Letโ€™s entrust the outcome to the universe, at least once.

โ†’https://yep-net.com/2025/11/11/freestyle-session-club/

The Beauty of Love

(For the English version, please scroll down.)

่‡ชๅˆ†ใซใจใฃใฆๅฝนใซ็ซ‹ใคใ‹ใฉใ†ใ‹ใง
ๆ‹ๆ„›ใ‚’ใ—ใฆใใŸใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„
ใ‚‚ใกใ‚ใ‚“ใใ‚ŒใŒใ™ในใฆใงใชใ„ใ“ใจใฏไบ‹ๅฎŸใ ใŒ
ใใ‚Œใฏใคใพใ‚Š่ฆ‹่ฟ”ใ‚Šใ‚’ๆฑ‚ใ‚ใฆใ„ใŸใฃใฆใ“ใจใ 

ใใฃใจใใ‚“ใชใซ็ใ—ใ„่ฉฑใงใ‚‚ใชใ„ใ ใ‚ใ†
ใŠ็›ธๆ‰‹ใฎๆกไปถใฏ๏ผŸใฟใŸใ„ใช่ฉฑใ ใ‚ˆใช

ใใ‚Œใฏๅ…ฑๅŒไฝ“ใ‚’ไฝœใฃใฆ็”Ÿๅญ˜ใ—ใฆใ„ใใจใ„ใ†ๆ„ๅ‘ณใซใŠใ„ใฆ
ใจใฆใ‚‚ๆˆฆ็•ฅ็š„ใชใ“ใจใ ใ—
ไบบ้–“ใฏใใ†ใ‚„ใฃใฆ็”ŸใใฆใใŸใ‚“ใ ใจๆ€ใ†
ใใ“ใซๆ„›ใŒ่Šฝ็”Ÿใˆใชใ„ใจใ‚‚่จ€ใˆใชใ„ใ—
ไฝ•ใ‚‚ใใ‚Œใ‚’ๅฆๅฎšใ™ใ‚‹ใคใ‚‚ใ‚Šใ‚‚ใชใ„
ใใ‚ŒใŒไบบ้–“ใ‚‰ใ—ใ•ใ ใจ่จ€ใ†ไบบใ‚‚ใ„ใ‚‹ใ ใ‚ใ†

็”Ÿๆดปใ‚„็คพไผšใŒๅŽณใ—ใใชใ‚Œใฐใชใ‚‹ใปใฉ
็พๅฎŸไธป็พฉใซๅ‚พใใ™ใŽใ‚‹ใฎใ‚‚ไป•ๆ–นใŒใชใ„ใ ใ‚ใ†

ใŸใ ใใ‚Œใฏใใ‚Œใจใ—ใฆ
ๅฝนใซ็ซ‹ใคใƒป็ซ‹ใŸใชใ„ใฎ่ญฐ่ซ–ใ‚’่ถ…ใˆใŸ
ใใ‚‰ใ‚ใใ‚’ๅžฃ้–“่ฆ‹ใฆใ—ใพใฃใŸใŒๆ•…ใฎ
ๆœ€ใ‚‚ๅนปๆƒณ็š„ใชๅๆŠ—ใจ่จ€ใฃใฆใ‚‚ใ„ใ„ใฎใ ใ‚ใ†ใ‹

่จ€่‘‰ใงใฏ่จ€ใ„่กจใ›ใชใ„ใจใ„ใ†ใ‹
่จ€ใ„่กจใ™ใจๅฃŠใ‚Œใฆใ—ใพใ†ใ‚ˆใ†ใช
ไธ–ใซใ‚‚็พŽใ—ใ„ใ‚จใƒใƒซใ‚ฎใƒผใฎ่ฉฑใ•
ๆ€่€ƒใใฎใ‚‚ใฎใŒๅค‰ใ‚ใฃใฆใ—ใพใฃใŸใ‚ˆใ†ใชๆฐ—ใ•ใˆใ™ใ‚‹ใฎใ•

ใŸใ ใ™ในใฆใฎใ‚‚ใฎใธใฎไพๅญ˜ใ‚’ๆ‰‹ๆ”พใ—ใŸไธŠใง
่‡ชๅˆ†ใซๆญฃ็›ดใซใชใ‚‹ใจใ„ใ†ใ“ใจใ 
ๆžœใŸใ—ใฆใใฎไธŠใง
่‡ชๅทฑไฟๅญ˜ใŒ้ฉใ†ใ‹ใฉใ†ใ‹ใฏ
่ฉฆใ—ใฆใฟใชใ‘ใ‚Œใฐใ‚ใ‹ใ‚‰ใชใ„

่ฉฆใ™ไพกๅ€คใฏใ‚ใ‚‹ใ ใ‚ใ†
ๆฅฝ่ฆณ็š„ใซ็”Ÿใใ‚‹ใ“ใจใ 
ใใ—ใฆใใ‚ŒใŒ็œŸใฎ็พŽใ—ใ•ใ ใ‘ใŒใ‚‚ใค
ๅ‰ๅคงใชใ‚‹ใƒ‘ใƒฏใƒผใชใฎใ 

Maybe I’d been approaching love
based on whether it would be useful to me.
Of course, it’s true that wasn’t everything,
but that means I was seeking something in return.

I’m sure it’s not such an unusual storyโ€”
it’s like that question: “What are your criteria for a partner?”In the sense of forming a community to survive,
it’s very strategic,
and I think that’s how humans have lived.
You can’t say love won’t grow from that,
and I have no intention of denying it.
Some would say that’s what makes us human.The harsher life and society become,
the more we can’t help but lean toward realism.

But setting that aside,
could this be described as
the most fantastical form of rebellionโ€”
born from glimpsing a sparkle
that transcends the debate of useful or useless?

It’s something you can’t put into words, or rather,
something that would break if you tried to express it.
It’s about the most beautiful energy in the world.

It even feels like my very thinking has changed.It’s simply about letting go of all dependencies
and being honest with yourself.
Whether self-preservation can be achieved on top of thatโ€”
you won’t know unless you try.

It’s worth trying.
Live optimistically.
And that is the great power
that only true beauty possesses.

Two Versions of Me

(For the English version, please scroll down.)

่ชฐใ‚‚ใ„ใชใ„ๆน–็•”ใง
ๅฎถๆ—ใจใฒใฃใใ‚Šใจๆšฎใ‚‰ใ—ใฆใ„ใใŸใ„่‡ชๅˆ†ใจ
ไธ–ใฎไธญใฎ็‚บใซๅ…ˆ้ ญใใฃใฆ
ไฝ•ใ‹ใ‚’ๆฎ‹ใ•ใญใฐ่ฒข็Œฎใ›ใญใฐใจใ„ใ†่‡ชๅˆ†ใŒ
ๅŒๅฑ…ใ—ใฆใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใ‚“ใช

ไธก็ซ‹ใงใใ‚Œใฐใ„ใ„ใชใจใฏๆ€ใ†ใ‘ใฉ
่ฃๆ–นใซๅพนใ™ใ‚‹ใซใฏ็›ฎ็ซ‹ใกใ™ใŽใ‚‹ใ—
็›ฎ็ซ‹ใกใŸใŒใ‚Šใซใ—ใฆใฏๅผ•ใฃ่พผใฟๆ€ๆกˆใ ใ—
ไปŠใฎใจใ“ใ‚ใฉใฃใกใคใ‹ใšใชใ‚“ใ ใ‚ˆใช

ใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใจ่จ€ใ‚ใ‚ŒใŸใ‚‰ใใ‚Œใพใงใ ใ‘ใฉ
่‡ชๅˆ†ใŒใƒ—ใƒญใƒ‡ใƒฅใƒผใ‚ตใƒผใ‚„ใƒ‡ใ‚ฃใƒฌใ‚ฏใ‚ฟใƒผใจใ—ใฆ
ใ˜ใ‚ƒใ‚่ชฐใ‚’็œŸใฃๅ…ˆใซ่ตท็”จใ—ใŸใ„ใ‹ใฃใฆใ„ใ†ใจ
ใพใ‚ไฟบไปฅๅค–ใ„ใญใˆใ‚“ใ ใ‚ˆ

้€†ใซไป–ใฎ้€ฃไธญใŒไฟบใ‚’ไฝฟใ‚ใชใ„็†็”ฑใŒ
ๆ•ฐๅญ—็š„ใช็†็”ฑไปฅๅค–ใ ใจ
ไฟบใซใฏใ•ใฃใฑใ‚Šใ‚ใ‹ใ‚‰ใ‚“

่‡ชๆƒšใ‚Œใฃใฆใ„ใ†ใ‹ใใฎใใ‚‰ใ„ๆƒšใ‚Œ่พผใ‚“ใงใ‚“ใ ใ‚ˆใช
ไป•ๆ–นใญใˆใ‚ˆ

ใŸใพใซใฏใƒ—ใƒฌใ‚คใƒคใƒผใจใ—ใฆ
ใ“ใฎ่บซใ‚’ๅง”ใญใฆใฟใŸใ„ใจๆ€ใ†ใ‚ˆใช
ใ•ใ‚ไฝฟใ„ใ“ใชใ—ใฆใฟใฆใใ‚Œใจ
ๅ…ผๅ‹™ใ—ใฆใ‚‹ใจใใจใฏ
ใพใŸ้•ใ†้ก”ใŒ่ฆ‹ใ‚‰ใ‚Œใ‚‹ใฏใšใ ใ‚ˆ
ใ‹ใคใฆ่ˆžๅฐใซ็ซ‹ใฃใŸใจใใฎใ‚ˆใ†ใซใญ

ใพใ‚ใจใซใ‹ใใ“ใฎใƒŽใ‚คใ‚บใฎๅคšใ™ใŽใ‚‹้ƒฝไผšใง
ใฉใ†ใ‚„ใฃใฆ้ ญใ‚’ใƒใ‚ซใซใ—ใฆ้บป็—บใ•ใ›ใšใซ
้ฉๅฟœใงใใ‚‹ใ‹ใ‚’่€ƒใˆใฆใ‚‹
็ด ๆ™ดใ‚‰ใ—ใ„็‰ฉไบ‹ใฏใ„ใฃใฑใ„ใ‚ใ‚‹ใ‚“ใ ใ‘ใฉ
ไฟบใซใฏไบ›ใ‹ๅˆบๆฟ€ใŒๅผทใ™ใŽใ‚‹ใ‚“ใ ใ‚ˆใชใ‚
็ตถๅฆ™ใช่‡ชๅˆ†ใฎๅœจใ‚Šๆ–นใจใ„ใ†ใ‹
ใƒใƒฉใƒณใ‚นใ‚’ๆŽขใ—ใฆใ„ใ‚‹ใจใ“ใ‚ใ ใ‚ˆ

Maybe there are two versions of me coexisting inside: one who wants to live quietly with family by a deserted lakeside, and another who feels compelled to lead the charge and leave something behind, to contribute to the world.

I wish I could balance both, but I’m too conspicuous to stay behind the scenes, yet too reserved to be an attention seeker. Right now, I’m stuck somewhere in between.

Call it narcissism if you want, but if I were a producer or director and had to choose who I’d cast first, well, there’s nobody but myself.

Conversely, I honestly can’t understand why others wouldn’t use meโ€” aside from reasons related to numbers or metrics.

It’s not arrogance, I’m just that infatuated with myself. Can’t help it.

Sometimes I want to surrender myself as a player, saying “go ahead, try to make the most of me.” You’d see a different side of me than when I’m juggling both roles, just like when I stood on stage before.

Anyway, in this overly noisy city, I’m trying to figure out how to adapt without dumbing down or numbing my mind. There are plenty of wonderful things here, but it’s all a bit too stimulating for me. I’m searching for that delicate balance, the right way to exist.

Looking Back on 2025

(For the English version, please scroll down.)

2025ๅนดใ‚’ๆŒฏใ‚Š่ฟ”ใฃใฆ

2025ๅนดใŒไปŠๆ—ฅใง็ต‚ใ‚ใ‚ใ†ใจใ—ใฆใ„ใพใ™
็š†ใ•ใ‚“ใซใจใฃใฆใฏใฉใ‚“ใชๅนดใงใ—ใŸใ‹๏ผŸ

็งใซใจใฃใฆใ“ใฎ3ๅนดใใ‚‰ใ„ใฏใ€ๆœฌๅฝ“ใซ่ฉฆ่กŒ้Œฏ่ชคใฎๅนดใงใ€ๆฏŽๅนดใ€ใ„ใ‚ใ‚“ใชไบบใจๅ‡บ้€ขใ„ใชใŒใ‚‰ใ€ๆดปๅ‹•ใจใ„ใ†ใ‹็”Ÿใๆ–นใใฎใ‚‚ใฎใ‚’ใƒˆใƒฉใƒณใ‚นใƒ•ใ‚ฉใƒผใƒ ใ—ใฆใใŸๅนดใ ใฃใŸใ‚“ใงใ™ใ‘ใฉใ€ไปŠๅนดใฏใใ‚Œใ“ใ่‡ชๅˆ†ใซใจใฃใฆใ‚‚ใฎใ™ใ”ใๅคงไบ‹ใชๅ‡บ้€ขใ„ใŒๅˆใฃ็ซฏใ‹ใ‚‰ใ‚ใฃใฆใ€ใใ‚Œใงใ‚ˆใ†ใ‚„ใ่‡ชๅˆ†ใซใจใฃใฆๅคงไบ‹ใซใ—ใŸใ„ใ‚‚ใฎใŒไฝ•ใ‹ใจใ„ใ†ใฎใŒใ‚ˆใ†ใ‚„ใๆ˜Ž็ขบใซใชใฃใŸใจใ„ใ†ใฎใ‹ใ€‚ใ‚‚ใกใ‚ใ‚“ไปฅๅ‰ใ‹ใ‚‰ใ€็งใฎไฝœๅ“ใจใ‹่ฆ‹ใฆใ‚‚ใ‚‰ใฃใŸใ‚‰ใ‚ใ‹ใ‚‹้€šใ‚Šใ€ใ‚„ใ‚ŠใŸใ„ใ“ใจใฏๅค‰ใ‚ใ‚‰ใชใ„ใจๆ€ใ†ใ‚“ใ ใ‘ใฉใ€ใใ‚Œใ“ใไปฅๅ‰ใฏ่จณใ‚‚ๅˆ†ใ‹ใ‚‰ใšใ‚„ใฃใฆใ„ใŸใ“ใจใŒใ€้šๅˆ†ใจๆ˜Ž็ขบๅŒ–ใ•ใ‚ŒใฆใใŸใชใจใ„ใ†ๆ„Ÿใ˜ใงใ€‚ใ ใ‹ใ‚‰ใ“ใไปŠๅนดใฎๅพŒๅŠใฏ่‡ชๅˆ†ใซใจใฃใฆใ‚‚ใ‚‚ใฎใ™ใ”ใ่‡ชไฟกใฎใ‚ใ‚‹ๆ›ฒใŒใงใใŸใ—ใ€ใใ‚Œใฏๆฑบใ—ใฆๅถ็„ถใงใฏใชใ„ใจๆ€ใ†ใ‚“ใ ใ‚ˆใญใ€‚

ใงใ€ใ‚„ใฏใ‚Šๅƒ•ใฏใ€็พŽใ—ใ„ใ‚‚ใฎใŒๅฅฝใใชใ‚“ใ ใชใจใ€‚ใใ‚Œใฏๆฑบใ—ใฆ่ฆ‹ใฆใใ‚Œใ ใ‘ใฎ่ฉฑใงใฏใชใใฆใ€‚ใใ‚Œใ“ใๆœ€ๆ–ฐใฎ็‰ฉ็†ๅญฆใซใŠใ„ใฆใฏใ€็‰ฉ่ณชใจใ„ใ†ใฎใฏใ‚จใƒใƒซใ‚ฎใƒผใฎ้›†ใพใ‚Šใงใ‚ใ‚‹ใจใ€‚ใคใพใ‚Šใ€็พŽใ—ใ„ใ‚จใƒใƒซใ‚ฎใƒผใ‚’ใฉใ†ใ‚„ใฃใฆ็”Ÿใฟๅ‡บใ™ใ‹ใ€‚ใใ‚Œใฏไบบ้–“ใงใ‚ใ‚Œใฐใ€ไบบ้–“ใŒ่บซไฝ“ใ‚’ไฝฟใฃใฆใฉใ†ใ‚„ใฃใฆ็พŽใ—ใ„ใ‚จใƒใƒซใ‚ฎใƒผใ‚’็”Ÿใฟๅ‡บใ—ใฆใ„ใใ‹ใจใ„ใ†ใ“ใจใชใ‚ใ‘ใงใญใ€‚ใใ“ใซใƒ•ใ‚ฉใƒผใ‚ซใ‚นใ—ใŸใ„ใ‚“ใ ใชใจใ€‚ไปŠๅนดใฏใƒ–ใƒญใ‚ฐใ‚„ใ‚‰SNSใ‚„ใ‚‰ใง้šๅˆ†ใจๅฐ้›ฃใ—ใ„ๅพก่จ—ใ‚’ไธฆในใฆใฏใฟใพใ—ใŸใ‘ใ‚Œใฉใ‚‚ใ€ใ‚ใใพใง่‡ชๅˆ†ใฏ่จ€่‘‰ใจใ„ใ†ใฎใฏไธๅฎŒๅ…จใชใ‚‚ใฎใ ใจๆ€ใฃใฆใ„ใ‚‹ใ—ใ€ใใ‚Œใฏใ‚‚ใกใ‚ใ‚“่จ€่‘‰ใง็พŽใ—ใ•ใ‚’่กจ็พใงใใ‚‹ไบบใฏใใ‚Œใงใ„ใ„ใฎใ ใ‘ใ‚Œใฉใ‚‚ใ€่‡ชๅˆ†ใซใฏใใ“ใพใงใฎๆŠ€้‡ใฏใชใ„ใ—ใ€ไธ€ๅฟœไธ€็”Ÿๆ‡ธๅ‘ฝๆ›ธใ„ใฆใ‚‹ใคใ‚‚ใ‚Šใงใฏใ„ใ‚‹ใ‚“ใ ใ‘ใฉใ‚‚ใ€ใพใ‚ใ‚ใ‚Œใฏใ‚ใใพใง่‡ชๅˆ†ใฎๆ„Ÿ่ฆšใ‚’็ ”ใŽๆพ„ใพใ›ใ‚‹็‚บใซใ‚„ใฃใฆใ„ใ‚‹ใ‚ˆใ†ใชใจใ“ใ‚ใŒใ‚ใฃใฆใ€ๆœ€็ต‚็š„ใซใฏใ€ใ„ใ‚ใ‚“ใชๅฝขใงใใฎ็พŽใ—ใ„ใ‚จใƒใƒซใ‚ฎใƒผ่‡ชไฝ“ใ‚’่กจ็พใ‚ใ‚‹ใ„ใฏไฝ“็พใงใใ‚Œใฐใ„ใ„ใชใจๆ€ใฃใฆใŠใ‚Šใพใ™ใ€‚

ใใ‚Œใฏใ‚‚ใ†ใ‚„ใฏใ‚Šใใฎๅ‡บ้€ขใ„ใจใ„ใ†ใ‹ใ€็พŽใ—ใ„ใ‚‚ใฎใ€็พŽใ—ใ„ไบบ้–“ใฎใ‚จใƒใƒซใ‚ฎใƒผใซ่งฆใ‚Œใฆใ—ใพใฃใฆใ€ใƒใƒƒใจใ•ใ›ใ‚‰ใ‚ŒใŸใจใ„ใ†ใ‹ใ€‚ๆ„่ญ˜ใฎไธŠใงใฏ่ฆ‹ๅคฑใ„ใ‹ใ‘ใฆใ„ใŸใ‚‚ใฎใ‚’ใ€ๅ–ใ‚Šๆˆปใ—ใŸใ‚ˆใ†ใชใจใ“ใ‚ใฏใ‚ใฃใŸใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใญใ€‚ใใฎใ‚จใƒใƒซใ‚ฎใƒผใงไปŠๅนดใฏ็”Ÿใใฆใ“ใ‚‰ใ‚ŒใŸใ‚ˆใ†ใชใจใ“ใ‚ใŒใ‚ใฃใŸใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚

ใ ใ‹ใ‚‰2026ๅนดใฏใ€ใใ†ใ„ใฃใŸ็พŽใ—ใ„ใ‚จใƒใƒซใ‚ฎใƒผใ‚’ใฉใ†ใ‚„ใฃใฆไฝ“็พใ—ใฆใ„ใใ‹ใ€‚ๅˆใฃ็ซฏใ‹ใ‚‰ไธปๅ‚ฌใ‚คใƒ™ใƒณใƒˆใ€ŒDandy Asobi Clubใ€ใŒใ‚ใ‚Šใพใ™ใ—ใ€ๆ˜ฏ้žใจใ‚‚้Šใณใซๆฅใฆใ„ใŸใ ใใŸใ„ใจๆ€ใฃใฆใ‚‹ใ‚ใ‘ใงใ™ใ‘ใฉใ‚‚ใ€ใใ‚Œไปฅๅค–ใซใ‚‚1stใ‚ขใƒซใƒใƒ ใฎๅˆถไฝœใ‚„ๅ…จๅ›ฝใƒ„ใ‚ขใƒผใ€ใใ‚Œใ‹ใ‚‰ใ‚ทใƒงใƒผใƒˆใƒ•ใ‚ฃใƒซใƒ ใจใ—ใฆๆ’ฎใ‚ŠใŸใ„้กŒๆใ‚‚ๆ—ขใซใƒ—ใƒญใƒƒใƒˆใฏ้ ญใฎไธญใซใ‚ใ‚‹ใ—ใ€‚

ใ‚ใจใฏใใ†ใงใ™ใญใ€‚ๆ–ฐใ—ใ„ๅ‹้”ใŒใงใใŸใ‚‰ใ„ใ„ใชใ‚ใจใฏใ€ใตใ‚“ใ‚ใ‚Šใจๆ€ใฃใฆใฏใ„ใพใ™ใ€‚ไธ€็ท’ใซๆดปๅ‹•ใงใใŸใ‚‰ๅฐšใ„ใ„ใ—ใญใ€‚ใชใ‚“ใ‹ใใ†ใ„ใ†ๆ„ๅ‘ณใงใฏใ€ๅ…จใๆ–ฐใ—ใ„ใ‚ˆใ†ใชใ“ใจใซใ‚‚ใƒใƒฃใƒฌใƒณใ‚ธใงใใŸใ‚‰ใ„ใ„ใชใ‚ใชใ‚“ใฆๆ€ใฃใฆใ‚‚ใ„ใพใ™ใ€‚
ใพใ‚่‡ชๅˆ†ใŒๅ‘จใ‚Šใซใฉใ†ๆ€ใ‚ใ‚Œใฆใ„ใ‚‹ใ‹ใ€ๆญฃ็›ดใ€็›ฎใฎๅ‰ใซใ„ใชใ„ไบบใฎๆฐ—ๆŒใกใฏใ‚ใ‚“ใพใ‚Šใ‚ˆใใ‚ใ‹ใ‚‰ใชใ„ใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€ๅฐ้›ฃใ—ใ„ใ“ใจ่จ€ใฃใฆใ‚‹ๅ‰ฒใซใฏใ€ๅˆฅใซใ‚ตใƒณใ‚ฟใฎๆœ็€ใฆ่ทฏไธŠใƒฉใ‚คใƒ–ใจใ‹ๅนณๆฐ—ใงใ‚„ใฃใŸใ‚Šใ™ใ‚‹ใ—ใ€ใชใ‚“ใ‹ใ“ใ†ใ€ใƒ—ใƒฉใ‚คใƒ‰ใŒ้ซ˜ใ„ใคใ‚‚ใ‚Šใ‚‚ใชใ„ใ‚“ใงใ™ใ‘ใฉใญใ€‚ไบŒๆžš็›ฎใฎๅฝนใงใชใ„ใ€ใชใ‚“ใ‹ใ“ใ†ๅค‰ๆ…‹ใฎๅฝนใจใ‹ใงใ‚‚ใ€่„šๆœฌใจๆผ”ๅ‡บใŒใ‚ˆใ‘ใ‚Œใฐๅ–œใ‚“ใงใ‚„ใ‚‹ใ ใ‚ใ†ใ—ใ€ใ‚ใ‚Šใจใใฎ็ทšๅผ•ใใฟใŸใ„ใชใ‚‚ใฎใฏใ€ไธ€่ˆฌ็š„ใชๆ„Ÿ่ฆšใจใฏ้•ใ†ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ‹ใ‚‰ใ€ใ“ใ†ๆฐ—่ปฝใซใŠๅฃฐใŒใ‘ใ„ใŸใ ใ‘ใŸใ‚‰ๅฌ‰ใ—ใ„ใชใ‚ใจใฏๆ€ใฃใฆใ„ใพใ™ใ€‚
ใงใใ‚‹ใ“ใจใ‚‚ใงใใชใ„ใ“ใจใ‚‚่‡ชๅˆ†ใฎไธญใงใฏใƒใƒƒใ‚ญใƒชใ—ใฆใ‚‹ใฎใงใ€ใใ“ใฏใพใ‚ใ€ใ†ใพใ„ใ“ใจ้ข็™ฝใŒใฃใฆใใ‚ŒใŸใ‚‰ใ„ใ„ใชใ‚ใจๆ€ใฃใฆใ„ใพใ™ใ€‚
ใใ†ใ„ใฃใŸไธญใงใ€ใƒใ‚ธใƒ†ใ‚ฃใƒ–ใชๅ…ฑ้ณดใฎ่ผชใŒๅบƒใŒใฃใฆใ„ใ‘ใฐๅฌ‰ใ—ใ„ใงใ™ใญใ€‚

ใจใ„ใ†ใ‚ใ‘ใงใ€ไปŠๅนดใฏ็š†ใ•ใ‚“ๆœฌๅฝ“ใซใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€‚
ๅ†’้ ญใ‹ใ‚‰ใƒใƒชใ‚ฆใƒƒใƒ‰ใธ่กŒใใฎใซใ€ๅคšๅคงใชใ‚ตใƒใƒผใƒˆใ‚’ใ„ใŸใ ใใพใ—ใฆใ€ใใฎใ‚ใจใฏใ‚คใƒ™ใƒณใƒˆใ‚‚ใ‚„ใ‚Šใพใ—ใŸใ—ใ€ๅˆใ‚ใฆใ‚ชใƒ•ใ‚กใƒผใ‚’ใ„ใŸใ ใ„ใฆใ‚ฏใƒฉใ‚คใ‚ขใƒณใƒˆใ•ใ‚“ใฎMusic Videoใ‚’ๆ’ฎๅฝฑใ•ใ›ใฆใ„ใŸใ ใ„ใŸใ‚Šใ‚‚ใ—ใพใ—ใŸใ€‚ใใ‚Œใ‹ใ‚‰ใ‚„ใฏใ‚Š็พŽ่ก“้คจใงใฎใƒ‘ใƒ•ใ‚ฉใƒผใƒžใƒณใ‚นใงใ™ใ‹ใญใ€‚ใ‚ขใ‚ซใƒšใƒฉใงไธ€ๆ›ฒๆญŒใฃใฆใปใ—ใ„ใจใ„ใ†ใชใ‹ใชใ‹็—บใ‚Œใ‚‹ใ‚ชใƒ•ใ‚กใƒผใ‚’ใ„ใŸใ ใ„ใฆใ€็งใฎๆญŒๅ”ฑๅŠ›ใซไฟก้ ผใ‚’็ฝฎใ„ใฆใ„ใŸใ ใ„ใฆใ‚‹ใ‚“ใ ใชใจใ€ๅคงๅค‰ๆ„ๆฐ—ใซๆ„Ÿใ˜ใพใ—ใŸใ€‚
ใฉใ†ใ‹ใชใซใจใžๆฅๅนดใ‚‚ใ‚ˆใ‚ใ—ใใŠ้ก˜ใ„ใ—ใพใ™ใ€‚
ไปŠๅนดใฏๅ–ชไธญใชใฎใงใ€ๆ–ฐๅนดใฎๆŒจๆ‹ถใ‚’ใฉใ†ใ—ใ‚ˆใ†ใ‹ใ€ใกใ‚‡ใฃใจใพใ ๆฑบใ‚ใฆใชใ„ใฎใงใ™ใŒใ€ใฉใ†ใ‹่‰ฏใ„ใŠๅนดใ‚’ใŠ่ฟŽใˆใใ ใ•ใ„ใพใ›ใ€‚

ใŠไป•ไบ‹ใ‚’ใ„ใŸใ ใ„ใŸใ‚ฏใƒฉใ‚คใ‚ขใƒณใƒˆๆง˜(ๆ•ฌ็งฐ็•ฅใƒป้ †ไธๅŒ)

ใ€ๆ˜ ๅƒๅˆถไฝœใ€‘
ๆ ชๅผไผš็คพใƒ•ใ‚กใ‚คใƒŠใƒณใ‚นใƒปใƒ—ใƒญใƒ‡ใƒฅใƒผใ‚น

ใ€ใƒ‘ใƒ•ใ‚ฉใƒผใƒžใƒณใ‚นใ€‘
kokolo sauna
Atelier Cรขlin

ๅˆๅŒไผš็คพใƒฏใ‚คใƒซใƒ‰ใƒ›ใƒผใ‚นใ‚ซใƒณใƒ‘ใƒ‹ใƒผ

ใ€ใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใƒป็ตŒๅ–ถ็†ๅฟตๆ–‡ไฝœๆˆใ€‘
ๆ ชๅผไผš็คพๅคง้–€
ๆ ชๅผไผš็คพใƒฏใƒผใ‚ฏใƒŠใƒ“ใƒ›ใƒผใƒซใƒ‡ใ‚ฃใƒณใ‚ฐใ‚น
ๆ ชๅผไผš็คพใƒžใ‚คใƒณใƒ‰ใ‚ฆใ‚งใ‚ค
ๆ ชๅผไผš็คพใƒžใ‚คใƒซใ‚นใƒˆใƒผใƒณ
ๆ ชๅผไผš็คพใพใกใฎใ„ใถใ

ใ€2025ๅนดใƒใ‚คใƒฉใ‚คใƒˆใ€‘
ใƒใƒชใ‚ฆใƒƒใƒ‰ๆ˜ ็”ป็ฅญใ‚ฏใƒฉใ‚ฆใƒ‰ใƒ•ใ‚กใƒณใƒ‡ใ‚ฃใƒณใ‚ฐ
่ฑŠ็”ฐ่Œ็ตตใฎใ€Œ่ฆ‹ใˆใกใ‚ƒใ†ใƒฉใ‚ธใ‚ชใ€ใ‚ฒใ‚นใƒˆๅ‡บๆผ”
ไธปๅ‚ฌใ‚คใƒ™ใƒณใƒˆใ€ŒไปŠๅคœใฏใ€ใšใฃใจใƒชใƒใƒผใ‚ตใƒซ๏ผŸใ€
ๆฅฝๆ›ฒ”Free”4ไธ‡ๅ›žๅ†็”Ÿ
365ๆ—ฅๅผพใ่ชžใ‚Šใƒใƒฃใƒฌใƒณใ‚ธ
Music Video”My Heart Is Still On Her”
ๅ…ฑ้€šใƒ†ใ‚นใƒˆๅฏพ็ญ–่ฌ›ๅบง(Danๅกพ)
ๆญŒ่ˆžไผŽ็”บStreet Live
ใ‚ฏใƒชใ‚นใƒžใ‚นใ‚ขใƒซใƒใƒ ”Welcome Home at Sweet Christmas”

ใ€2026ๅนดใ‚นใ‚ฑใ‚ธใƒฅใƒผใƒซใ€‘
ไธปๅ‚ฌใ‚คใƒ™ใƒณใƒˆ”Dandy Asobi Club”(1/22@ๆธ‹่ฐท7th Floor)
ๅ…จๅ›ฝFreeใƒ„ใ‚ขใƒผ๏ผˆใ‚ชใƒ•ใ‚กใƒผๅ‹Ÿ้›†ไธญ๏ผ‰
MVไป˜ใ‚ซใƒฉใ‚ชใ‚ฑ้…ไฟกใ€ŒFreeใ€ใ€ŒMy loveใ€(JOYSOUNDใง1/14~, DAMใฏๆœชๅฎš, ใ‚ฏใƒผใƒใƒณๆœ‰)
ๅЇๅ›ฃReal Dandyism็™บ่ถณใ€ๅЇๅ›ฃๅ“กๅ‹Ÿ้›†

Music Video”My Heart Is Still On Her”
Dady Asobi Club Band
ๅฎŸๅ†™็‰ˆใ€Œ่ตทๆฅญใ—ใ‚ˆใ†๏ผใ‚นใ‚ฟใƒผใƒˆใ‚ขใƒƒใƒ—M&AใจIPO็‰ฉ่ชžใ€Presented by (ๆ ช)ใƒ•ใ‚กใ‚คใƒŠใƒณใ‚นใƒปใƒ—ใƒญใƒ‡ใƒฅใƒผใ‚นๆง˜
Dandy Asobi Club Band

2025 is coming to an end today.
What kind of year was it for you?

For me, the past three years have been years of constant trial and error. Every year, through meeting all kinds of people, Iโ€™ve been transforming not just my activities, but the way I live itself. And this year, right from the very beginning, I had an encounter that was incredibly important to meโ€”one that finally made it clear what I truly want to cherish. Of course, as you can probably tell from my work, what I want to do hasnโ€™t changed. But what used to feel like I was doing things without fully understanding why has become much more defined and clarified. And because of that, in the second half of this year I was able to create songs that Iโ€™m genuinely confident inโ€”and I donโ€™t think that was a coincidence.

Iโ€™ve also realized again that I really do love beauty. And I donโ€™t mean that in a superficial sense. In modern physics, matter is understood as a form of energyโ€”an aggregation of energy. So the question becomes: how do we generate beautiful energy? For human beings, itโ€™s about how we use our bodies to create beautiful energy in the world. Thatโ€™s what I want to focus on.

This year I posted a lot of complicated, nitpicky thoughts on my blog and social mediaโ€”but fundamentally, I believe words are imperfect. Of course, if someone can express beauty through words, thatโ€™s wonderful. But I donโ€™t think I have that level of skill. I do try my best to write, but for me, that process is largely about sharpening my own senses. Ultimately, I want to be able to expressโ€”or embodyโ€”that beautiful energy itself, in whatever form it takes.

Maybe it was because I encountered somethingโ€”someoneโ€”beautiful, and was jolted awake by it. In a way, I may have regained something I was close to losing on a conscious level. I think I managed to live through this year powered by that energy.

So in 2026, my focus will be how to embody that kind of beautiful energy. Right at the start of the year, Iโ€™m hosting my event โ€œDandy Asobi Club,โ€ and Iโ€™d truly love for you to come hang out. Beyond that, Iโ€™ll be working on my first album, a nationwide tour, and I already have a story in my headโ€”plot and allโ€”that I want to shoot as a short film.

And yesโ€”on a softer note, I hope I can make some new friends, too. Even better if we can create something together. In that sense, Iโ€™d love to challenge myself with things that feel completely new as well.

To be honest, I donโ€™t really know what people think of me when Iโ€™m not right in front of them. But despite how serious I may sound sometimes, Iโ€™ll still casually do street performances in a Santa outfit, no problem. I donโ€™t think Iโ€™m particularly prideful. And even if itโ€™s not a โ€œcool guyโ€ roleโ€”if itโ€™s a weird or eccentric roleโ€”if the script and direction are good, Iโ€™d happily do it. My boundaries might be a little different from what people expect, so Iโ€™d be really happy if you feel free to reach out casually.

Iโ€™m pretty clear about what I can do and what I canโ€™t, so I hope youโ€™ll enjoy that for what it is. And Iโ€™d love it if, through all of this, a circle of positive resonance keeps expanding.

With that saidโ€”thank you so much for everything this year.
From the very beginning, I received tremendous support for going to Hollywood. After that, I hosted events, and for the first time I received an offer to shoot a clientโ€™s music video. And then there was my performance at a museum. I received the thrilling (and nerve-racking) request to sing a song a cappellaโ€”and I was deeply encouraged to feel that people trusted my singing ability.

I sincerely hope for your continued support next year as well.
This year Iโ€™m in a period of mourning, so I havenโ€™t decided yet how Iโ€™ll greet the New Yearโ€”but please, have a wonderful year ahead.

[2025 Highlights]

[2026 Schedule]

The guilt I keep buried

(For the English version, please scroll down.)

ใ€Œ้š ใ•ใ‚ŒใŸ็ฝชๆ‚ชๆ„Ÿใ€

ๆ•ฃใ€…Freeใง่ตฆใ—ใ‚’ๆญŒใฃใฆใŠใ„ใฆ
ไฟบใฏ่‡ชๅˆ†่‡ช่บซใ‚’ไธ€็•ช่จฑใ›ใฆใ„ใชใ‹ใฃใŸใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„
็Œ›็ƒˆใช็ฝชๆ‚ชๆ„Ÿใ‚’ๆŠฑใˆใฆ็”Ÿใใฆใ„ใŸใฎใ 
ใใ‚Œใ‚’่ช่ญ˜ใ™ใ‚‹ใ“ใจใฏใงใใŸ
ๅ•้กŒใฏ่ช่ญ˜ใงใใŸใ‹ใ‚‰ใจ่จ€ใฃใฆ
่จฑใ›ใ‚‹ใจใฏ้™ใ‚‰ใชใ„ใจใ„ใ†ใ“ใจใ 

ๆ„Ÿๆƒ…ใจใ—ใฆใฏ็ฝชๆ‚ชๆ„Ÿใ‚’ๆ„Ÿใ˜ใคใคใ‚‚
้ ญใŒๅ†ท้™ใงใ‚ใ‚‹ใŒๆ•…ใซ
่‡ชๅˆ†ใฎไบบ็”Ÿใ‚’ๅฆฅๅ”ใ™ใ‚‹ใ“ใจใŒใงใใชใ„
็ตๆžœ็š„ใซๅ‘จใ‚ŠใฎไบบใฎๆœŸๅพ…ใ‚’่ฃๅˆ‡ใ‚‹ใ“ใจใซใชใฃใฆใ—ใพใ†
็ฝชๆ‚ชๆ„Ÿใ‚’ๆ„Ÿใ˜ใ‚‹
ใ ใŒ้ ญใฏๅ†ท้™ใ ใ‹ใ‚‰
ๅฆฅๅ”ใ™ใ‚‹ใ“ใจใŒใงใใชใ„

ใ ใ‹ใ‚‰ไบบใซๅฎ‰ๅฟƒใ‚’ไธŽใˆใ‚‹ใ“ใจใ‚‚ใใ‚“ใชใซ้‡่ฆ–ใ—ใฆใ„ใชใ„ใ—
ไบบใ‹ใ‚‰ๅฟƒ้…ใ•ใ‚Œใ‚‹ใ“ใจใ‚‚ๆœ›ใ‚“ใงใ„ใชใ„

ๅคงๅฑ€่ฆณใธใฎ็›ธไบ’็†่งฃใจ็›ธไบ’ๅ”ๅŠ›
ใ“ใ“ใŒๆ ธใซใชใ‚‹
ใใ‚Œใฏๅคšใใฎไบบใจใฏๆ˜Ž็ขบใซ็•ฐใชใ‚‹
็คพไผšๆ€งใฎใชใ„ๅญ˜ๅœจใŒ็”Ÿใพใ‚Œใ‚‹

ใ—ใ‹ใ—ๆฎ‹ๅฟตใชใ“ใจใซใ‚ตใ‚คใ‚ณใƒ‘ใ‚นใงใฏใชใ„
็—›ใฟใฏ่ชฐใ‚ˆใ‚Šใ‚‚ๆ„Ÿใ˜ใฆใ„ใ‚‹
ใใ—ใฆใใ‚ŒใŒ่‡ชๅˆ†ใงใ‚ณใƒณใƒˆใƒญใƒผใƒซใงใใชใ„ใปใฉใซๆบขใ‚Œๅง‹ใ‚ใฆใ„ใ‚‹ใจใ„ใ†ใ“ใจใ‹

10ไปฃใฎ้ ƒใ‹ใ‚‰ไฝ•ใ‚‚ๅค‰ใ‚ใฃใฆใ„ใชใ„
้ซ˜ๆ ก็”Ÿใฎใจใใ‹ใ‚‰
ไฟบใฏไฝ•ใ‚‚ๅค‰ใ‚ใฃใกใ‚ƒใ„ใชใ„
ใ‚ใฎ้ ƒใ‹ใ‚‰ไฝ•ใ‚‚ๅค‰ใ‚ใฃใกใ‚ƒใ„ใชใ„ใ‚“ใ ใ‚ˆ

After singing so much about forgiveness in Free,
perhaps the one person I was least able to forgive
was myself.

I have been living with an overwhelming sense of guilt.
That much, at least, I have been able to recognize.
But recognition does not necessarily mean
that forgiveness follows.

Emotionally, I feel guilt.
Yet because my mind remains calm,
I cannot compromise my own life.
As a result, I end up betraying the expectations of those around me.
I feel guiltyโ€”
and yet, because my mind is clear,
I still cannot compromise.

That is why I do not place much importance
on giving others reassurance,
nor do I seek to be worried about.

Mutual understanding and cooperation
from a broad, overarching perspectiveโ€”
this is the core.
And in that sense, I am clearly different from most people.
Something socially incompatible is born from that.

And unfortunately, I am not a psychopath.
I feel pain more deeply than most.
And perhaps that pain is now beginning to overflow
beyond what I can control.

Nothing has changed since my teenage years.
Since high school,
I havenโ€™t changed at all.

Iโ€™m exactly the same
as I was back then.

Kabukicho Street Live

(For the English version, please scroll down.)

Kabukicho Street Liveใจใ„ใ†
ๆญŒ่ˆžไผŽ็”บใ‚ฟใƒฏใƒผใŒๅ…ฌ่ชใงใ‚„ใฃใฆใ‚‹
่ทฏไธŠใƒฉใ‚คใƒ–ใŒใ‚ใ‚‹ใจใ„ใ†ใฎใ‚’็Ÿฅใฃใฆ
ๆ–ฐๆ›ฒใฎๅฎฃไผใŒใฆใ‚‰ๅ‚ๆˆฆใ—ใฆใใพใ—ใŸ

ๅคฉๆฐ—ใŒใใ“ใพใงใ‚ˆใใชใ‹ใฃใŸใฎใฏๆฎ‹ๅฟตใงใ—ใŸใŒ
ใ‚†ใฃใใ‚Š่ดใ„ใฆใใ‚ŒใŸไบบใ‚‚ใ„ใฆ
ๅฌ‰ใ—ใ‹ใฃใŸใงใ™ใญ๏ผ

ๆœฌๅฝ“ใซใ‚ใ‚ŠใŒใจใ†๏ผ

I found out about Kabukicho Street Live, an officially approved street-live event by Kabukicho Tower,
so I decided to jump in while promoting a new song.
The weather wasnโ€™t great, which was a bit of a shame,
but some people stopped and really listened,
and that honestly made me very happy.

Thank you so much.

ใŠใใ‚‰ใๆœชๆฅๆฐธๅŠซๅก—ใ‚Šๆ›ฟใˆใ‚‰ใ‚Œใชใ„ใงใ‚ใ‚ใ†
ๆ—ฅๆœฌใงไธ€็•ชๅฃฒใ‚ŒใŸๆ›ฒใจใ„ใ†ใ“ใจใ‚‚ใ‚ใฃใฆ
ๆ˜”ใ‹ใ‚‰ไบ‹ใ‚ใ‚‹ใ”ใจใซๆญŒใฃใฆใใŸๆ›ฒใงใ™ใŒ
้ŸณๅŸŸใŒไธ‹ใ‹ใ‚‰ไธŠใพใงใƒฌใƒณใ‚ธใŒๅบƒใ„ใจใ„ใ†ใฎใ‚‚ใ‚ใฃใฆ
ใชใ‹ใชใ‹ใ‚ญใƒผใฎ้ธๅฎšใŒไธŠๆ‰‹ใใ„ใ‹ใชใใฆ
ๅ€‹ไบบ็š„ใซๆญŒๅ”ฑใ‚นใ‚ฟใ‚คใƒซใ‚’ๅคงใใๆ”น่‰ฏใ—ใฆใ„ใ‚‹
ๆœ€ไธญใจใ„ใ†ใฎใ‚‚ใ‚ใฃใŸใ‚“ใ ใ‘ใ‚Œใฉใ‚‚
ๅŽŸๆ›ฒใฎGใƒกใ‚ธใƒฃใƒผใซๅฏพใ—ใฆ
ใ€œ2021 ใฏDbใƒกใ‚ธใƒฃใƒผ
2021ใ€œ2022ใฏDใƒกใ‚ธใƒฃใƒผ
2022ใ€œ2025ใฏBใƒกใ‚ธใƒฃใƒผใง
ใ‘ใฃใ“ใ†ไฝŽใใ—ใฆใŸใ‚“ใ ใ‘ใฉ
ๆœฌ็•ชใซใชใ‚‹ใจๅ†’้ ญใŒใฉใ†ใ‚‚ๆฏใŒ็ถšใ‹ใชใใฆ
ใ“ใฎๅ‰ใŸใพใŸใพๅผพใ่ชžใ‚Šใฎใ‚ขใ‚ซใ‚ฆใƒณใƒˆใง
Ebใƒกใ‚ธใƒฃใƒผใงใ‚„ใฃใŸใ‚‰ใ—ใฃใใ‚ŠใใŸใ‚“ใ ใ‚ˆใช

ใใ‚“ใชใ‚ใ‘ใง้ŸณๆบใฏLuxury Hayamaใฎใจใใซ
Bใƒกใ‚ธใƒฃใƒผใงLIVEใงใ‚„ใฃใŸใจใใฎใชใ‚“ใ ใ‘ใฉ
็„ก็†ใ‚„ใ‚Šใƒˆใƒฉใƒณใ‚นใƒใƒผใ‚บใง+4ใ—ใฆไฝœใ‚Šใพใ—ใŸ
่‰ฏใ„ๆ„Ÿใ˜ใซใƒขใ‚ธใƒฅใƒฌใƒผใ‚ทใƒงใƒณใŒใ‹ใ‹ใฃใฆ
ใ“ใ‚Œใฏใ“ใ‚Œใงใ„ใ„ใ‹ใชใจ็ฌ‘

ใงใ‚‚ๆœฌๅฝ“ใฏใ‚‚ใฃใจใ‚ตใƒ“ใฎใจใ“ใ‚ใฏ
ใƒใ‚นใ‚ญใƒผใชใƒใƒผใƒ•ใƒ•ใ‚กใƒซใ‚ปใƒƒใƒˆใใ‚‰ใ„ใงๆญŒใ†ๆ–นใŒ
ๅˆ‡ใชใ„ใ ใ‚ใ†ใญ
LIVEใซใชใ‚‹ใจใฉใ†ใ—ใฆใ‚‚ไธๅฎ‰ใงๅผตใฃใฆใ—ใพใ†
้›‘ๅฟตใฏใ„ใ‹ใ‚“ใญ

This song is probably the best-selling song in Japanโ€”one that will never be surpassedโ€”
so Iโ€™ve been singing it on many occasions for years.
Because it has such a wide vocal range from low to high,
Iโ€™ve always struggled with finding the right key.
On top of that, Iโ€™m in the middle of making major changes to my singing style,
so itโ€™s been even trickier.
Compared to the original key of G major:
โ€“ up to 2021, I sang it in Dโ™ญ major
โ€“ from 2021 to 2022, in D major
โ€“ from 2022 to 2025, in B major
Iโ€™d lowered it quite a bit,
but when it came to live performances, I kept running out of breath in the opening.
Recently, I happened to try it in Eโ™ญ major on my acoustic performance account,
and it suddenly felt right.
So the audio youโ€™re hearing is actually from a live performance at Luxury Hayama,
originally done in B major,
but I force-transposed it up by +4.
It ended up with a nice sense of modulation,
so I figured, well, this works too (laugh).
Ideally, though, I think the chorus would feel more bittersweet
if I sang it with a husky, half-falsetto tone.
When itโ€™s live, I still get anxious and end up pushing my voice.
Those unnecessary thoughts really get in the way.


Set List
1.Free/Dan Mitchel
2.Melty Kiss/Dan Mitchel
3.My Heart Is Still On Her/Dan Mitchel
4.Arrogance/Dan Mitchel
5.Sunshine/Dan Mitchel
6.First Love/Hikaru Utada
7.I Will Always Love You/Whitney Houston
8.When I Think Of Youโ€ฆ/Dan Mitchel
9.My Love/Dan Mitchel
10.Generation/Dan Mitchel
11.Beautiful Minds/Dan Mitchel
12.Welcome Home at Sweet Christmas/Dan Mitchel
13.Bye/Dan Mitchel

The Difficulty of Sharing 0โ†’1

(For the English version, please scroll down.)

ใ€Œ0โ†’1ใ‚’ๅ…ฑๆœ‰ใ™ใ‚‹้›ฃใ—ใ•ใ€

ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใฎๆ„็พฉใŒ
ใ€Œๆ„Ÿๆƒ…ใฎใ‚„ใ‚Šใจใ‚Šใ€ใชใฎใ‹
ใใ†ใงใชใ„ใ‹ใฎ่ญฐ่ซ–ใฏไปŠใฏใ•ใฆใŠใ
ใ„ใšใ‚Œใซใ›ใ‚ˆ
ใ„ใ‹ใชใ‚‹ๆƒ…ๅ ฑใ‚’ๅ—ใ‘ใจใ‚‹ๅ ดๅˆใซ
่‡ชๅˆ†ใฎ้ ญใฎใƒ‡ใƒผใ‚ฟใƒใƒณใ‚ฏใ‹ใ‚‰
่ฟ‘ใ—ใ„ใ‚‚ใฎใ‚’ๅผ•ใฃๅผตใ‚Šๅ‡บใ—ใฆใใฆ
ใ€Œใ“ใ‚Œใ ๏ผใ€ใจใƒฉใƒ™ใƒซใ‚’่ฒผใฃใฆใ—ใพใ†ใ“ใจใŒ
ไธ€็•ชๅŠน็އใŒ่‰ฏใ„ใฎใ ใจๆ€ใ†

ใŸใจใˆใฐๅ‘ณๅ™Œๆฑใ‚’่ฆ‹ใฆ
ๅ‘ณๅ™Œๆฑใ ใจ็†่งฃใงใใ‚‹ใฎใฏ
ๅ‘ณๅ™Œๆฑใ‚’็Ÿฅใฃใฆใ‚‹ใ‹ใ‚‰ใงใ‚ใฃใฆ
ๅ‘ณๅ™Œๆฑใ‚’็Ÿฅใ‚‰ใชใ„ๆตทๅค–ใฎไบบใ ใจ
ๅ…จใ่ฉฑใŒๅค‰ใ‚ใฃใฆใใ‚‹

ๅŒๆง˜ใซใ€ไฝ•ใ‹ๆƒ…ๅ ฑใ‚’ๅ—ใ‘ๅ–ใ‚‹ใจใ
ใใฃใจใ“ใ‚Œใฎใ“ใจใ ใชใจไผผใŸใ‚ˆใ†ใชๆƒ…ๅ ฑใ‚’
ๅผ•ใฃๅผตใ‚Šๅ‡บใ—ใฆใใฆๅฝ“ใฆใฏใ‚ใ‚‹ใฎใ 
ใ‚ใจใฏๅพฎๅฆ™ใช่ชคๅทฎใ‚’ๅŸ‹ใ‚ใฆใ„ใไฝœๆฅญใซใชใ‚‹ใฎใ ใ‚ใ†
ๅ‘ณๅ™Œใฎ็จฎ้กžใŒๅฎŸใฏ่ตคๅ‘ณๅ™Œใ ใฃใŸใ‚Š
ๆ˜†ๅธƒใ ใ—ใŒใ„ใ‚Šใ“ใ ใ—ใ ใฃใŸใ‚Š

ๅคšใใฎๅ ดๅˆใฏใ“ใ‚Œใงๅ•้กŒใชใๆธˆใ‚€
ใใ‚Œใฏ่ฟ‘ใ—ใ„ๆ„Ÿ่ฆšใ‚’ๆŒใฃใฆ็”Ÿใพใ‚Œ่‚ฒใก
่ฟ‘ใ—ใ„ๆ–‡ๅŒ–ใ‚„ไพกๅ€ค่ฆณใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‹ใ‚‰ใซ
ไป–ใชใ‚‰ใชใ„

ใงใฏ็•ฐๆ–‡ๅŒ–ใฏใฉใ†ใชใ‚‹
ๆ—ฅๆœฌใซๅˆใ‚ใฆๆฅใŸ็ซๆ˜Ÿไบบใซ
็ด่ฑ†ใ‚’่ชฌๆ˜Žใงใใ‚‹ใ‹๏ผŸ

ๅคง่ฑ†ใจใ„ใ†่ฑ†ใฎไธ€็จฎใ‚’
็™บ้…ตใ•ใ›ใฆโ€ฆ

ใ‚‚ใ—็™บ้…ตใ‚’็Ÿฅใ‚‰ใชใ„็ซๆ˜Ÿไบบใชใ‚‰็™บ้…ตใ‚‚
่ชฌๆ˜Žใ—ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„
ๆœจๆ˜Ÿไบบใฏ่ฑ†ใ‚‚็Ÿฅใ‚‰ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„
ใใ—ใฆๆœ€็ต‚็š„ใซใฏ
็™พ่žใฏไธ€่ฆ‹ใซๅฆ‚ใ‹ใšใจ
็„ก็†ใ‚„ใ‚Š้ฃŸในใ•ใ›ใ‚‹ใ“ใจใซใชใ‚‹ใ ใ‚ใ†
ใใ—ใฆๅฎ‡ๅฎ™ๆˆฆไบ‰ใซ็ชๅ…ฅใ™ใ‚‹ใฎใ 

ใใ‚Œใฏ็›ธๆ‰‹ใซใจใฃใฆใฏ็ด่ฑ†ใŒ
ๅฎŒๅ…จใชใ‚‹ๆ–ฐๆƒ…ๅ ฑใงใ‚ใ‚‹ใ‹ใ‚‰ใงใ‚ใ‚‹
ใ€Œใ„ใ‚„็ด่ฑ†ใฏ็ด่ฑ†ใ‚„ใ‚๏ผŸใ€ใ€Œใชใ‚“ใง็Ÿฅใ‚‰ใ‚“ใญใ‚“๏ผŸใ€
ใจ่จ€ใฃใŸใจใ“ใ‚ใงใ‚ใ‹ใ‚‹ใฏใšใ‚‚ใชใ„

ใใ—ใฆ
ใ€Œ0โ†’1ใ€ใจๅ‘ผใฐใ‚Œใ‚‹ๆƒ…ๅ ฑใซใคใ„ใฆใ‚‚
ๅŒๆง˜ใซๆ–ฐๆƒ…ๅ ฑใชใฎใ 
ใชใœใชใ‚‰ไธ–ใซๅญ˜ๅœจใ—ใชใ„ใ‚‚ใฎใ‚’
ๆ–ฐใ—ใ็”Ÿใฟๅ‡บใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใ 

ใƒฉใƒ™ใƒซใ‚’่ฒผใ‚ใ†ใจใ—ใŸใฃใฆ
ๅญ˜ๅœจใ™ใ‚‹ใฏใšใŒใชใ„ใฎใ 
ใ‚ˆใฃใฆใ“ใ‚Œใ‚’็†่งฃใ—ใ‚ˆใ†ใจๆ€ใˆใฐ
ใ„ใ‚ใ‚†ใ‚‹ใใฎ็ด่ฑ†ใ‚’็Ÿฅใ‚‰ใชใ„
ๅฎ‡ๅฎ™ไบบใซๅฏพใ™ใ‚‹ใ‚ˆใ†ใช่ชฌๆ˜Žใ‚’่žใ„ใฆ
ใใฎ่ชฌๆ˜Žใ‚’่„ณๅ†…ใง็ต„ใฟ็ซ‹ใฆๆƒณๅƒใ‚’ใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹

ใ“ใ‚Œใฏ้žๅธธใซ้ชจใŒๆŠ˜ใ‚Œใ‚‹ไฝœๆฅญใ 
ใ‚ทใƒณใƒ—ใƒซใซ่„ณใŒ็–ฒใ‚Œใ‚‹
ใ ใ‹ใ‚‰ใƒชใƒ•ใ‚กใƒฌใƒณใ‚นใ‚’ๅ‡บใ›ใจใ„ใ†ใ“ใจใซใชใ‚‹
ๆ—ขๅญ˜ใซใชใ„ใ‚‚ใฎใ‚’่ชฌๆ˜Žใ—ใฆใ‚‹ใฎใซ
ๆ—ขๅญ˜ใฎใ‚‚ใฎใง่ชฌๆ˜Žใ—ใ‚ใจใ„ใ†ใ‚ใ‘ใ 

ใใ‚Œใ‚‚ใใ†ใ 
ใชใœใชใ‚‰ใใ“ใพใงใ—ใฆ
็†่งฃใ™ใ‚‹ใƒขใƒใƒ™ใƒผใ‚ทใƒงใƒณใชใ‚“ใฆ
ใชใ„ใ“ใจใŒใปใจใ‚“ใฉใชใฎใ 
ใใ‚ŒใŒไป•ไบ‹ใงใ‚‚ใชใ„้™ใ‚Š
ใ“ใฎๆ–‡็ซ ใ‚’่ชญใ‚“ใงใใ‚Œใฆใ„ใ‚‹ใ‚ใชใŸใฏ
ใ‚ˆใฃใฝใฉใฎ็‰ฉๅฅฝใใชใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„

ใ“ใ‚ŒใŒใ€Œ0โ†’1ใ€ใ‚’ๅ…ฑๆœ‰ใ™ใ‚‹้›ฃใ—ใ•ใ 
ใใ—ใฆๅคšใใฎๅ ดๅˆ
่‡ชๅˆ†ใŒใƒฉใƒ™ใƒชใƒณใ‚ฐใ‚’ใ—ใฆๆƒ…ๅ ฑใ‚’่ฟ‘ไผผๅ€คใจใ—ใฆ
ๅ—ใ‘ๅ–ใฃใฆใ„ใ‚‹ใจใ„ใ†่ช่ญ˜ใฏใชใ„ใ ใ‚ใ†
ใชใœใชใ‚‰ใ“ใ‚“ใชใ“ใจใฏใ‚ใ–ใ‚ใ–
่€ƒใˆใฆ่ฆ‹ใ‚ˆใ†ใจใ‚‚ๆ€ใ‚ใชใ„ใ‚ˆใ†ใช
ๆ™ฎ้€šใงๆ—ฅๅธธใฎๅ–ถใฟใ ใ‹ใ‚‰ใ 

ใ ใŒใ—ใ‹ใ—ๆ™ฎ้€šใ‚’่ชฌๆ˜Žใงใใ‚‹ไบบใฏ
ใใ†ใใ†ใ„ใชใ„
ใชใœใชใ‚‰ใใ‚Œใฏๆœฌๅฝ“ใฏๆ™ฎ้€šใงใฏใชใ„ใ‹ใ‚‰ใ 

ใใ—ใฆๆœ€ๆ‚ชใชใ“ใจใซใƒฉใƒ™ใƒชใƒณใ‚ฐใจใ„ใ†ใฎใฏ
ๆ–‡ๅŒ–ๅœใ‚„ไพกๅ€ค่ฆณใŒ้ ใ‘ใ‚Œใฐ้ ใ„ใปใฉ
ๆฎ‹้…ทใช้–“้•ใ„ใŒๅข—ใˆใ‚‹

ๅ‘ณๅ™Œๆฑใ‚’่…ใฃใŸใ‚นใƒผใƒ—ใจไพ‹ใˆใ‚‰ใ‚Œใ‚‹่ฉฑใฏ
ๆœ€่ฟ‘ใฎ่ฆชๆ—ฅๅค–ๅ›ฝไบบใ‹ใ‚‰ใฏใปใผใปใผ่žใ‹ใชใ„ใŒ
ไฝ•ใ‚‚็Ÿฅใ‚‰ใšใซๅ‘ณๅ™Œใ‚’็›ฎใฎๅ‰ใซใƒ™ใ‚ฟใƒƒใจ็ฝฎใ‹ใ‚Œใฆ
่‰ฏใ„ๆ€ใ„ใ‚’ใ™ใ‚‹ไบบใฏใ„ใชใ„ใ ใ‚ใ†

ใ—ใ‹ใ—ๅ‘ณๅ™Œใ‚’ใ‚ฏใ‚ฝใ ใจ
ๅฎ‰ๆ˜“ใซใƒฉใƒ™ใƒชใƒณใ‚ฐใ—ใฆใ—ใพใ†ใ‚ˆใ†ใชใ“ใจใฏ
0โ†’1ใฎๆ–‡่„ˆใงใฏๅนณๆฐ—ใง่ตทใ“ใ‚Šใ†ใ‚‹ใฎใ 
ใ“ใ‚Œใซ้–ขใ—ใฆใฏ่ชฐใ‚‚่ฒฌใ‚ใ‚‹ใ“ใจใŒใงใใชใ„
ใ†ใพใ่ชฌๆ˜Žใงใใชใ„่‡ชๅˆ†ใ‚’ๆ‚”ใ‚„ใ‚€ใฎใ 

ใใ—ใฆใใ“ใพใงใฎๅŠดๅŠ›ใ‚’ใ‹ใ‘ใฆ
็†่งฃใ—ใ‚ˆใ†ใจใพใงใฏๆ€ใฃใฆใ‚‚ใ‚‰ใˆใชใ„
่‡ชๅˆ†ใฎไบบๆœ›ใฎใชใ•ใซๅ“€ใ—ใใชใ‚‹ใฎใ 
ใ‚„ใฏใ‚Šๅ‘ฝใ‚’่ณญใ‘ใญใฐใชใ‚‰ใชใ„ใฎใ‹ใจใ•ใˆ
้ ญใ‚’ใ‚ˆใŽใ‚‹ไบ‹ใŒใ—ใฐใ—ใฐใ ใ‚ˆ
30ๅนดไปฅไธŠใ“ใ‚“ใชใ“ใจใ‚’็นฐใ‚Š่ฟ”ใ—ใฆใ„ใ‚‹ใฎใ‹

ใ‚‚ใ†ๅฐ‘ใ—่ณขใ็”ฃใพใ‚ŒใŸใ‹ใฃใŸใ‚ˆ
ใ€Œ่กจ็พๅŠ›ใŒใชใ„ใ€ใจใฏๆ•ฃใ€…
ๅนผๅฐ‘ๆœŸใ‹ใ‚‰่จ€ใ‚ใ‚Œ็ถšใ‘ใฆใใŸ
็ตๆžœใ€็ฝตๅ€’ใ•ใ‚Œใฆใ‚‚่‰ฏใ„ใ‹ใ‚‰
็งใฎ็™บใ™ใ‚‹ๆƒ…ๅ ฑใ‚’
ๆญฃ็ขบใซๅ—ใ‘ๅ–ใฃใฆใ‚‚ใ‚‰ใ„ใŸใ„ใจ้ก˜ใ†ใ‚ˆ
ใ‘ใฉๅ‘ณๅ™Œใฃใฆ่จ€ใฃใฆใ‚‹ใฎใ‚’ใ‚ฏใ‚ฝใ ใจ
ๅ‹˜้•ใ„ใ•ใ‚Œใฆๆฎดใ‚‰ใ‚Œใ‚‹ใฎใฏ
ใ‚ใพใ‚Šใซใƒ•ใ‚งใ‚ขใ˜ใ‚ƒใชใ„ใ‚ˆใชใ‚

ใจใฏใ„ใˆๅคšๆ–‡ๅŒ–ๅ…ฑ็”Ÿใฎ็คพไผšใŒๅฎŸ็พใ™ใ‚Œใฐ
ใใ†ใ„ใฃใŸ่ฉฑใฏๆ—ฅๅธธ่Œถ้ฃฏไบ‹ใซใชใ‚‹ใ ใ‚ใ†
(็พๅฎŸ็š„ใซใฏ้ †ๅบใจใ—ใฆใ€ๅ€‹ไบบใจใ—ใฆ็›ฎๆŒ‡ใ™ในใใƒฌใƒ™ใƒซๆ„Ÿใจๅ›ฝๅฎถใจใ—ใฆ็›ฎๆŒ‡ใ™ในใใƒฌใƒ™ใƒซๆ„Ÿใฏไธ€่‡ดใ—ๅพ—ใชใ„ใจๆ€ใฃใฆใฏใ„ใ‚‹ใŒโ€ฆ)
ใ„ใ‚ใ‚“ใชๆ–ฐๆƒ…ๅ ฑใซ่งฆใ‚Œใ‚‹ๆฉŸไผšใซใคใ„ใฆ
่‡ชๅˆ†ใฎไธญใฎใ€Œๆ™ฎ้€šใ€ใงใใฎๆƒ…ๅ ฑใ‚’ๆฎบใ•ใšใซ
ใ€Œ่‡ชๅทฑใฎๆ‹กๅผตใ€ใซ็น‹ใ’ใฆๆฌฒใ—ใ„ใ‚‚ใฎใ ใจ
ใŸใ ใŸใ ้ก˜ใ†ใ‚ˆ

โ€œThe Difficulty of Sharing 0โ†’1โ€

Leaving aside, for the moment, the question of whether the significance of communication lies in
โ€œthe exchange of emotionsโ€ or not,
in any case, when we receive any kind of information,
the most efficient thing to do is to reach into the databank in our own heads,
pull out something similar, and slap a label on itโ€”
โ€œThis is it.โ€

For example, when you look at miso soup and understand that it is miso soup,
thatโ€™s only because you already know what miso soup is.
For someone overseas who doesnโ€™t know miso soup,
the situation is completely different.

Likewise, when we receive some information,
we probably pull out something similar and apply it.
After that, it becomes a matter of filling in the subtle discrepanciesโ€”
like realizing the miso is actually red miso,
or that the stock is anchovy-based rather than kombu.

In most cases, this works without any problems.
Thatโ€™s simply because we were born and raised with similar sensibilities,
and share similar cultures and values.

But what about different cultures?
Could you explain natto to a Martian visiting Japan for the first time?

โ€œItโ€™s a type of bean called a soybean,
and you ferment itโ€ฆโ€

If the Martian doesnโ€™t know what fermentation is,
then youโ€™d have to explain fermentation as well.
A Jupiterian might not even know what beans are.
And in the end, following the idea that โ€œseeing is believing,โ€
youโ€™d probably force them to eat it.
And then the interplanetary war would begin.

Thatโ€™s because, for them, natto is completely new information.
Saying things like, โ€œWell, natto is natto, right?โ€ or
โ€œHow can you not know this?โ€
is obviously pointless.

The same applies to information we call โ€œ0โ†’1.โ€
It too is entirely new,
because it is something that does not yet exist
and is being created for the first time.

Even if you try to put a label on it,
there is no label that could possibly exist.
So if you want to understand it,
you have to listen to explanations
as if you were that alien who doesnโ€™t know natto,
and then assemble and imagine those explanations in your own mind.

This is an extremely taxing process.
Quite simply, your brain gets tired.
Thatโ€™s why people say, โ€œGive me references.โ€
Even though youโ€™re explaining something that doesnโ€™t yet exist,
theyโ€™re asking you to explain it using existing things.

Thatโ€™s understandable.
Because in most cases, people donโ€™t have the motivation
to go that far just to understand somethingโ€”
unless itโ€™s their job.
If youโ€™re reading this right now,
you might be a particularly curious person.

This is the difficulty of sharing โ€œ0โ†’1.โ€
And in most cases, people arenโ€™t even aware
that theyโ€™re labeling information
and receiving it as an approximation.
Because this kind of process is so ordinary,
so embedded in everyday life,
that no one even thinks to examine it.

And yet, very few people can explain what is โ€œordinary.โ€
Because it isnโ€™t actually ordinary at all.

Worse still, the farther apart cultures and values are,
the more cruel the mistakes caused by labeling become.

These days, among foreigners who love Japan,
you rarely hear miso soup described as โ€œrotten soup.โ€
But if someone who knows nothing is suddenly presented with miso,
no one is going to have a pleasant experience.

And yet, in a 0โ†’1 context,
casually labeling miso as โ€œshitโ€
can easily happen.
No one can really be blamed for that.
All you can do is regret your own inability
to explain it properly.

And people wonโ€™t go so far as to invest that much effort
just to try to understand you.
You end up feeling sad about your lack of influence,
and sometimes the thought even crosses your mind
that maybe you have to stake your life on it.
Have I really been repeating this for over thirty years?

I wish Iโ€™d been born a little smarter.
Iโ€™ve been told over and over since childhood
that I โ€œlack expressive ability.โ€
As a result, even if Iโ€™m insulted, I still wish
that the information I put out
would be received accurately.
But being punched because someone mistook โ€œmisoโ€ for โ€œshitโ€
is just not fair.

That said, if a truly multicultural society were to be realized,
these kinds of misunderstandings would become everyday occurrences.
(Realistically, I donโ€™t think the level individuals should aim for
and the level a nation should aim for can ever fully alignโ€ฆ)
Still, when encountering all kinds of new information,
I sincerely hope people wonโ€™t kill it with their own sense of โ€œnormal,โ€
but instead connect it to the โ€œexpansion of the self.โ€

Do Not Give Up on Honesty

(For the English version, please scroll down.)

ใ€Œๆญฃ็›ดใ‚’่ซฆใ‚ใชใ„ใ€

ใ‚ขใƒฉใƒณใƒปใƒฏใƒƒใƒ„ใจใ„ใ†ไบบใŒใ“ใ†ๆ›ธใ„ใฆใ„ใ‚‹
ใใ—ใฆๅฝผใฏใ€ๅฟซๆฅฝไธป็พฉ่€…ใ ใฃใŸ

ใ€Œ็Ÿฅๆ€งใฎ้š ใ‚ŒใŸไปฃๅ„Ÿใ€

่ณขใใชใ‚Œใฐใชใ‚‹ใปใฉใ€ๅญค็‹ฌใ‚’ๆ„Ÿใ˜ใ‚‹ใ€‚ใใ‚“ใชใ“ใจใซๆฐ—ใฅใ„ใŸใ“ใจใฏใชใ„ใ ใ‚ใ†ใ‹๏ผŸๅฅ‡ๅฆ™ใชใ“ใจใ ใ€‚็Ÿฅๆ€งใŒใ‚ใ‚Œใฐไบบใ€…ใจ็น‹ใŒใ‚Œใ‚‹ใจๆ€ใ†ใ ใ‚ใ†ใ€‚ใ‚ˆใ‚Šๅคšใใ‚’่ฆ‹ใฆใ€ใ‚ˆใ‚Šๅคšใใ‚’็†่งฃใ™ใ‚‹ใ“ใจใงใ€ไป–่€…ใซใ‚ˆใ‚Š่ฟ‘ใฅใ‘ใ‚‹ใจๆ€ใ†ใฏใšใ ใ€‚ใ—ใ‹ใ—ใ€ใใ†ใฏใชใ‚‰ใชใ„ใ€‚ ใ‚€ใ—ใ‚ใ€ใใ‚Œใฏใ‚ใชใŸใ‚’ๅผ•ใ้›ขใ™ใ€‚

้ƒจๅฑ‹ใซๅ…ฅใ‚‹ใจใ€ใฟใ‚“ใชใŒ็ฌ‘ใฃใฆใ„ใ‚‹ใ€‚ใงใ‚‚ใ€ใ‚ใชใŸใซใฏใใ‚ŒใŒ้ข็™ฝใใชใ„ใ€‚ๅฝผใ‚‰ใฏไบ›็ดฐใชใ“ใจใ‚’่ฉฑใ—ใฆใ„ใ‚‹ใ€‚่กจ้ข็š„ใงใ€ๅฎ‰ๅ…จใช่ฉฑ้กŒใ ใ€‚ใ‚ใชใŸใฏๅพฎ็ฌ‘ใฟใ€ใ†ใชใšใใ€ใใฎๅ ดใซๅˆใ‚ใ›ใ‚‹ใ€‚ใงใ‚‚ๅ†…ๅฟƒใงใฏใ€ใพใฃใŸใๅˆฅใฎๅ ดๆ‰€ใซใ„ใ‚‹ใ€‚ไผš่ฉฑใฎไธ‹ใซ้š ใ•ใ‚ŒใŸไผš่ฉฑใซใคใ„ใฆ่€ƒใˆใฆใ„ใ‚‹ใ€‚่ชฐใ‚‚่จ€ๅŠใ—ใชใ„ใƒ‘ใ‚ฟใƒผใƒณใซใคใ„ใฆใ€‚่ชฐใ‚‚ๅ•ใ‚ใชใ„่ณชๅ•ใซใคใ„ใฆใ€‚ใใ—ใฆ็ช็„ถใ€ใ‚ใชใŸใฏ่‡ชๅˆ†ใŒๅญค็‹ฌใงใ‚ใ‚‹ใ“ใจใซๆฐ—ใฅใใ€‚็‰ฉ็†็š„ใซใงใฏใชใใ€้‡่ฆใชใ‚ใ‚‰ใ‚†ใ‚‹ๆ„ๅ‘ณใซใŠใ„ใฆใ€‚

ใ“ใ‚ŒใŒ็Ÿฅๆ€งใฎ้š ใ‚ŒใŸใ‚ณใ‚นใƒˆใ ใ€‚่ชฐใ‚‚ใ‚ใชใŸใซๅ‘Šใ’ใชใ„ไปฃๅ„Ÿใ€‚็•ฐใชใฃใฆใ„ใ‚‹ใ“ใจใ‹ใ‚‰ใงใฏใชใใ€็•ฐใชใ‚‹่ฆ‹ๆ–นใ‚’ใ™ใ‚‹ใ“ใจใ‹ใ‚‰็”Ÿใ˜ใ‚‹ๅญค็ซ‹ใ€‚

็Ÿฅ็š„ใชไบบใ€…ใซใคใ„ใฆใ€ใ‚ใชใŸใŒใชใœใใฎใ‚ˆใ†ใซๆ„Ÿใ˜ใ‚‹ใฎใ‹ใ‚’่ชฌๆ˜Žใงใใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ“ใจใ‚’่ฉฑใใ†ใ€‚็Ÿฅๆ€งใจใฏใ€ๅ˜ใซใ‚ˆใ‚Šๅคšใใ‚’็Ÿฅใฃใฆใ„ใ‚‹ใจใ„ใ†ใ“ใจใงใฏใชใ„ใ€‚ใ‚ˆใ‚Šๅคšใใ‚’็Ÿฅ่ฆšใ™ใ‚‹ใจใ„ใ†ใ“ใจใ ใ€‚ไป–ใฎไบบใซใฏ่ฆ‹ใˆใชใ„็‚นใจ็‚นใ‚’็ตใณใคใ‘ใ‚‹ใ€‚ๆ€่€ƒใ‚’่ซ–็†็š„ใช็ต่ซ–ใพใง่ฟฝใฃใฆใ„ใใ€‚ใŸใจใˆใใฎ็ต่ซ–ใŒไธๅฟซใชใ‚‚ใฎใงใ‚ใฃใฆใ‚‚ใ ใ€‚

ใใ—ใฆๅ•้กŒใฏใ“ใ“ใซใ‚ใ‚‹ใ€‚ใปใจใ‚“ใฉใฎไบบใฏใใ“ใพใง่กŒใใŸใŒใ‚‰ใชใ„ใ€‚ๅฝผใ‚‰ใฏใ‚ฒใƒผใƒ ๏ผˆ็คพไผšใฎๆš—้ป™ใฎใƒซใƒผใƒซใ‚„ๆง‹้€ ๏ผ‰ใซ็–‘ๅ•ใ‚’ๆŒใกใŸใใชใ„ใ€‚ใŸใ ใใ‚Œใ‚’ใƒ—ใƒฌใ‚คใ—ใŸใ„ใ ใ‘ใชใฎใ ใ€‚ๅฝผใ‚‰ใฏไปฎ้ขใ‚’ๆคœ่จผใ—ใŸใใชใ„ใ€‚ใŸใ ใใ‚Œใ‚’่บซใซใคใ‘ใŸใ„ใ ใ‘ใ ใ€‚็š‡ๅธใŒๆœใ‚’็€ใฆใ„ใ‚‹ใ‹ใฉใ†ใ‹็–‘ๅ•ใซๆ€ใ„ใŸใใชใ„ใ€‚ใŸใ ใใฎ็”Ÿๅœฐใ‚’่ค’ใ‚ใŸใ„ใ ใ‘ใ ใ€‚

ใ—ใ‹ใ—ใ‚ใชใŸใฏใ€ใใ†ใ›ใšใซใฏใ„ใ‚‰ใ‚Œใชใ„ใ€‚ใ‚ใชใŸใฏ็ณธใŒใปใคใ‚Œใฆใ„ใ‚‹ใฎใ‚’่ฆ‹ใ‚‹ใ€‚็Ÿ›็›พใซๆฐ—ใฅใใ€‚ไธไธ€่‡ดใซๆฐ—ใฅใใ€‚่ชฐใ‚‚ใŒ็ตถๅฏพ็š„็œŸ็†ใ ใจ่ฃ…ใฃใฆใ„ใ‚‹ใ€ๆš—้ป™ใฎๅˆๆ„ใซๆฐ—ใฅใใ€‚ใใ—ใฆใ‚ใชใŸใŒใใ‚Œใ‚’ๆŒ‡ๆ‘˜ใ™ใ‚‹ใจใ€ใŸใจใˆ็ฉใ‚„ใ‹ใซใ€ใŸใจใˆๅ†—่ซ‡ใ‚ใ‹ใ—ใฆใงใ‚ใฃใฆใ‚‚ใ€ไบบใ€…ใฏไธๅฟซใซใชใ‚‹ใ€‚ใ‚ใชใŸใŒ้–“้•ใฃใฆใ„ใ‚‹ใ‹ใ‚‰ใงใฏใชใ„ใ€‚ใ‚ใชใŸใŒๆญฃใ—ใ„ใ‹ใ‚‰ใ ใ€‚ใใ—ใฆใ€ไบบใ€…ใŒๆคœ่จผใ—ใŸใใชใ„ใ“ใจใซใคใ„ใฆๆญฃใ—ใ„ใจใ„ใ†ใ“ใจใฏใ€ใ‚ใชใŸใ‚’ๅฑ้™บใชๅญ˜ๅœจใซใ™ใ‚‹ใ€‚

ใ ใ‹ใ‚‰ๅฝผใ‚‰ใฏ่ท้›ขใ‚’็ฝฎใใ€‚ๆ„่ญ˜็š„ใซใงใฏใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚ๆ‚ชๆ„ใ‚’ๆŒใฃใฆใงใฏใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚ใ—ใ‹ใ—ใ€ใใ†ใ™ใ‚‹ใ€‚ๅฝผใ‚‰ใฏใ‚ใชใŸใ‚’่ช˜ใ‚ใชใใชใ‚‹ใ€‚ใ‚ใชใŸใฎๅ‘จใ‚Šใงใฏไผš่ฉฑใ‚’ๆต…ใไฟใคใ€‚ๅฝผใ‚‰ใฏใ‚ใชใŸใ‚’ใ€Œๆทฑๅˆปใ™ใŽใ‚‹ใ€ใจใ‹ใ€Œ่€ƒใˆใ™ใŽใ€ใจใ‹ใ€Œ็œŸ้ข็›ฎใ™ใŽใ‚‹ใ€ใจๅ‘ผใถใ€‚ใใ—ใฆใ‚ใชใŸใฏใ€่‡ชๅˆ†ใฎ่€ƒใˆใ‚’่‡ชๅˆ†ใฎไธญใซ็•™ใ‚ใ‚‹ใ“ใจใ‚’ๅญฆใถใ€‚ใƒฌใƒ™ใƒซใ‚’ไธ‹ใ’ใ‚‹ใ“ใจใ‚’ๅญฆใถใ€‚ๅŠๅˆ†ใฎ็œŸๅฎŸใง่ฉฑใ™ใ“ใจใ‚’ๅญฆใถใ€‚้ข็™ฝใใชใ„ใ‚ธใƒงใƒผใ‚ฏใซ็ฌ‘ใ†ใ“ใจใ‚’ๅญฆใถใ€‚ๅ…ฑๆœ‰ใ—ใฆใ„ใชใ„ๆ„่ฆ‹ใซใ†ใชใšใใ“ใจใ‚’ๅญฆใถใ€‚้š ใ‚Œใ‚‹ใ“ใจใ‚’ๅญฆใถใ€‚

ใชใœใชใ‚‰ใ€ๅฎŒๅ…จใชๆญฃ็›ดใ•ใฏใ€ใ‚ใชใŸใŒ็™บ่ฆ‹ใ—ใŸใ‚ˆใ†ใซใ€็คพไผš็š„่‡ชๆฎบใ ใ‹ใ‚‰ใ ใ€‚ๆœฌ็‰ฉใฎ่‡ชๅทฑ่กจ็พใฏใ€ๅ‹•ใๅ‡บใ—ใŸๅญค็‹ฌใ ใ€‚็œŸใซใ‚ใชใŸ่‡ช่บซใงใ‚ใ‚‹ใจใ„ใ†ใ“ใจใฏใ€ๅญค็‹ฌใงใ‚ใ‚‹ใจใ„ใ†ใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ€‚

ใ“ใฎๆ–‡็ซ ใซๅฏพใ—ใ€็งใฏใ“ใ†่€ƒใˆใ‚‹

ใ“ใฎๅ†…ๅฎนใ‚’ไฟบใฏใฉใ†ใ—ใฆใ‚‚่ชใ‚ใŸใใชใ„ใ‚“ใ ใชใ€‚ใŠใใ‚‰ใใ€ใใฎๅฎŒๅ…จใชๆญฃ็›ดใฎๅ…ˆใซใ‚‚ใ€ไบบใซๆ„›ใ•ใ‚Œใ‚‹ไบบใจใใ†ใงใชใ„ไบบใฎๅˆ†ๅฒใŒๅญ˜ๅœจใ™ใ‚‹ใ‚ˆใ†ใซๆ€ใˆใ‚‹ใ€‚ใใ‚Œใ‚’ๆŽขใ™ๆ—…่ทฏใชใ‚“ใ ใ‚ˆใ€‚ใใ‚ŒใŒ่ชฟๅ’Œใจๅ…ฑ้ณดใงใ‚ใ‚Šใ€ๆœฌๆฐ—ใฎ้Šใณใงใ‚ใ‚Šใ€ๅฆฅๅ”ใงใฏใชใ„ใ‚“ใ ใ€‚่ซฆใ‚ใŸใใฏใชใ„ใ‚“ใ ใ‚ˆใ€‚

็Ÿฅๆ€งใŒๅญค็‹ฌใ‚’็”Ÿใ‚€ใจใ„ใ†ๆŒ‡ๆ‘˜ใซใฏใ€็ขบใ‹ใซ็œŸๅฎŸใŒใ‚ใ‚‹ใ€‚
ใ—ใ‹ใ—็งใฏใ€ใใ“ใงๆ€่€ƒใ‚’็ต‚ใˆใŸใใชใ„ใ€‚
ๅฎŒๅ…จใชๆญฃ็›ดใ•ใฎๅ…ˆใซใฏใ€ๅฟ…ใšๅญค็‹ฌใ—ใ‹ใชใ„ใฎใ ใจใ—ใŸใ‚‰ใ€
ใใ‚Œใฏๆญฃ็›ดใ•ใฎไฝฟใ„ๆ–นใŒใ€ใพใ ๆœช็†Ÿใชใฎใงใฏใชใ„ใ‹ใจๆ€ใ†ใ€‚

็งใŒๆŽขใ—ใฆใ„ใ‚‹ใฎใฏใ€็œŸๅฎŸใ‚’ๅ‰Šใ‚‹ๅฆฅๅ”ใงใฏใชใ„ใ€‚
็œŸๅฎŸใ‚’ไบบใซๅฑŠใๅฝขใซใพใงๆ˜‡่ฏใ™ใ‚‹ๆ–นๆณ•ใ ใ€‚
ใใ‚Œใฏ่ชฟๅ’Œใงใ‚ใ‚Šใ€ๅ…ฑ้ณดใงใ‚ใ‚Šใ€
็œŸๅ‰ฃใ ใ‹ใ‚‰ใ“ใๆˆ็ซ‹ใ™ใ‚‹้Šใณใ ใ€‚

็Ÿฅใฃใฆใ—ใพใฃใŸ่€…ใŒใ€ใชใŠๆ„›ใ•ใ‚Œใ†ใ‚‹้“ใŒใ‚ใ‚‹ใจใ€
็งใฏไฟกใ˜ใŸใ„ใ€‚
ใใ‚Œใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใ‚’ใ€่ซฆใ‚ใŸใใฏใชใ„ใ€‚

ใใ—ใฆ็„ก็Ÿฅใฎ็Ÿฅใ‚’ๆฐธไน…ใซๅฟ˜ใ‚Œใฆใฏใชใ‚‰ใชใ„ใ€‚
็Ÿฅใฃใฆใ—ใพใฃใŸใชใฉใจใ€ๅฎŒไบ†็ณปใ‚’ไฝฟใฃใฆใ‚‹ๆ™‚็‚นใง่‡ชใ‚‰ใฏๆ„šใ‹ใ ใจๅ‘Š็™ฝใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใชใ‚‚ใฎใ ใ€‚

ๆ˜จๆ—ฅ็งใŒๆ›ธใ„ใŸๆ–‡ๆ›ธใ€

ๆ‰‹ๆ”พใ™ใจใฏๆ”พๆฃ„ใ™ใ‚‹ใ“ใจใงใฏใชใใ€ๅง”ใญใ‚‹ใ“ใจใ€‚ๆœฌๆฐ—ใง้Šใถใ€‚ใใ‚Œใ“ใใŒ่Šธ่ก“ใ€‚ๅคงๅฑ€่ฆณใจใ„ใ†ๅใฎใ‚ณใƒณใ‚ปใƒ—ใƒˆใซๅ‘ใ‹ใฃใฆใ€‚ใชใ‚“ใจๅด‡้ซ˜ใงๆœ‰้›ฃใ„ใ“ใจใ‹ใ€‚็พŽใ—ใ„ใจใ„ใ†ใ“ใจใฎ็ด ๆ™ดใ‚‰ใ—ใ•ใ€‚AIใซใฏๆœฌ่ณช็š„ใซ็œŸไผผใงใใชใ„ใ€ๅ‘ฝใฎ่ผใใ€‚่กŒ็‚บใฎ็ด”ๅบฆใ€‚็”Ÿๅญ˜ๆฌฒๆฑ‚ใจใ„ใ†ๆœฌ่ƒฝใจใฎ้—˜ใ„ใ€‚ใ—ใ‹ใ—่‚‰ไฝ“ใฏๆป…ใ‚“ใงใ‚‚ใ€้ญ‚ใฏๆญปใชใšใ€‚

ใ“ใ‚Œใ‚’ไธ€็”Ÿๆ‡ธๅ‘ฝใ€่‡ชๅˆ†ใซ่จ€ใ„่žใ‹ใ›ใฆใ‚‹ใ€‚
ใใ‚Œใงใ‚‚่กŒๅ‹•ใซๅฎŒ็’งใซ่ฝใจใ—่พผใ‚ใ‚‹ใ‚ˆใ†ใซใชใ‚‹ใฎใฏใšใฃใจๅ…ˆใฎใ“ใจใ€‚
ๅง”ใญใ‚‹ใฎใงใฏใชใใ€ๆœŸๅพ…ใ—ใฆใ€่ซฆใ‚ใฆใ—ใพใ†ใ€‚
ๆๆ€–ใฎใ›ใ„ใชใ‚“ใ ใ€‚
ๅ‚ทใคใใฎใŒๆ€–ใใฆใ€่‡ชๅทฑ้˜ฒ่ก›ใ—ใฆใ—ใพใ†ใ‚“ใ ใ€‚
ใใ“ใพใงใ‚ใ‹ใฃใฆใฆใ‚‚ใ€ๅฐšใ€ๆ‰‹ๆ”พใ›ใ‚‹ใ‚ˆใ†ใซใชใ‚‹ใฎใฏใ‚‚ใ†ไธ€ใคๅ…ˆใฎใ“ใจใชใ‚“ใ ใ‚ˆใ€‚

โ€œDo Not Give Up on Honestyโ€

Alan Watts once wrote something along these lines.
And he, notably, was a hedonist.

โ€œThe Hidden Cost of Intelligenceโ€

Have you ever noticed that the smarter you become, the lonelier you feel? Itโ€™s a strange thing. You would think that intelligence helps you connect with peopleโ€”that by seeing more and understanding more, youโ€™d be able to draw closer to others. But thatโ€™s not what happens. If anything, it pulls you further away.

You walk into a room and everyone is laughing. But you donโ€™t find it funny. Theyโ€™re talking about trivial thingsโ€”safe, superficial topics. You smile, you nod, you play along. But inside, youโ€™re somewhere else entirely. Youโ€™re thinking about the conversation beneath the conversation. The patterns no one mentions. The questions no one asks. And suddenly, you realize that youโ€™re aloneโ€”not physically, but in every way that matters.

This is the hidden cost of intelligence. The price no one tells you about. An isolation that doesnโ€™t come from being different, but from seeing differently.

Let me try to explain what you may be sensing about intelligent people. Intelligence isnโ€™t just about knowing more. Itโ€™s about perceiving more. Itโ€™s about connecting dots others donโ€™t see. Following thoughts all the way to their logical conclusionsโ€”even when those conclusions are uncomfortable.

And hereโ€™s the problem: most people donโ€™t want to go that far. They donโ€™t want to question the gameโ€”the unspoken rules and structures of society. They just want to play it. They donโ€™t want to examine the masks. They just want to wear them. They donโ€™t want to ask whether the emperor has any clothes. They just want to compliment the fabric.

But you canโ€™t help yourself. You see the loose threads. You notice the contradictions. You notice the inconsistencies. You notice the silent agreements everyone treats as absolute truth. And when you point them outโ€”even gently, even jokinglyโ€”people become uncomfortable. Not because youโ€™re wrong, but because youโ€™re right. And being right about things people donโ€™t want to examine makes you dangerous.

So they distance themselves. Not necessarily consciously. Not necessarily maliciously. But they do. They stop inviting you. They keep conversations shallow around you. They call you โ€œtoo serious,โ€ or โ€œoverthinking,โ€ or โ€œtoo intense.โ€ And you learn to keep your thoughts to yourself. You learn to tone it down. You learn to speak in half-truths. You learn to laugh at jokes that arenโ€™t funny. You learn to nod at opinions you donโ€™t share. You learn to hide.

Because complete honesty, as youโ€™ve discovered, is social suicide. Authentic self-expression is loneliness in motion. To be truly yourself is to be alone.

โธป

My Response to This Text

I find that I simply cannot accept this conclusion. I suspect that even beyond complete honesty, there is a branching pointโ€”one where some people are loved, and others are not. That is the journey Iโ€™m searching for. It is harmony. It is resonance. It is serious play. And it is not compromise. I donโ€™t want to give up.

There is certainly truth in the claim that intelligence breeds loneliness.
But I donโ€™t want my thinking to stop there.
If absolute honesty leads only to loneliness,
then perhaps the way honesty is being used is still immature.

What I am searching for is not a compromise that dulls the truth.
It is a way to sublimate truth into a form that can reach others.
That is harmony. That is resonance.
That is play that only exists because it is serious.

I want to believe that there is a path
where those who have seen can still be loved.
I refuse to give up on finding it.

And we must never forget the knowledge of our own ignorance.
The moment one speaks as if one has โ€œalready known,โ€
using the past perfect as though understanding were complete,
one is effectively confessing oneโ€™s own foolishness.

โธป

A Passage I Wrote Yesterday

Letting go is not abandonment; it is entrusting.
To play in earnestโ€”this is art itself.
Moving toward a concept called a grand perspective.
How noble, how profoundly grateful this is.
The wonder of beauty itself.

A radiance of life that AI can never truly imitate.
The purity of action.
The struggle against the instinct for mere survival.
Though the body perishes, the soul does not.

I repeat this desperately to myself.
Even so, being able to fully translate it into action is still far away.
Instead of entrusting, I expectโ€”and then give up.
Itโ€™s because of fear.
Iโ€™m afraid of being hurt, so I fall back on self-defense.
Even knowing all this, truly letting go still lies one step further ahead.